It is nearly impossible to imagine a world without Kiss at this point. Whether you are a full-on soldier in the Kiss Army or you can’t stand them at all, you are always made aware that they exist even now. Gene Simmons’ combination of business savvy and brazen brand-whoring assures that. In October of 1974, however, things were much more tentative. A small group of fans had gravitated to that weird first album of theirs, more than a passing nod to one of Simmons’ idols The Beatles. The demonic kabuki makeup and glitter-bomb logo told a different story. Even in the rough ‘n ready world of hard rock in the early 1970s, the eponymous debut rougher, which is a polite way of saying it was recorded on the relative cheap and sounded that way. Even with the benefit of a little more money and a better recording studio, 1974’s Hotter Than Hell still wasn’t going to become an audiophile’s demo disc for their “killer stereo setup.” The material that would comprise Hotter Than Hell would …
Is Paul Stanley’s epitaph: “Loving father and husband; asshole bandmate?”
When they took off the makeup, did KISS have good records? Um, yeah!
Proving once and for all that they care about the fans, Kiss has decided not to play with their most popular lineup at the Rock and Roll Hall of Fame.
A look at seven musicians who overcome serious injury or illness and rose to the creative heights of their profession.
Having trouble finding the words to tell someone you love them? Just print out one of these romantic Kiss Greeting Kards!
A countdown of the ten most bizarre hidden album tracks released from mainstream pop and rock bands.
There are a lot of great music autobiographies out there, but there are great ones still to be written. Chris Holmes counts down the Top 5.
Do you remember the first full-length LP you ever bought? Mine was Kiss’ Destroyer, which I purchased in 1976 at the ripe old age of 10. I got it at the Post Exchange and then waited for my dad to come home from work so that I could listen to …
KISS is back with a new single! Check out the lyric video and let us know what you think!
“Death by Power Ballad” explores Extreme’s “More Than Words.”
As MTV marks its 30th anniversary, Matt Wardlaw spoke about the golden years of the channel with author Greg Prato, who has a new book on the subject.
In his last Death by Power Ballad column for 2010, Rob Smith finds a serious message of empowerment in KISS’ “Reason to Live.”
Any good label manager would tell you: don’t name your album something a reviewer could turn into a catchy, snarky counterpoint. But as we know far too well, most of the labels are hanging by a thread, the management inside reduced to bean counters versus quality controllers and, heck, if Hollywood keeps naming their movies in blindly self-insulting ways, why can’t the record industry follow suit? Besides, we’re talking about Kiss here, who have built an iron-clad and insular fanbase that views such flaunting of common sense as an act of rebellion. Who cares if the new album Sonic Boom, the first since 1998’s Psycho Circus, opens itself up to opening paragraphs such as this, begging the question, “Boom or Bust?” What really matters is if the band has spent the decade-long downtime productively or not, and luckily for you, the Popdose staff has gone through the work of sussing it out so you don’t have to. Strap on your steel dragon-face boots, smear on your kabuki greasepaint and shake off your love gun. It’s …
Yeah, we know it’s only Tuesday, but it’s never too early to rock — so break out the greasepaint and the studded leather, ’cause John Young is ready to give you some KISS!
I’ve long had a man-crush on soft spot in my heart for Paul Stanley, Kiss’ lead vocalist and most musical member. He’s the best singer in the band, a commanding stage presence, and his songs are the best things on every one of the dozens of albums the band has shat out since their 1974 debut (sure, Gene Simmons might claim to have written 300 unreleased songs, but they all doubtless suck, just like most of the ones that got released). And at age 57, he can still bring it live, whether in seven-inch leather heels with Kiss, or in more modest foot apparel in his solo shows. Check out his DVD One Live Kiss for a primer on playing great rock and roll well past what most people consider an acceptable sell-by date. Seriously, he’s only six years younger than my father, and Dad had to give up playing to sold-out stadium audiences in his early 40s. It’s exhausting. Stanley’s put out two solo records in his career—1978’s Paul Stanley (part of Kiss’ stunt …
How can you tell the difference between a good music critic and a bad music critic with a single question? Well, your mileage may vary on this, but for my money, you need only ask them to tell you their guilty pleasures. If they offer no hesitation whatsoever before launching into their list, then you should consider their opinions to be suspect. On the other hand, if they hem and haw for a moment before offering up a response that’s half an answer and half a clarification that “if you like something, then you shouldn’t feel guilty about it,” then it’s probably worth adding their RSS feed. If you’re wondering, I don’t have the ego to suggest that I’m a must-add, mostly because I’m prone to answer the question by saying, “I know I shouldn’t feel guilty about liking them, but…” And as you’ve probably guessed, I have on more than one occasion ended that particular sentence by citing The Click Five. In 2005, the Click Five released their bouncy debut album, Greetings from Imrie …