Posts Tagged ‘Peter Fonda’

TV Review: “Independent Lens – No Subtitles Necessary: Laszlo & Vilmos”

No Subtitles Necessary: Laszlo & VilmosThe latest installment of the vaunted PBS series Independent Lens is No Subtitles Necessary: Laszlo & Vilmos. The documentary about the legendary Hungarian cinematographers debuts this week around the country. Check your local listings for time and channel.

Laszlo Kovacs and Vilmos Zsigmond met at film school in Budapest in the 1950s. When Soviet tanks rumbled into the city to crush the reform movement in 1956, the two friends took to the streets to document the horrors of the crackdown. They understood the importance of the footage they had, and volunteered to smuggle it out of their repressed country.

The two filmmakers eventually settled in Hollywood, where they did all sorts of odd jobs before getting opportunities to work on low-budget horror and biker films. Over the next 40 years, they created some of the most indelible images in the history of film. Kovacs got his break when he was tapped to be the Director of Photography for the seminal film Easy Rider in 1969. He went on to be the cinematographer on some of the greatest films of the 1970s, including Bob Rafelson’s Five Easy Pieces, Peter Bogdanovich’s Paper Moon, Hal Ashby’s Shampoo, and Martin Scorsese’s New York, New York. In the 1980s, he worked on films like Ghostbusters and Say Anything.

At the same time, Zsigmond was creating his own masterpieces, the first of which was his work on Robert Altman’s classic McCabe & Mrs. Miller. He went on work with Steven Spielberg on Sugarland Express, and most notably Close Encounters of the Third Kind, for which he won the Academy Award. His credits also include Michael Cimino’s The Deer Hunter, and Heaven’s Gate. He received his fourth Academy Award nomination for his work on The Black Dahlia in 2006, and he is currently at work on his third film with Woody Allen. (more…)

CD Review: Various Artists, “Where the Action Is! L.A. Nuggets 1965 – 1968″

Where the Action Is! L.A. Nuggets 1965 - 1968Just a week or so after tackling Rhino’s massive Big Star release, Keep An Eye on the Sky, I’m back writing about another huge effort from Rhino, Where the Action Is! Los Angeles Nuggets 1965 – 1968. Once again Rhino has released a beautifully constructed, painstakingly researched, and essential four-disc set, this time covering a crucial period in the evolution of rock and roll in Southern California. Few if any other labels are doing this sort of thing these days. If they have the resources, they don’t have the interest, and if they have the interest, they often don’t have the resources. Rhino is presently in the position of having both, but as I said in my Big Star story, we will have to wait to see what the future brings for the label.

At first glance, Where the Action Is!, would seem to be an all-star assemblage of early tracks from bands that went on the bigger things. Disc One (”On the Strip”) features songs from a veritable “Who’s Who” of ’60s California bands who made a name from themselves on L.A.’s Sunset Strip. They include the Byrds, Iron Butterfly, the Doors, the Buffalo Springfield, Sonny & Cher, Captain Beefheart, and Love. Then there are surprises from the Bobby Fuller Four, the Leaves, the Standells, the Seeds, and the Music Machine, bands often written off as one-hit wonders. Finally, there are the tracks heretofore known only to hard-core pop junkies. These efforts come from bands like the Palace Guard, the Sons of Adam, the Joint Effort, and the Guilloteens. Of particular historical interest are songs from a young Lowell George with his band The Factory, and The Rising Sons, led by Ry Cooder and Taj Mahal. There’s the Association with a wonderful cover of Bob Dylan’s “One Too Many Mornings,” and a typically offbeat, and typically compelling track from Spirit, “Girl in Your Eye.” (more…)

Exit Music (For a Film): “Easy Rider”

In 2002 I decided to cross one of the items off my bucket list (I hate that expression – if someone knows a better one please leave it in the comments) and took a trip to New Orleans for Mardi Gras.  My boss didn’t want to sign off on the vacation time because he was anticipating some sort of crisis during that week, so I almost had to quit my job for it.  It was one of the few times I actually played hardball  – I was playing chicken with a $2000 Christmas bonus that wouldn’t be awarded unless you actually worked for the company the day they handed out the checks – but I eventually got my way and flew out to Austin to join my college friend F****.  Our plan was to rent a car and drive from Texas to Louisiana, stay at an as-yet undetermined hotel on the outskirts of Louisiana and drive into town each day for parades.

F**** and I didn’t have a great track record of traveling together.  During our senior year in college, we’d embarked on a cross-country journey from Virginia to California in an aging Ford Taurus that my parents had given to me.  After a single day of being on the road together, we came to an unspoken agreement that if we didn’t make it across the country as quickly as possible, our journey might outlast our friendship.  We ended up driving in shifts for 34 straight hours, from Asheville, North Carolina to Las Vegas, stopping only for food and gas.  We survived, and our friendship survived (that particular trip, at least – we’re no longer friends today), and it didn’t seem like a bad idea to try it again four years later.

The Film: Easy Rider

The Song: “Ballad of Easy Rider”

The Artist: Roger McGuinn

(more…)