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Box Office Flashback: January 9, 1992

Box Office Flashback: January 9, 1992

Robert Cass January 16, 2012 16

Where does the time go? SERIOUSLY, WHERE DID THE PAST WEEK GO? Let's find out together as we collectively experience a Box Office Flashback to January 9,

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Who’s More Evil: The Doors Or The Eagles?

Who’s More Evil: The Doors Or The Eagles?

Popdose Staff September 14, 2011 41

On the surface, it wouldn’t seem like these two bands have a lot in common, but look beyond that: These mainstays of classic rock radio into a Deathmatch were both from LA, did mountains

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Box Office Flashback: March 28, 1990

Robert Cass March 28, 2011 5

Prostitutes! Excessive partying! Jessica Tandy! These are a few of Charlie Sheen's favorite things, and they all make cameos in this week's Box Office Flashback to March 28,

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No Concessions: “Social” and Antisocial

Bob Cashill October 12, 2010 4

A status update on The Social Network tags the Wall Street sequel and Inside Job. But the sensitive may want to defriend the horrific Red White & Blue.

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Farkakte Film Flashback: Bio-picky Edition

Pete Chianca October 23, 2009 7

In a stunning convergence of teeth and propellers, Hilary Swank's Amelia arrives in theaters this weekend, inspiring Pete Chianca to look back at some other noteworthy biopics

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Sugar Water: Those Shoes Were Made for Throwin’

Robert Cass September 25, 2009 11

Muntadhar al-Zeidi, the Iraqi TV reporter who threw his shoes at President George W. Bush during a press conference in Baghdad last December, was released from prison on September 15 after serving nine months

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Sugar Water: Test Your Knowledge of Hollywood’s Creative Bankruptcy!

Robert Cass August 21, 2009 0

Sequels! Adaptations! Ill-advised remakes! It's gotten so it's hard to tell what's a real movie in development and what's a story in The Onion -- and that's where our quiz comes in

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No Concessions: Decider-in-Chief (“W.”)

Bob Cashill October 17, 2008 9

George W. Bush says he is content to let history judge him. But he misunderestimated Oliver Stone, whose W. puts our departing president on the cinematic cutting board just weeks before the next election.

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