Posts Tagged ‘Red Rockers’

Bottom Feeders: The Ass End of the ’80s, Part 73

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It’s week number two of the letter R, as we continue to look at the bottom three-fifths of the Billboard Hot 100 chart during the 1980s.

Leon Redbone
“Seduced” — 1981, #72 (download)

As if there weren’t enough songs in this series that sound like they didn’t belong in the decade, let’s bring some good ‘ol ragtime music into the mix. I’m not necessarily saying it’s a bad song, but radio stations really played this? I mean, really? My God, how the musical climate has changed.

The Reddings
“Remote Control” — 1980, #89 (download)
“(Sittin’ On) The Dock of the Bay” — 1982, #55 (download)

TheReddingsBackToBasics1983AMost artists that are relatives of someone majorly famous seem to try to do anything they can to prove the point they are their own artist and get out of the famous relative’s shadow. But Otis Redding’s sons Dexter and Otis III as well as nephew Mark Lockett seemed to embrace it and work it to their advantage. While Otis is known for his sweet soul sounds, the Reddings brought more funk and disco elements into their songs early in their career. But they weren’t ashamed to cover Otis’s most famous song — “(Sittin’ On) The Dock of the Bay” — either. However, even as a group they weren’t nearly as talented as the big man and nothing really propelled them to stardom. They released six albums in the ‘80s, but without the impressive lineage they would really be just another R&B group.

Helen Reddy
“I Can’t Say Goodbye to You” — 1981, #88 (download)

Well, actually Helen did sort of say “Goodbye” to us, as this was her 21st and last charting song. I wish her well, and I hope I never ever hear from her again.

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Mix Six: “415 Records”

DOWNLOAD THE FULL MIX HERE

So, I’ll be upfront about where I ripped off got this idea for this mix.  I was reading the San Francisco Chronicle (Essentially my hometown paper because I’ve tried reading the Contra Costa Times, but found myself going back to “The Chron” time and time again) and they had a pretty good article on a reunion concert featuring artists who were on the 415 label back in the day. Even though I consider myself a serious music junkie, I never obsessed over labels.  If the song was good, that’s all that mattered to me  — well, until I got older and realized what it meant to be on a certain label.  For those who don’t know, 415 Records was the brainchild of Howie Klein (who’s now doing a lot of political writing), Butch Bridges, Chris Knab and, later, Queenie Taylor.  The label promoted mostly new wave bands (though some punk bands were on the label, too), and they cranked up their little machine in 1978 to sign and promote bands that would (hopefully) revitalize the music scene in San Francisco — which it did.  With the success of bands like Romeo Void, the label caught the interest of Columbia records and Bill Graham and 415 acts were able to carve out a niche whereby some new wave musicians living in the “City by the Bay,” could make records, get paying gigs, get airplay on radio stations , and with the interest of Bill Graham, be booked on tours with big selling acts.  Oh, and maybe have a video or two in rotation on MTV.  Best of all, the local bands didn’t even have to relocate to New York or L.A.

Alas, all good things must come to an end, and 415 Records (after being in partnership with Columbia) ceased to exist in 1989.  Boo! (more…)