Posts Tagged ‘reeves gabrels’

Mix Six: “Supergroup … or Superdud?”

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On paper, it sounds like a moneymaking formula: take individual members from successful bands, put them together in a supergroup to make music, record the magic, and watch album sales go through the roof.  Yes, the Supergroup can, at times, be seen as a crass money grab, and at times it is.  However, there are other times when the result of these ventures bears some tasty fruit. Now, people’s taste being what they are, it’s going to be an argument without end as to which of the groups represented here are Supergroups or Superduds.  I certainly have my opinions, but don’t let that dissuade you from defending or slamming the six in this mix.

“Sole Survivor,” Asia (download)

Back when Asia made their debut in the early ‘80s, they were touted as the next big thing that would define rock music for the decade.  Think about it: you take a little bit of Yes, Emerson Lake and Palmer, and King Crimson, put them in a blender of sorts, serve up the contents  and … what do you think you’re going to get? Go ahead and insert a 40-Year-Old Virgin joke here. (more…)

Popdose Flashback: Tin Machine, “Tin Machine”

Tin Machine was flat-out great, featuring fierce guitars, edgy lyrics and even edgier production. The world thought it stunk, and threw stuff at David Bowie and his noisy bandmates when they took the stage and played its songs. For this critic’s CD-buying money, the two records Tin Machine did—this 1989 debut and the 1991 Tin Machine II followup—are still the finest post-Let’s Dance material Bowie’s made.

Tin Machine’s main fault was that it refused to pump out another tired Ziggy Stardust nostalgia cruise on stage—with some Low, Lodger, and Young Americans stuff interspersed to keep it real—that hardcore Bowiephiles wanted. Instead, Bowie forsook his brand and Tin Machine played originals like [video embedding prohibited—so we link] the cut after which the band was named, “Tin Machine.”

How dare he play dissonant songs, charged with aggressively political and at times angrily anti-religious lyrical content? The words were a good-news, bad-news proposition: Popdose colleague David Medsker claims that a couplet from “Crack City”—”They’re just a bunch of assholes, with buttholes for their brains”—is one of the worst couplets in rock history.* Hard to disagree with that. Some of Tin Machine’s lyrics, and for that matter, the feedback, seem gratuitous.

The point is, we remember those words two decades later. Can anyone give me any couplet, good or bad, from Black Tie White Noise? Or from 1. Outside? Does anyone even remember those Bowie album titles? Nobody? The prosecution rests, your honor. (more…)