Last week’s column opened by noting that, when you hear the name “Don Dixon,” you’re probably more likely to think of him in terms of his production career than for his accomplishments as a singer and songwriter. Although I followed this observation by noting that this tendency gets really annoying for those who’ve lived and loved to Dixon’s albums over the years, I also clarified that it should in no way be taken as a dismissal of his production work; the guy has had his hands on some of the best albums of the ’80s and ’90s, some of which you may have forgotten about. But, hey, that’s what I’m here for…
Popdose: I wanted to ask you about a couple of your production jobs…well, quite a few of them, actually, because I’m a big fan of a lot of the artists you’ve worked with. In fact, looking over your resume, it looks like you had a hand in about 7/8 of the American music I was listening to in the late ‘80s!
DD: I was busy!
PD: You were!
DD: And I made records quick. And cheap. That was the other thing. I made quick, cheap records.
PD: I’m a huge fan of the Connells’ Darker Days.
DD: I love the Connells. In fact, Arrogance just played with the Connells at an outdoor thing for a…well, it was kind of a Rock and Roll Hall of Fame thing. And the Connells still sound great.
PD: They used to play the Boathouse every other week, it seemed like, and I think I was there for most of the shows.
DD: I think I was only at the Boathouse once. We were there when Marti was opening for Chris Isaak, and I did some of the shows on that tour. I was doing some projects, so I wasn’t on every date, but she did a couple of months with him, and I think I was…no, I know I was at the Boathouse show, because I can remember exactly where the buses were parked. The Boathouse was kind of an odd show, because it was mostly theaters on that tour, and at the Boathouse, it was hard to fit all three buses in the lot.
PD: I can believe it. I’m sure they were all lined up next to the water.
DD: Uh-huh. So, anyway, the Connells. Let’s talk.
