Posts Tagged ‘Phil Collins’

Bride of Popdose: A Wedding Songs Mixtape

If you’ve ever ventured into that thicket of sweetness and stress known as Planning A Wedding, you’ve probably at least considered buying one (or five) of those awful compilations of “wedding music.” They come in all sorts of flavors – classical, country, Contemporary Christian, pop standards, classic R&B – and they’ve got icky titles like A Day to Remember, or Songs That Say “I Love You.” They tend to feature a lot of the same songs, like “Always and Forever,” and “Three Times a Lady,” and “Wonderful Tonight,” and Pachelbel’s Canon, and “The Way You Look Tonight,” and that horrible Boyz II Men song “On Bended Knee.” And, just like the Book of Common Prayer, they’re all diabolically designed to make your nuptials sound just like everybody else’s.

My wife Gwen and I wed 15 years ago today, and to celebrate that occasion – along with the onset of the June wedding season – I thought I’d give Popdose’s loyal readers an anniversary present: a mixtape of wedding songs and stories from some of our columnists, and an opportunity to share your own remembrances and ideas in the comments. These songs aren’t your garden-variety bridal standards; in fact, a few of them are downright bizarre. But even if you don’t find them suitable for your own purposes the next time you get hitched, hopefully they’ll inspire you and your betrothed to follow your own muse, and not some music conglomerate’s. Click here for a compressed file of all the tracks featured here, and read on! (more…)

Bootleg City: Genesis in London, July ‘87

Noah Lennox, otherwise known as Panda Bear in the band Animal Collective — and as a solo artist — plays art rock and experimental pop music. But it’s still pop, and when the Onion A.V. Club asked him to set his iPod to “shuffle” in October 2007 as part of its Random Rules feature, one of the songs that came up was Phil Collins’s 1985 hit “Sussudio.”

Lennox said, “I feel like the way people react to music is the same way they react to people; you either respond to the person and trust them, or you don’t. I can’t put my finger on it, but I get into guys like S.E. Rogie or Phil Collins — even somebody like George Michael — whereas there’s a lot of similar music that I won’t get into for whatever reason. It’s really difficult to for me to say why. The fact that [Collins] is really into what he’s doing comes through somehow, and that resonates with me very well.”

Collins, of course, was a hugely successful solo artist in the ’80s as well as the lead singer and drummer for Genesis, which made its name with progressive rock in the ’70s but shifted its focus to radio-friendly pop the following decade, scoring five top-ten hits alone with its 1986 album Invisible Touch. Collins has taken his fair share of abuse over the years for the earworms he’s created, with “Sussudio” showing up on many “worst songs of the ’80s” lists.

Why all the hate? Because rock stars aren’t supposed to be short and losing their hair, that’s why! It makes them too much like normal people, and we all know normal people suck. And rock stars apparently aren’t supposed to use a nonsense word like “Sussudio” for the title of a hit song that you’ll be singing for the rest of the day whether you like it or not. But for artists and fans like Panda Bear, Collins is king because he knows who he is, and the world is a better place for it. Don’t blame him for the fact that no matter where you are in the world at any given moment, one of his songs will be on the radio.

The following bootleg is a bit of a cheat: it’s an audio rip of Genesis’s Live at Wembley Stadium DVD, recorded in London in July 1987. But “Sussudio” is nowhere in sight, so those of you with a preexisting earworm infection can rest easy.

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CHART ATTACK!: 4/11/87


Hi, everybody! This week’s CHART ATTACK! takes us back a whopping 22 years, and wow, do I feel old, considering I remember hearing just about every single one of these songs on the radio when they first came out. The songs this week aren’t that bad, actually, but as you’ll soon see, almost all of them are linked together in…well…just about the worst way possible. Stay tuned as we review the Top 10 from April 11, 1987!

10. The Finer Things — Steve Winwood Amazon iTunes
9. Let’s Go! — Wang Chung Amazon iTunes
8. Midnight Blue — Lou Gramm Amazon iTunes
7. Sign ‘O’ the Times — Prince Amazon iTunes
6. Come Go With Me — Exposé Amazon iTunes
5. Don’t Dream It’s Over — Crowded House Amazon iTunes
4. Tonight, Tonight, Tonight — Genesis Amazon iTunes
3. I Knew You Were Waiting (For Me) — Aretha Franklin and George Michael Amazon iTunes
2. Lean on Me — Club Nouveau Amazon iTunes
1. Nothing’s Gonna Stop Us Now — Starship Amazon iTunes

10. The Finer Things — Steve Winwood

“The Finer Things” is just one of the many collaborations between Winwood and his writing partner for most of the ’80s, Will Jennings. Jennings co-wrote almost all of Winwood’s hits, including “While You See a Chance,” which clearly inspired the opening of this song — all synths, baby! I’m usually anti-synth, but if it’s Steve Winwood, I’m okay with it. “The Finer Things” was the second biggest hit from Back in the High Life, peaking at #8.

Jennings, as I’ve mentioned in previous posts, is quite the accomplished songwriter: in addition to his work with Winwood, he wrote/co-wrote songs such as “Tears in Heaven,” “Up Where We Belong” and “My Heart Will Go On.” There’s a nice interview with him over at Songfacts.

Any fans of Kids Incorporated in the house? Y’know, that cheesy kids’ TV show from the ’80s and early ’90s? If so, good news! Here’s their cover! Hooray, I guess…?

9. Let’s Go! — Wang Chung (download)

I had no idea I had ever heard this song before until I reached the chorus, although to be fair, it’s not like I can really remember the verses of “Everybody Have Fun Tonight,” either. While this song did make it to the Top 10 (peaking here at #9), it wasn’t a strong enough hit to make the overall Hot 100 for 1987. I do like this mention of the song over at Wikipedia, though (emphasis mine): “The single was a hit for Wang Chung in the United States, and it provided the band with their second (and so far, last) top-10 hit.” Isn’t that cute? Who knows, everybody — Wang Chung may be making a comeback! Simple Minds, you’re on deck!

Not much to say about “Let’s Go!” — It follows the same format as their previous hit: stupid lyrics, catchy chorus. But, uh, hey: if you liked Kids Incorporated, this should be a happy day for you. They covered it!

8. Midnight Blue — Lou Gramm

I remember what my father said. He said, “Son, life is simple. It’s either cherry red, or midnight blue.”

What the hell does that mean? Is that really the best advice you got from your father? ‘Cause that’s shitty advice. Really shitty advice. It’s just unhelpful. Is there some double entendre I’m missing here?

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Mix Six: “Phil Collins, Session Drummer”

DOWNLOAD THE FULL MIX HERE

There was a time — maybe 25 years ago — when mentioning Phil Collins in the pantheon of frickin’ awesome drummers was greeted with thoughtful nods. Nowadays?  Not so much.  The reaction you’ll probably get from folks who don’t know how good Phil is behind the kit would run the gamut from a snicker to a sneer.  In a way, I don’t blame them.  After all, if you look at Phil’s creative output since the mid-’90s, it’s a story of an aging rocker whose slide into adult contemporary sludge is a bit tragic.  Tragic because the ballad-heavy output of hits Phil produced eclipses the complexity of his earlier work that demonstrates what a talented guy he was on the drums.  Phil’s been around long enough to know that what makes for a great drummer is not flash, but knowing when to add that bit of spice to a song that will really make it shine.

My good friend Scott Malchus and I are both drummers. Because we both spend (and spent) hours in the woodshed and basement behind the traps working on our chops, it doesn’t take huge leaps of logic to know that when listening to music, our ears are finely tuned to what the drummer is doing.

Scott suggested we do a mix that highlights Phil Collins’ work as a session drummer, and I have to say that after re-listening to these songs, there are some mighty fine drum moments in this mix.

“Pledge Pin,” Robert Plant (download)

Ted: By the early 80s, some hard rock icons like Robert Plant revamped their musical styles for more radio-friendly songs. If there’s a good one word description of Phil work on “Pledge Pin” it would be “sly.” On the surface you do hear the major accent of the snare on the 2 and the 4, but crank the song up and you’ll be treated to a lot of subtle and complex minor accents and quirky fills that never detract from the groove.  This is by far one of my favorite non-Genesis tracks where Phil shows he can kick some serious ass behind the kit. (more…)

Chartburn: 2/6/09

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Mainstream Rock: Joan Jett and the Blackhearts, “I Love Rock & Roll” (1982)

Zack: The only way this song to could get worse would be to have some pigtailed, bubble-gum chewing pop star perform a cover of it. Oh, wait. The rhythm guitar part is so incredibly simple it could have been played by an elementary school band, the guitar solo is laughable, and given the opportunity to choose between listening to Joan Jett’s screech or the sound my own screaming as a fingernail was pulled out, I’d ask if anybody had some bandages and maybe some Aleve for when the throbbing set in.

Ken: Not a favorite, really. Oh sure, if I’ve had enough to drink, and this comes on the jukebox very loud, I might get up, but on any other occasion, it just bores me to tears. It’s one of those songs that people use to define rock ‘n roll, and it just isn’t defining. It’s just mainstream crap really.

Dunphy: Complaining about this song is like complaining about pork rinds. It’s not good for you, and the taste of them kind of turns your stomach, but every so often you can handle it. This is the perfect illustration of lunkhead rock, but it’s not so awful that you’d do something drastic, like change channels or anything.

Jon: Top 40 radio playlist for a typical hour, spring 1982: “I Love Rock & Roll,” “Centerfold,” “Ebony and Ivory,” commercial break, “I Love Rock & Roll,” “Centerfold”… That year had the tightest Top 40 playlists of any in the pre-Soundscan era. Only 15 songs reached Number One all year, mostly because those three songs combined for 20 weeks. Those playlists also were practically lily-white; there’s a reason Columbia had to threaten MTV over Michael Jackson in early ‘83.

I still haven’t commented on the song. That’s because I’m ambivalent about it, and always have been. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 19

bottomfeeders2.jpg

You know, there are times when even I’ve had enough of ’80s music. It’s hard to believe that since I’m still acquiring “new” music all the time, but sometimes I need something more.

One of those times occurred this past Saturday as I was sitting at a poker table in Atlantic City, New Jersey. My iPod contains every Hot 100 hit from the ’80s plus many more ’80s tunes, some random great albums from the past two decades, and a ton of metal. I rarely ever choose a single artist or a full album and listen to the whole thing since I love the randomness of the shuffle option. There’s just something about hearing a 17-minute track from doom metal masters Electric Wizard followed by a Flock of Seagulls tune that does it for me. But as I was sitting at the table, I actually started to see a trend — when Tiffany came on, I was playing passively and poorly, but when it shuffled to Slayer I was nice and aggressive and winning hands. So, there came a point when I got tired of losing money and just chose to listen to Exodus albums for the rest of the night. I never thought there would be a point where the ’80s just didn’t work for me, but I guess I’ve found it.

NEW SOUNDS FOR THE COLLECTION:
Isaac Hayes, Lifetime Thing
Captain Sky, Concerned Party No. 1
Tease, Remember
The Flirts, Made in America
Gayle Adams, Gayle Adams
Kano, Kano

Back to a full post this week as I invade your speakers with more Billboard Hot 100 Bottom Feeders from artists whose names start with the letter C.

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Random-onium: Redd Kross, Chris Isaak, and the “Miami Vice” Soundtrack

This is the first in a series that I call Random-onium!, for lack of a better term. The premise is that I go to a friend’s house and pick a few CDs out of their collection — completely at random– and review them for your reading and listening pleasure.This week, my buddy John was kind enough to allow me access to his collection, making sure to point out in advance that the Natalie Merchant and Bangles CDs belonged to his lady, who thought it would be cool to merge their respective collections soon after she moved in.

“What?” he exclaimed defensively, noticing the expression on my face. I could have said any number of things and laid him out like a punch drunk boxer decades past his prime, but my sly grin and silence said it all. Of course, my insatiable adoration for “the obvious joke” overpowered my restraint and I let loose with a “whip crack” that would have made Michael Winslow proud, for which I paid the ultimate price as John thumped me in the shoulder. Not just my shoulder, though, but the exact spot on my shoulder that hurts like a mother when you knuckle punch it.

After “walking it off,” I promptly closed my eyes and blindly reached into his stack of tracks, pulling out… (more…)

Mix Six: “Drums Take the Melody”

Hiya kids! This week I have a guest DJ mixin’ it up for you. Jack Feerick wrote a great Popdose Guide to Traffic and, unsatisfied with lack of music love drummers usually get, has put together an eclectic Mix Six featuring some very imaginative rhythms. Before we get started, an obligatory drummer joke:

A man walks into a shop and says to the shop assistant: “Excuse me, I’d like to buy a guitar pick, and some strings.”

The shop assistant looks uncomprehendingly at his customer, and says “Pardon?”

“I’d like a guitar pick please, and some strings.”

The shop assistant thinks on this for a while, and then turns to his customer and says “You’re a drummer, aren’t you?”

“Yeah! How did you know, man?”

“This is a fish and chip shop.”

And now, on with the show! Take it away, Jack.

–Py Korry

DOWNLOAD THE FULL MIX HERE

I’ve played with a lot of drummers, and they’ve all had a drum key — but I don’t think I’ve ever seen one actually using it. Good tuning, though, can turn a well-played drum part into not just a hook, but a melodic hook. To wit, here are six tunes where the drums sing.

A note: I’m disqualifying Phil Collins from this list, because (a) everybody hates Phil Collins, and (b) despite his considerable flaws as a songwriter, personality, and human being, he is an absolute ace at making the drums sing. And, truth be told, his hateful earworms would utterly dominate this list if steps are not taken to prevent it. I’ll do my best, but I can’t promise I will be completely successful.

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