Posts Tagged ‘Performing Arts’

Theatre Is Easy: “Groovaloo”

BOTTOM LINE: An incredible dance show, unlike anything you’ve seen before.

The Groovaloos are a dance company from LA. They’re hip-hop dancers with diverse backgrounds who came together a while back as a community of freestylers who liked to jam with one another. They’re perhaps the most talented group of hip-hop dancers out there, at least as far as I’m aware. You’ve probably seen them on TV in one way or another, as they’ve been featured on several of those reality talent shows over the past couple of years (Fox’s So You Think You Can Dance, MTV’s America’s Best Dance Crew). Their autobiographical show, Groovaloo, has grown and changed since its inception in 2003, and it now comes to New York to play at the Joyce Theater after a successful run in LA. After its brief stay in New York — it plays though September 27 – Groovaloo will tour the country beginning January 10.

Performance-wise, Groovaloo is an athletic, energy-packed 90 minutes that gets the audience’s attention and doesn’t let go. Each of the 14 dancers is better than the next, and with men and women of all cultural backgrounds, the cast is totally captivating. Each dancer gets a solo moment, and as the show reveals itself, the audience learns each dancer’s story and how they got to where they are now. Although there are many featured moments for each dancer where they can break and freestyle and do their own thing, there are also many synchronized and choreographed moments where some or all of the dancers perform the same steps or tricks in smaller groups or as bigger production numbers. The variety keeps the production moving along at a nice pace.

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Theatre Is Easy: “Burn the Floor”

BOTTOM LINE: Just like Dancing With the Stars. With more dancing. And fewer C-Listers.

Let’s say you’re a major celebrity like oh, Elton John. And let’s say it’s your 50th birthday and you’ve recently become a big fan of contemporary ballroom dancing. Maybe you like the sparkly costumes. So your peeps decide to honor your special day by hiring amazing dancers to create a show for you to be performed at your soiree. Now let’s say you’re a power-player with money who happens to be a guest at Sir Elton’s birthday party. And you see this show and you think “this is both awesome and potentially lucrative.” You put your monacle back in your eye, take out your checkbook and adapt the show into a worldwide hit called Burn the Floor.

I’m not totally positive that’s how it all went down, but suffice to say this show got its roots in 1997 in Sir Elton’s honor. After a decade of developing and re-working, it has played in England and pretty much traveled the rest of the world on various tours. Burn the Floor has now set up shop at Broadway’s Longacre Theatre for a limited engagement through January 2010. (more…)

The Bigger Picture: The Acting Bug

76186065Actors can be an easy bunch to spot around Los Angeles. Often, they can be seen exiting a Kinko’s with a box of 500 headshots. The male can usually be seen hopping into his Jeep with his Von Dutch hat and designer T-shirt. Like many species, the male actor is the more flamboyant of the sexes.

Some of you will remember that I recently lost my job, which has forced me to start thinking outside of the box. The other day, I responded to a Craigslist ad for a stand-in on a movie set. I’m roughly the same build as one of the listed actors, and attracted by the allure of a $250 day rate, I made the drive into Hollywood on Saturday morning.

I can’t stand Hollywood. It’s filthy; nothing like the shiny image the world seems to have of it. Every inch seems to have a layer of black soot. It’s nearly impossible to drive two blocks under five minutes, and parking costs the price of a matinee movie ticket.

Stepping past a homeless man, I entered the office building and filed into the elevator with four other men. These didn’t look like the actors from my earlier description. These were tired-looking men with weathered faces, the type you’d find in a John Steinbeck novel. Some possessed the same build as me: tall and lanky. My competition. (more…)

Theatre Is Easy: “The Wiz”

BOTTOM LINE: Alvin Ailey meets Disney-on-Broadway meets the sale rack at JC Penney.

Ashanti and James Monroe Inglehart in The Wiz

The Wiz is an urban musical version of The Wizard of Oz with an all-black cast. It originally opened on Broadway in 1975, with Stephanie Mills as Dorothy, and did well in the Me Decade, playing for four years and spawning a movie in ‘78 that starred a way-too-old Diana Ross as Dorothy and Michael Jackson as the Scarecrow (it was directed by Network’s Sidney Lumet, of all people). The Wiz was revived on Broadway in ‘84 but received a less stellar response the second time around — it closed after only two weeks. And herein lies the problem with The Wiz: you’d better have an incredible production, because in the end it’s just not a very good show.

The newest version, playing through July 5, is part of New York City Center’s Encores! Summer Stars series, with the potential for a future Broadway run. Encores! employs high-caliber casts and creative teams to produce musical revivals; with somewhat minimal sets and a limited three-week run, the point is to put a staged but unfinished version of a show in front of an audience, then evaluate the response and potential future for the production. For example, the 2007 production of Gypsy with Patti LuPone started at Encores! and went on to a spectacularly successful run on Broadway. I’m not sure The Wiz will make the transfer, but I’d love to see this cast together again. For all the ways in which the production misses the boat, there are some truly wonderful moments as well.

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