Posts Tagged ‘Pattern Is Movement’

Live Music: Pattern Is Movement and St. Vincent @ Webster Hall, 5/20/09

Pattern is MovementPattern Is Movement have certainly lived up to the Movement part of their name, touring relentlessly since the release of their excellent fourth album, All Together. Seeing them for the third time since October, Pattern Is Movement’s set at Webster Hall last Wednesday was yet another in a line of charged, exciting performances. The duo debuted two new songs that sounded a little more aggressive than the rest of their cannon, though that could very well be because their live sound is beefier overall. Drummer Chris Ward’s rapid-fire drumming must be seen to be believed that there’s not some kind of magician responsible for some of those beats, and singer/keyboardist Andrew Thiboldeaux is both collected and charismatic, their mutual sense of whimsy exemplified in their constantly expressive faces and a flirty cover of D’Angelo’s “Untitled (How Does It Feel?)” (see video below).

Pattern is Movement, “Right Away” (download)

Headliner St. Vincent (aka Annie Clark) was surprisingly staid. Having whipped through New York City oozing charm and cutesiness in the past, the first half of her set was underwhelming, the sound a little flat and thin, the band just trudging through. Though she pulled out impressive riff after impressive riff, and heartbreaking vocal after heartbreaking vocal, everything seemed just a little off until the band returned to join her after a brief solo stint for “Oh My God.” Luckily they hit their stride in time for “Marrow,” the most savage song she’s written yet. As she waltzed through “Just the Same But Brand New” and dug out first album favorites “Marry Me, John” and “Your Lips Are Red” for the encore, it was easy to chalk the tepid first half to a case of nerves.

St. Vincent, “Marrow” (download)

Pattern is Movement and St. Vincent have a slew of dates – mostly together – and if you haven’t seen either, you oughta step to this.

For more pictures, see here.


Pattern is Movement cover D’Angelo’s “Untitled (How Does It Feel?)” Live @ Webster Hall, May 20th

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Live Music: Pattern Is Movement @ the Knitting Factory, 11/18/08

Pattern is MovementLeft wanting more after seeing one of their many CMJ sets, I was interested to see that Pattern is Movement was coming back to NYC to open for Subtle. As it stands, though, this pair should be headlining their own shows already.

Pattern is Movement is the kind of band one can pull whatever one likes from, whether it be focusing on Andrew Thiboldeaux’s sweet voice or Chris Ward’s flawlessly instinctive drumming. It’s aggressive, it’s beautiful, it’s whatever you’re in the mood for it to be.

In comparison to the rambunctiousness of their final CMJ set, Tuesday’s show was calmer but no less engaging – and, luckily, not in the Knitting Factory basement, so sound quality was instantly improved. Show-goers were led once more in a sing-a-long to “Right Away,” and at least one couple got caught up in the charming atmosphere and spent a sizable chunk of the show making out – much to the amusement of the good-natured duo and the rest of the audience.

Pattern Is Movement, “Right Away” (download)

Subtle was plenty interesting in character – wearing a construction worker’s flashlight headband, telling jokes and going on rants – but based on how much the crowd decreased in size after Pattern is Movement finished their set, most of us would’ve been perfectly pleased to see them play longer.

Dispatches from CMJ, Day Five: Drink Up, Buttercup, Little Jackie, Pattern Is Movement

Pattern is MovementThe first half of the last day of CMJ was something of a random draw, with there only being one band I was determined to see that day (Pattern Is Movement, seen on the left).

I ended up at Cake Shop for a repeat performance of Drink Up, Buttercup, the only band I saw more than once during the five days (though plenty of bands played plenty of times, surely this year broke a record for the number of bands doing a multi-set grind). While the double-dose was pure coincidence, the second set was perhaps even more entertaining than the first. If the first performance was energetic, then the second was manic. The band members seemed peeved at an only somewhat attentive audience, and Cake Shop’s rather meager sound and stage setup – or were maybe just enjoying too many of those cheap PBRs – and channeled all of that into song, flailing around more grandly, banging those trash cans harder, and shouting even louder, including at the audience to demand that they both pay attention and sing along. If being pissed off is what they need to put on this kind of show, then someone should harass these guys before every outing.

Speaking of attitude, the next stop was Little Jackie, the current project of Imani Coppola, known for the ‘97 hit, “Legend of a Cowgirl” (which was, incidentally, one of the first songs I downloaded from Napster). Coppola is back and she’s still sassy, a woman after my own heart. She’s doing the soul/girl-group thing, a la Amy Winehouse, and is also unafraid of flaunting her vices. Unlike the diva across the pond, however, Coppola has more than an ounce of pride and self-respect. (more…)

Listening Booth: Pattern Is Movement, “All Together”

The word together implies the combination of parts — and the third full-length from Philadelphia’s Pattern Is Movement, All Together, perfectly represents that which its title suggests.

There are many pieces in play here, and band members Andrew Thiboldeaux and Chris Ward audibly have fun breaking them down and arranging them. There are layers upon layers of vocals and instruments, and they miss each other as often as they intersect. One could possibly compare them to avant poppers like Deerhoof, Dirty Projectors or Fiery Furnaces, but not because they sound exactly like them as much as they seem to embrace a similar creative philosophy with highly unique results. They’ve been labeled “Math Rock” before, but it’s an oddly fitting tag since, in recent examples, it implies a heavier, more immediate and overwhelming sound, owing more to progressive rock and metal than anything Pattern Is Movement has created, particularly on this album.

Apparently, both Thiboldeaux and Ward have classical training, and on All Together it shows in the instruments they use and the timbres they create. The keyboard parts are occasionally reminiscent of Debussy, especially when combined with the occasional oboe and violin accompaniment (and when they don’t sound like Debussy, they often sound like Bartók). Throw in some guitar and some drums, and you’ve got impressionism meets contemporary rock and pop. (more…)