Posts Tagged ‘Popdose Interviews’

The Popdose Interview: Brandon Schott

If Brian Wilson and David Mead adopted a baby, he’d grow up to be Brandon Schott, the L.A.-based singer/songwriter whose lush harmonies, heartfelt lyrics, and gentle, sun-baked melodies have earned him a steadily growing fanbase since he made his solo debut with Release in 2003. Now he’s back with a new album, Dandelion, which forms a sort of song cycle around the year Schott spent learning he had cancer, struggling with the disease, and finally learning he was in remission. For fans of his last album, 2007’s Golden State, the new songs won’t disappoint, but they’re also a progression — they feel deeper, rawer, and less meticulously assembled, while still glowing with the melodic beauty of Schott’s best work.

Brandon was kind enough to take some time to talk with Popdose about what went into the making of Dandelion, which arrives in all the finer digital outlets today.

51CZmut-9jL._SCLZZZZZZZ_[1]Okay, let’s start at the beginning: “Seasons Turn,” Dandelion’s opening track. It’s beautiful — more of an invocation than a first song. Can you talk about how it came together?

Thanks! I definitely wanted it to feel like an opening prayer, set that kind of tone for the record. It was written a cappella in the car one afternoon — very shortly after finishing treatment and finding out I was officially in remission. The lyrics and melody all came in that one sitting — just kind of poured through me (I had to pull over a few times to keep up). The track was one of the only ones on the project that wasn’t initiated from scratch for the record during our sessions in the church — a good bit of the song was initially completed at home. When we started tracking the rest of Dandelion in the church the intention was to go in and just record the lead vocal on this one and call it. However, being that we had a pipe organ at our disposal that was aching to be part of the tune, and the harmonium and piano sounded so glorious in this space, the textures kept getting deeper and deeper — and naturally evolved into where it rests now. (more…)

Calling All Questions: Neil Finn

Reader questions are becoming almost de rigueur for our higher-profile Popdose Interviews, so we thought some of you might like to be part of our upcoming conversation with one of our very favorite artists, Neil Finn. Submit your questions here before midnight on Monday, and we’ll fit in as many as he can (or is willing to) answer. Feel free to touch on the Split Enz years, the Crowded House era, his solo work, or his many collaborations with Tim, Liam and the whole Finn brood — including the new 7 Worlds Collide album, The Sun Came Out, which itself dawns on September 29 and benefits Oxfam.

Have at it! And we’ll say “Hi” to Neil for ya.

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The Popdose Interview: Bill Champlin

Bill ChamplinBill Champlin has a lot to be happy about these days. He’s got a steady gig singing and playing keyboards with Chicago, a spot he’s held since 1982. His solo album No Place Left to Fall, released digitally last year, is finally seeing release as a physical CD this week. He has his first proper solo tour lined up for November along the West Coast. And he’s surrounded by amazing musicians, people he is all too eager to talk up and rave about. Champlin’s enthusiasm is positively infectious, which is something we all could use in this day and age. Not only was Bill generous with his copious good vibes we we phoned him for this interview last Tuesday, he delved into his distant past, at our request, to give us some perspective on the San Francisco music scene where he paid his dues in the Sons of Champlin before going on to co-write the Grammy Award-winning Earth Wind & Fire hit, “After the Love Has Gone,” and racking up further hits with Chicago (”Hard Habit to Break,” “Look Away,” “You’re Not Alone”) and playing on countless other sessions. All the while, Bill has maintained a healthy “other life” with his solo work and occasional Sons reunion gigs, and the benefits clearly come across in this interview.

I’ve really been a big fan since, you know, I guess since I started looking at credits on Chicago records. And I just remember being really, really jealous that I couldn’t come out here on the west coast when you reunited the Sons of Champlin. I was like, ‘oh man, what’s goin’ on here? Why can’t I go see the Sons?’ But now I’m in San Francisco and all is well.

Well, you know, we actually kinda kept doin’ that for about, I mean up until 2005 we’d do, at least once a year we’d do like a three or four week run of just at least weekends with the Sons. And after a while it just got to the point where we pretty much played out our welcome, know what I mean? (more…)

Cherry Bomb: An Interview With Music Journalist Carrie Borzillo-Vrenna

Carrie Borzillo-VrennaFor women who want to make it in the all too male-dominated music industry – and music journalism in particular – writer Carrie Borzillo-Vrenna is an inspiration. Her name has appeared in Billboard, SPIN, RollingStone.com and the Alternative Press, and MTV, VH1, Fuse and E! have all sought her expertise on music and relationships. It’s a good thing for us daring women, then, that Borzillo-Vrenna has written a rock-chick reference, Cherry Bomb: The Ultimate Guide to Becoming a Better Flirt, a Tougher Chick, and a Hotter Girlfriend, and to Living Life Like a Rock Star.

Cherry Bomb is an A-to-Z menagerie of guidance, whether it be on something as basic as planning an outfit, or as consuming as managing your budget. Borzillo-Vrenna is playfully tongue-in-cheek, but still dishes useful tips on problems like hangovers (hydrate!) and ways to get backstage (note: doesn’t require taking off clothes). She also enlisted some high profile friends – Betsey Johnson, Lisa Loeb, Tori Amos, Anna Sui and more – to embellish her advice with suggestions of their own.
Between planning her next book and her new gig as an advice columnist for Suicide Girls, Borzillo-Vrenna took the time to talk to me about why she likes giving advice, why fashion isn’t superficial, and why everyone should write a book.

TL: So, Cherry Bomb has been out for a while, is there anything about the reaction to it that surprised you or that maybe you didn’t expect?

CBV: Actually, that’s a very good question, because, yeah. It’s only been about – well, it’s been out about two months now, not even two months. When I was writing it I wasn’t totally sure who my audience was. I knew who the girl was, I mean, ‘cause it’s me: you’re edgy, the kind of girl who likes Gwen Stefani more than Jessica Simpson and likes music and is a little tougher and feistier, I knew that. But the one thing I wasn’t totally sure about was the age, the demographic.

I’d be writing and sometimes I felt like I was really writing for like my little sis, and then other times, I’d have my friends over, they’d do little focus groups with me to help with the book, and all my friends are around my age, which is mid to late 30s. So I was getting a little confused, and I actually even asked my editor, “What age do you think it is?” and she said, “Don’t worry about it, just write.” So I just kind of wrote.

I think in the end, what surprised me the most was all of the feedback I got from the younger demographic. It kind of just solidified that I was thinking it was going to be for someone who I’m thinking of as my little sis, and I wasn’t totally sure, but I became completely sure once I got all the feedback, ‘cause I have a lot of–shockingly, some high school students, which it shouldn’t be because it talks about sex and alcohol, so it should be 18 and over—but, lots of those kids just starting college, or, not kids, girls, young ladies, just starting college or in college, e-mailing me, finding me on MySpace or on Facebook, or going to my official website and e-mailing me on my personal account, and asking me for advice and saying, “It’s like my big sister.” So, that was really cool.

It was slightly surprising that I got more of that, but I was really kind of happy with it, and I kind of was thinking of that when I was writing it, anyway, but it was just nice to really get the feedback and see, yeah, okay, I’m like big sis and this is for maybe girls in their early 20s. (more…)

Popdose Interview: Rick Springfield

Rick Springfield looks like this at age 57Rick Springfield is getting something of a career re-boot this week. Twenty-seven years after “Jessie’s Girl” and the Working Class Dog album made him one of the ’80s’ first superstars, Springfield is ubiquitous once again – if only for a few days: Good Morning America, Live with Regis and Kelly, Fox and Friends, Nightline on Friday evening. He even returned to his old haunting grounds on the General Hospital set, singing his new single “What’s Victoria’s Secret?” in the guise of aging rocker Eli Love. (See, Love is a doppelganger for Springfield’s classic character, Dr. Noah Drake, who one time had to fill in when Eli … oh, never mind.)

All this renewed attention accompanies Springfield’s fine new album, Venus in Overdrive. It’s his first for the New Door label, which has built a roster of “heritage” artists that’s beginning to look like a Behind the Music episode guide. In Springfield’s case, New Door has exhibited a knack for exploiting pre-existing name recognition and for coaxing familiar-yet-fresh music from an artist who has seemingly done it all before. The title track is a song Chris Daughtry might wish he’d written, while “What’s Victoria’s Secret?” feels like 1981 again, but in a good way, reminding us why “I’ve Done Everything for You” and “I Get Excited” were such terrific power-pop (while not-so-subtly echoing the guitar riff that helped drive “Jessie’s Girl” to the top).

Popdose caught up with Springfield on Tuesday, shortly after his appearance with Reege.

Did the show go well this morning?
I don’t know! I’m the last person to ask. I never have any idea how I come off on TV. They tell me it was fine, so I just take their word for it and go on to the next thing.

So, listen, Rick: Some screaming girl I didn’t even know dug her fingernails into my forearm during one of your concerts in 1982. I still have the scar.
Oh, man. (Laughing) You’re not gonna sue me, are you?

No, but I would like an apology.
Oh, I don’t know. I think there’s a statute of limitations on those sorts of things, isn’t there? So… (assuming voice of Nelson from The Simpsons) Ha-ha! (more…)

The Popdose Interview: Jack McBrayer

Actor Jack McBrayer (Kenneth on NBC’s 30 Rock) e-mailed me recently, panic-stricken and possibly sweaty. He was convinced that the recent writers’ strike had made people forget who he was. “But Jack,” I said, “the last new episode of 30 Rock aired in January, and the next new episode airs Thursday, April 10, 8:30 Eastern, 7:30 Central. Don’t you think you’re overreacting?”

“The public is fickle, Robert — I have to get my face back out there.”

“But you’re in Mariah Carey’s new video for ‘Touch My Body,’” I reminded him. “I saw it advertised on VH1 at the end of February, and I watched it on YouTube just the other day. Don’t worry. Everything’ll be alright.”

Unfortunately, nothing I said could calm him down. But four hours and a couple hundred e-mails later, Jack and I came up with a solution that would please everyone — a Popdose e-mail interview. Hooray! My work here is done. Well, except for the actual interview.

Jack and I grew up in the same town — Macon, Georgia — but when he was 15, his family moved to Conyers, Georgia, the home of Holly Hunter and a scorching outbreak of syphilis back in the ’90s. After graduating from the University of Evansville in Indiana in 1995, Jack moved to Chicago and studied improv and sketch comedy at the Second City and ImprovOlympic Theater (now known as iO). He was hired for the Second City Touring Company in ‘97, and two years later he was a writer-performer on the Second City e.t.c. stage. In 2002 he moved to New York City and began making regular appearances on Late Night With Conan O’Brien in various roles.

Jack’s next move was to Los Angeles in 2004, where he played a waiter on two episodes of the late, great sitcom Arrested Development, continued improvising at iO West, and in 2006 costarred in Talladega Nights: The Ballad of Ricky Bobby, followed closely by his breakout role as Kenneth the NBC page on the 2007 Emmy winner for best comedy series, 30 Rock. On April 18 he stars in the latest Judd Apatow-produced comedy, Forgetting Sarah Marshall, in which he plays the newlywed husband of Maria Thayer (Strangers With Candy).

Before Jack and his family moved to Conyers, he and I shared good times and youthful lung capacity in the Macon Boys’ Choir during the 1984-’85 school year. Unfortunately, I don’t think we talked to each other that much, seeing as how he was a sixth grader and I was a third grader. Nevertheless, my first question for the southern scene stealer was …

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Popdose Interview: Matthew Ryan

 

He may not be a household name, but Matthew Ryan’s raw, emotional songs have struck a chord with enough fans to support a musical habit that has lasted over a decade and through 11 albums (so far). On the eve of the release of his latest effort, Matthew Ryan vs. the Silver State, he took time out to talk with Popdose about his past, present, and future. Read on!

Judging from the title and the album cover, I was expecting an album of Irish battle songs!

Yeah, yeah, yeah.

But that really isn’t the case.

Well, they kinda are …

They’re pretty low-key for battle songs …

(Laughs)

… and I think someone who listened to your last album, From a Late Night High-Rise, might look at this and assume that it’s sort of a rockin’ response to what was a very personal set of songs. But it isn’t really that either.

Well, it’s hard for me to be objective, but I think it has an emotional presence that’s a little more amplified.

It does feel like a more muscular record, more live, for lack of a better word, but it doesn’t feel like you’re bashing out the stuff you were carrying around for High-Rise.

Right. Well, I think in the last few years my work has gotten a little more confidential, and I think that might be a sign of maturity. You know? I wouldn’t say this record’s more a whisper than a scream, but I guess it is. And the things I’m writing about, I’d rather provoke a conversation than rage from a soapbox.

The songs have a really natural flow to them. I just noticed this morning that the opening track, “Dulce et Decorum Est” (download), is seven minutes long.

(Laughs) That’s good to hear, man. That’s what I’d hope would happen, ’cause if you’ve got a story to tell and you’re telling it well and it has its own cinema about it, time should become a bit more elastic, you know? (more…)

Popdose Interview: Willie Wisely

The name “Willie Wisely” has been music to discerning pop fans’ ears for well over a decade now, but he’ll be the first to admit his albums have thus far failed to penetrate the wider marketplace, despite reams of positive reviews and a fervent fanbase. With his latest release, titled simply Wisely, he hopes to change all that — and was willing to chat with Popdose during part of a 14-hour drive between gigs in order to help further his cause. If you’re somehow unfamiliar with the magic of Wisely’s songs, prepare to be enlightened…

Where are you right now?

I think I’m near Jacksonville, Florida. When I MapQuest for these gigs, I never pay attention — I only know I need to turn in 400 miles. Daytona Beach! There, that’s where I am. Started the morning off in Richmond, Virginia, so today I’ve been doing a good chunk of driving. I’m playing tonight in Melbourne, Florida, which I think is near Tampa.

Sounds like you’re in the thick of promoting the new album.

Yep, yep, lots of touring. This is something like date number 73 since October.

The new record came out in January, on Oglio. How did you end up with them?

I was working with Andy Dick — I was producing and co-writing an album for him, and it was suggested to me that we approach Oglio, because they have George Lopez and some other big names I don’t know, ’cause I don’t follow comedy, but they’re the go-to label for that sort of stuff. I always knew the president of the label had a pop music heart as well, but really, I was just approaching him on the Andy Dick record; there was a spoken-word album in the can and we were working on the musical project, so I went to them and said “Why don’t you release this?” and they said “Great!”

I was sort of the point man for keeping Andy involved in the promotion of the record, and I got to see what a great label Oglio is — and they got to see that I’m easy to work with. I sent them a rough edit of the video for “Through Any Window” before I sent them the album, actually, and asked them what I should do with it. Mark at Oglio said “Holy shit! What should you do? We should sign you!” We signed up pretty quickly after that. I sent them the rough edit of the album, and it all came together. There were no attorneys involved. (Laughs)

Andy Dick! There are obviously hidden depths to your career that I didn’t know about.

Yeah, I don’t like to emphasize it, ’cause he’s a friend. A great friend. (more…)

Popdose Interview: Eddie Money

Eddie MoneyEddie Money knows he’s an archetype, and he doesn’t mind it one bit. His 15-year run of AOR hits and arena-rock stardom, from the 1978 double shot of “Baby Hold On” and “Two Tickets to Paradise” through MTV hits like “Take Me Home Tonight” and “Peace in Our Time,” was interrupted in 1981 by a drug overdose that nearly took his life. Rehab stints for drug and alcohol problems later put a dent in his always healthy touring schedule, but Money soldiers on as he approaches his 60th birthday next year — staying clean and “trying not to smoke a million cigarettes,” as he rasped during our talk a couple weeks back.

He’s happy to talk about being a rock ‘n’ roll survivor; in fact, he’s happy to talk about anything at all, at approximately 1,500 words a minute. An interview with Money is almost guaranteed to feature at least one burst into song (in our case it was “Ferry Cross the Mersey,” during a discussion of Gerry & the Pacemakers’ Rock and Roll Hall of Fame prospects); when he gets tired of talking about his career, he’ll turn the tables and start peppering his interviewer with questions. The extracurricular topics ranged from his hometown Giants’ Super Bowl win (he’s still excited, more than a month later) to Roger Clemens’s stupidity, and on to politics. (”It had better not be that frickin’ Obama,” he said; when I told him I am, indeed, all about Obama and explained why, he conceded, “Yeah, you may be right. My kids like him, too.”)

Money’s most recent album, last year’s set of ’60s soul covers called Wanna Go Back, turned the spotlight on his daughter Jessica; she’ll soon be featured in an MTV reality series about rock-star offspring called Rockin’ the Cradle. Meanwhile, Eddie is writing a stage musical about his own life, and he’s plotting to become the latest rocker to go country. He’s working with Vince Gill and John Ford Coley (among others) on songs for an album called The Other Side of Money that will feature, yes, a Nashville-ified version of “Two Tickets to Paradise” and which he hopes will “open up a whole new market for me.”

So how’s it going, Eddie?
Oh, man, I’m just tryin’ to pull it together this morning. It ain’t as easy as it used to be, comin’ down from a road trip at my age.

You were playing a casino near Portland this weekend.
Yeah, it was great, we had a lot of fans come out. I’m breaking in a new keyboard player. The old one was with me for 10 years, but he decided he didn’t want to do any more of those 4:30 a.m. calls to get on the bus and head out. Can’t say I blame him.

The great thing is that I’m taking my daughter Jesse on the road with me these days. She’s a miracle. We do a couple duets, she sings “Turtle Blues” by Janis [Joplin], it’s a lot of fun. She’s a great singer — I think she’s gonna go far. (more…)

Popdose Interview: Al Jarreau

We may scoff at his constantly smiling public persona — not to mention vintage bits of ’80s cheese like the “Mornin’” video — but anyone who tries to deny Al Jarreau’s talent is simply a fool, and we’re not too proud to admit we were, to borrow a phrase used in an earlier Darren Robbins post, “chuffed to the ‘nads” to have a few minutes on the phone with the voice that made Grammy history with wins in the pop, jazz, and R&B categories. You aren’t too cool for Al, kids — quite the opposite. In fact, he was too cool to answer some of our questions directly, but we accept that. Jarreau exists on another, hipper plane, which is why this interview kicks off Al Jarreau Week here at Popdose. Meet us at the roof garden from now ’til Friday!

Mr. Al Jarreau! How are you?

I’m okay! Sorry I’m late. I’m just sort of stumbling, bumbling, tumbling downhill. Where’s a tree stump when you need one? It’s not today, it’s everything up to today, and what I gotta do tomorrow! (Laughs) That’s good stuff, you know. Having things that demand your presence and require you to be on the job!

Like this new Love Songs compilation. How did that come about? You haven’t been affiliated with Warner Bros. for awhile now…

Yeah, well, it should have happened years ago! In fact, seven years ago, this package got put together. My wife did it — she put it together, and said, “You should have a Valentine’s project, Al. You should do a compilation of all the love songs — you’re a love song ballad singer, and people are asking for these songs in concert, so put one together and call it Al’s Valentine Card,” you know? So all I did to complete this was to add a few things from newer projects, and make sure that “Like a Lover” was included. (more…)