Posts Tagged ‘Phil Collins’

Bottom Feeders: The Ass End of the ’80s, Part 19

Wednesday, August 6th, 2008 by Dave Steed

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You know, there are times when even I’ve had enough of ’80s music. It’s hard to believe that since I’m still acquiring “new” music all the time, but sometimes I need something more.

One of those times occurred this past Saturday as I was sitting at a poker table in Atlantic City, New Jersey. My iPod contains every Hot 100 hit from the ’80s plus many more ’80s tunes, some random great albums from the past two decades, and a ton of metal. I rarely ever choose a single artist or a full album and listen to the whole thing since I love the randomness of the shuffle option. There’s just something about hearing a 17-minute track from doom metal masters Electric Wizard followed by a Flock of Seagulls tune that does it for me. But as I was sitting at the table, I actually started to see a trend — when Tiffany came on, I was playing passively and poorly, but when it shuffled to Slayer I was nice and aggressive and winning hands. So, there came a point when I got tired of losing money and just chose to listen to Exodus albums for the rest of the night. I never thought there would be a point where the ’80s just didn’t work for me, but I guess I’ve found it.

NEW SOUNDS FOR THE COLLECTION:
Isaac Hayes, Lifetime Thing
Captain Sky, Concerned Party No. 1
Tease, Remember
The Flirts, Made in America
Gayle Adams, Gayle Adams
Kano, Kano

Back to a full post this week as I invade your speakers with more Billboard Hot 100 Bottom Feeders from artists whose names start with the letter C.

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Random-onium: Redd Kross, Chris Isaak, and the “Miami Vice” Soundtrack

Monday, June 2nd, 2008 by Darren Robbins

This is the first in a series that I call Random-onium!, for lack of a better term. The premise is that I go to a friend’s house and pick a few CDs out of their collection — completely at random– and review them for your reading and listening pleasure.This week, my buddy John was kind enough to allow me access to his collection, making sure to point out in advance that the Natalie Merchant and Bangles CDs belonged to his lady, who thought it would be cool to merge their respective collections soon after she moved in.

“What?” he exclaimed defensively, noticing the expression on my face. I could have said any number of things and laid him out like a punch drunk boxer decades past his prime, but my sly grin and silence said it all. Of course, my insatiable adoration for “the obvious joke” overpowered my restraint and I let loose with a “whip crack” that would have made Michael Winslow proud, for which I paid the ultimate price as John thumped me in the shoulder. Not just my shoulder, though, but the exact spot on my shoulder that hurts like a mother when you knuckle punch it.

After “walking it off,” I promptly closed my eyes and blindly reached into his stack of tracks, pulling out… (more…)

Mix Six: “Drums Take the Melody”

Tuesday, May 13th, 2008 by Jack Feerick

Hiya kids! This week I have a guest DJ mixin’ it up for you. Jack Feerick wrote a great Popdose Guide to Traffic and, unsatisfied with lack of music love drummers usually get, has put together an eclectic Mix Six featuring some very imaginative rhythms. Before we get started, an obligatory drummer joke:

A man walks into a shop and says to the shop assistant: “Excuse me, I’d like to buy a guitar pick, and some strings.”

The shop assistant looks uncomprehendingly at his customer, and says “Pardon?”

“I’d like a guitar pick please, and some strings.”

The shop assistant thinks on this for a while, and then turns to his customer and says “You’re a drummer, aren’t you?”

“Yeah! How did you know, man?”

“This is a fish and chip shop.”

And now, on with the show! Take it away, Jack.

–Py Korry

DOWNLOAD THE FULL MIX HERE

I’ve played with a lot of drummers, and they’ve all had a drum key — but I don’t think I’ve ever seen one actually using it. Good tuning, though, can turn a well-played drum part into not just a hook, but a melodic hook. To wit, here are six tunes where the drums sing.

A note: I’m disqualifying Phil Collins from this list, because (a) everybody hates Phil Collins, and (b) despite his considerable flaws as a songwriter, personality, and human being, he is an absolute ace at making the drums sing. And, truth be told, his hateful earworms would utterly dominate this list if steps are not taken to prevent it. I’ll do my best, but I can’t promise I will be completely successful.

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