Posts Tagged ‘Paul Anka’

Into the Ear of Madness: Week 20 — More Power, Ballad Style

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Over the next year Terje Fjelde has agreed to listen to nothing but David Foster on his iPod. He’s loaded the thing with over 1,200 songs produced, arranged, composed, and/or played by the man. A deal with the devil? He keeps wondering.

I’m on vacation, spending the rest of the week by the Mediterranean, but hagen wouldn’t let me off the hook, so here’s a little something for you to enjoy while I’m away. Due to the circumstances, I’m afraid this week’s entry will be painfully short. I left my Fosterclopedia tools at home, so there’ll be no amusing anecdotes or pointless trivia to accompany the music. You may claim that I could have foreseen these events and written this week’s post ahead of schedule, and of course you’re absolutely right. But that’s just not how I work. To paraphrase David Foster, I’m “living for the moment” (from his 1990 solo album River of Love).

“Hold Me Til the Morning Comes,” by Paul Anka

We’re starting this week with a duet. You may remember my duet ramblings from last time, when I mentioned the Paul Anka-Peter Cetera collaboration. I’m sure you were excited by the idea, and who am I to let you down? Here’s the track in all its splendor. Someone — I think some guy at a fan site — noted that it sounds like a lost track from Chicago 17, and I agree. Replace Mr. Anka with Bill Champlin and you’ve got a perfect Chicago ballad (”perfect” being a relative term, of course) in the style of “Hard Habit to Break.”

“I Can Wait Forever,” by Air Supply (from the Ghostbusters soundtrack)

And then we have this memorable ballad from Australia’s most popular soft rockers. It’s my favorite Air Supply ballad, if indeed there is such a thing. “I Can Wait Forever” is a tight, solid David Foster production in the style that made him so famous (or infamous, depending on your tastes) in the early 1980s. In fact, both of the featured songs’ melodies are really strong and infectious. Don’t be surprised if you find yourself humming these tunes as you’re walking home from work this afternoon; I know I do it on a pretty regular basis (note the deliberate ambiguity here).

That’s all for this week. We’ll soon be done with all these power ballads, and then we’ll enter the realm of David Foster: The Solo Artist. Well, gotta go — I have an appointment with Michael Caine and Steve Martin in about half an hour.

Bottom Feeders: The Ass End of the ’80s, Part 3

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So, we’re on the third post of this series, and I haven’t yet told you about my collection, and the reason I can actually do this type of thing. Last week I mentioned how my dad used to give me cash to get 45s back in the late ’80s, but that’s not really what got me started on my habit. It wasn’t until college that I really started collecting.

As a student at the College of New Jersey, I spent the majority of time at the campus radio station, WTSR. Back in ‘97 or ‘98 I picked up the coveted 9-midnight Monday night slot and started “Stuck in the ’80s,” but at that point, my collection didn’t include much other than the crap the studio had kept around for the last 15 years. At the time, my buddy James was doing a ’70s show and his goal was to own every song that hit the Top 40 within that decade. So, as any broke college student would do, I decided to embark on that same journey for my decade, albeit with much shittier music to find (or so James would tell me).

I started out getting greatest-hits packages to build up the tunes for the show, then someone would call and request a tune I didn’t have, so I’d run out and buy it so I had it for the next week. It worked like that for a few years, until I graduated in ‘99 and started making some real money. That’s when the obsession really began.

And … commercial. Just like every reality show in the world, I send it off to break just as it’s getting good. We’ll look more into my obsession in the next post. Heck, I mean, there are going to be hundreds of these, so I need to take it kind of slowly, or else by part 35, I’m going to have nothing left to talk about but my morning bowel movement. And I’m sure that’s not nearly as fascinating to you as it is to me. And if it is, there are groups to take care of that sort of thing. Maybe you should look into that.

Update: After it was mentioned in response to post #2, I actually went out and purchased the All Sports Band LP. Maybe it’s just me, but the damn thing ain’t half bad. I mean, “I’m Your Superman” still sucks total ass, but it’s a decent rockin’ album. Not anything great, but a little bit of Journey and a little bit of The Knack and you have this record. Much better than I could have ever anticipated.

Anyway, more A’s for you this week …

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