Posts Tagged ‘R.E.M.’

Mix Six: “Duets and Collaborations”

DOWNLOAD THE FULL MIX HERE

A few weeks ago, I took my family down to a train wreck of an event called the Great American Food and Music Festival in Mountain View, CA.  It was supposed to be a day where you could eat regional foods from around the country,  listen to music like Marshall Crenshaw, Big Bad Voodoo Daddy and Little Feat, and then watch cooking demonstrations from Bobby Flay and Guy Fieri of the Food Network.  I won’t go into too much detail on why it hellish experience, but just to give you a sample (ha!) of why it was such a poorly organized event, I give you this:  it was a day where you had to stand in line for three hours to get food — like a hot dog from Pink’s Hot Dogs.  Anyway, as we were driving down, we were listening to the radio and “Under Pressure” by Queen and David Bowie was on.  This started a 10 minute discussion on duets and collaborations that started with UB40 and Chrissy Hynde’s cover of “I Got You Babe.” I kind of filed some of the duets in my mind with the intention of doing a Mix Six at some point in the future, and guess what?  The future is now.

“Getting Away With It,” Electronic and Neil Tennant (Download)

This collaboration between Bernard Sumner of New Order and Johnny Marr from the Smiths lasted longer than I thought it would.  And with Neil Tennant from the Pet Shop Boys lending his distinctive vocals to the song, Electronic went from “side project” to almost a supergroup in the ’90s (I’m sure someone is going to argue that they were a supergroup, but I’ll leave that to a discussion in the comments section).  The song sounds so much like New Order and the Pet Shop Boys, that Johnny Marr’s contribution sounds rather muted.

“Slow Train to Dawn,” the The and Neneh Cherry (Download)

Like many folks, I was a big fan of the The’s Soul Mining.  I bought the cassette on a whim when it was released in 1983 and probably listened to it non-stop in my car for a two weeks.  When Infected came out three years later, I immediately bought it because I heard/saw the lead single on MTV and just loved it.  While I didn’t find Infected to be as quirky as Soul Mining, it had some great songs on side one.  Side two was more of a “grower” side that included “Slow Train to Dawn” with Neneh Cherry doing co-vocals.  This was, of course, years before she charted as a solo artist with “Buffalo Stance.” (more…)

CHART ATTACK!: 4/11/87


Hi, everybody! This week’s CHART ATTACK! takes us back a whopping 22 years, and wow, do I feel old, considering I remember hearing just about every single one of these songs on the radio when they first came out. The songs this week aren’t that bad, actually, but as you’ll soon see, almost all of them are linked together in…well…just about the worst way possible. Stay tuned as we review the Top 10 from April 11, 1987!

10. The Finer Things — Steve Winwood Amazon iTunes
9. Let’s Go! — Wang Chung Amazon iTunes
8. Midnight Blue — Lou Gramm Amazon iTunes
7. Sign ‘O’ the Times — Prince Amazon iTunes
6. Come Go With Me — Exposé Amazon iTunes
5. Don’t Dream It’s Over — Crowded House Amazon iTunes
4. Tonight, Tonight, Tonight — Genesis Amazon iTunes
3. I Knew You Were Waiting (For Me) — Aretha Franklin and George Michael Amazon iTunes
2. Lean on Me — Club Nouveau Amazon iTunes
1. Nothing’s Gonna Stop Us Now — Starship Amazon iTunes

10. The Finer Things — Steve Winwood

“The Finer Things” is just one of the many collaborations between Winwood and his writing partner for most of the ’80s, Will Jennings. Jennings co-wrote almost all of Winwood’s hits, including “While You See a Chance,” which clearly inspired the opening of this song — all synths, baby! I’m usually anti-synth, but if it’s Steve Winwood, I’m okay with it. “The Finer Things” was the second biggest hit from Back in the High Life, peaking at #8.

Jennings, as I’ve mentioned in previous posts, is quite the accomplished songwriter: in addition to his work with Winwood, he wrote/co-wrote songs such as “Tears in Heaven,” “Up Where We Belong” and “My Heart Will Go On.” There’s a nice interview with him over at Songfacts.

Any fans of Kids Incorporated in the house? Y’know, that cheesy kids’ TV show from the ’80s and early ’90s? If so, good news! Here’s their cover! Hooray, I guess…?

9. Let’s Go! — Wang Chung (download)

I had no idea I had ever heard this song before until I reached the chorus, although to be fair, it’s not like I can really remember the verses of “Everybody Have Fun Tonight,” either. While this song did make it to the Top 10 (peaking here at #9), it wasn’t a strong enough hit to make the overall Hot 100 for 1987. I do like this mention of the song over at Wikipedia, though (emphasis mine): “The single was a hit for Wang Chung in the United States, and it provided the band with their second (and so far, last) top-10 hit.” Isn’t that cute? Who knows, everybody — Wang Chung may be making a comeback! Simple Minds, you’re on deck!

Not much to say about “Let’s Go!” — It follows the same format as their previous hit: stupid lyrics, catchy chorus. But, uh, hey: if you liked Kids Incorporated, this should be a happy day for you. They covered it!

8. Midnight Blue — Lou Gramm

I remember what my father said. He said, “Son, life is simple. It’s either cherry red, or midnight blue.”

What the hell does that mean? Is that really the best advice you got from your father? ‘Cause that’s shitty advice. Really shitty advice. It’s just unhelpful. Is there some double entendre I’m missing here?

(more…)

Song-Off Jr.: Gardening

R.E.M. – “Gardening at Night”

Tears For Fears – “Sowing the Seeds of Love”


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Who’s got the greenest thumb?

View Results

Last week, the more experienced Don Henley shook down Eric Elbogen for all the quarters in his pockets, taking 68% of the vote.  Next week, we’ll celebrate the NCAA tournament with a pair of songs about madness.

Mope Like Me: One Final Mix Tape

This will be the last Mope Like Me column.

In truth, I didn’t think I would be saying this, at least not this soon after launching it. I’m a sucker for sad songs, and God knows there are plenty of them. What I didn’t anticipate, though, is how exhausting it would be to go to that dark place, even if it was only every other week. I guess I’m just too happy now to revisit the more unpleasant times in my life.

And so, rather than draw out the misery for months on end, I’m making a final mix tape of every song I ever thought about writing up for this column. White Label Wednesday will continue to run every other week, and in the place of Mope Like Me will be another song column, but one that is decidedly more upbeat. Ta.

Air – Run
Elliott Smith – Everything Means Nothing to Me
Semisonic – She’s Got My Number
World Party – And I Fell Back Alone
Rialto – Love Like Semtex
E – The Day I Wrote You Off
The Jayhawks – A Break in the Clouds
Joe Jackson – The Other Me
Kerli – Fragile
Squeeze – There Is A Voice
Gus – Tell Me What You Can’t Say
R.E.M. – Endgame
Elbow – Powder Blue
XTC – I Can’t Own Her
October Project – Take Me as I Am
Everything but the Girl – Shadow on a Harvest Moon

Mix Six: “W’s iMix”

DOWNLOAD THE FULL MIX HERE

Howdy to all the ‘Merican people!

George W. Bush here.  Well, I’m almost outta here, and I’m not one for mushy speechifying, so I’ve had Laur’ whip up one of these iMixes to show y’all how I feel about some of those who have worked with me for the past eight years. One of the twins used some kind of computer program called Photostore or somethin’ to put together a logo for this mix.  And those boys over at Popdose — you know Ted Asrreee … Azara … As The World Turns (Ha ha) and Dee Dubya Dunphy — had something to do with this.  So, here’s the logo:

And here’s my mix.

W…out!


“Master and Servant,” Depeche Mode
(download)

Hey there Rummy!  Hope yer enjoyin’ all that “free time” now that, you know, yer not workin’ for The Man!  Ha ha.  Yeah I know, I’m “The Man,” and “The Decider,” and “The Cheerleader,” but boy, for an old fart you sure were into that whole torture thing — I mean, really into it.   I guess I should’ve called you The Punisher.   I’m not sure if yer some kind of perv, but, you know, after more than a few Boilermakers, we’ve all done stuff we ain’t proud of.   Remember that story I told you over and over about waking up in the gutter after pretty spectacular bender with that dog doin’ the one-leg salute on my face?  Geez, what a crummy way to say I had a golden shower.  Anyway, K.I.T., have a great summer, and don’t do anything I wouldn’t do. (more…)

Hooks ‘N’ You: “Produced by Don Dixon”

Last week’s column opened by noting that, when you hear the name “Don Dixon,” you’re probably more likely to think of him in terms of his production career than for his accomplishments as a singer and songwriter. Although I followed this observation by noting that this tendency gets really annoying for those who’ve lived and loved to Dixon’s albums over the years, I also clarified that it should in no way be taken as a dismissal of his production work; the guy has had his hands on some of the best albums of the ’80s and ’90s, some of which you may have forgotten about. But, hey, that’s what I’m here for…

Popdose: I wanted to ask you about a couple of your production jobs…well, quite a few of them, actually, because I’m a big fan of a lot of the artists you’ve worked with. In fact, looking over your resume, it looks like you had a hand in about 7/8 of the American music I was listening to in the late ‘80s!

DD: I was busy!

PD: You were!

DD: And I made records quick. And cheap. That was the other thing. I made quick, cheap records.

PD: I’m a huge fan of the Connells’ Darker Days.

DD: I love the Connells. In fact, Arrogance just played with the Connells at an outdoor thing for a…well, it was kind of a Rock and Roll Hall of Fame thing. And the Connells still sound great.

PD: They used to play the Boathouse every other week, it seemed like, and I think I was there for most of the shows.

DD: I think I was only at the Boathouse once. We were there when Marti was opening for Chris Isaak, and I did some of the shows on that tour. I was doing some projects, so I wasn’t on every date, but she did a couple of months with him, and I think I was…no, I know I was at the Boathouse show, because I can remember exactly where the buses were parked. The Boathouse was kind of an odd show, because it was mostly theaters on that tour, and at the Boathouse, it was hard to fit all three buses in the lot.

PD: I can believe it. I’m sure they were all lined up next to the water.

DD: Uh-huh. So, anyway, the Connells. Let’s talk.

(more…)

Hooks ‘N’ You: Don Dixon, “(If) I’m a Ham, Well You’re a Sausage: The Don Dixon Collection”

When you hear the name “Don Dixon,” you’re probably more likely to think of him in terms of his production career than for his accomplishments as a singer and songwriter … and for those who have thrilled to each and every album in his oeuvre, it’s starting to get really annoying. Not that there isn’t a ton of work amongst his past efforts as a professional knob-twiddler to make him legitimately legendary in his field, but there’s just so much more to the man than that. Next week, Jon Cummings and myself will be providing ample proof of that, when we perform our first collaboration and offer up The Popdose Guide to Don Dixon, but for now, I thought I’d ease you into his work by discussing the best … okay, only … single-disc anthology of Dixon’s work: the obscurely-named (If) I’m a Ham, Well You’re a Sausage: The Don Dixon Collection.

(Actually, the title makes sense … more or less … within the first 30 seconds of the album, but until then, you’re allowed to go, “What in the hell does that mean?”)

Devlins Drift

If you know Dixon’s solo work at all, then you’re probably familiar his lone semi-hit: “Praying Mantis.” (There’s a video for it somewhere, because I definitely remember seeing it on “120 Minutes” at some point or other, but apparently it’s become so obscure that it’s not even on YouTube.) The track was definitely a highlight of his Enigma-Records-era releases, but as this collection quickly demonstrates, catchy pop tunes were plentiful within the grooves of everything he released during that time period. It’s no wonder that bands like R.E.M., the Smithereens, Guadalcanal Diary, and The Connells were drawn to his production methods; Dixon himself could jingle and jangle with the best of them, having been playing along with the guys in Arrogance throughout the ’70s and early ’80s before going it solo. Indeed, a couple of the tracks which ended up on his solo records were actually Arrogance tracks … including “Praying Mantis”!

(more…)

Phagz on 45: Episode Six

Phagz on 45

Here we go again — John C. Hughes and the world’s foremost Belinda Carlisle impersonator, a.k.a. his buddy Matty (or “Bearlinda,” if you prefer), knock back some booze and review some singles, homo style. This week your rainbeaux duo take a listen to songs by the B-52’s, R.E.M., Cheap Trick, Ace Frehley, and Nick Gilder while discussing high school rock bands, White Castle sliders, and Kate & Allie. Enjoy, and as always, MP3s of the songs are below so you can follow along at home.

The B-52’s — “Give Me Back My Man” (download)

R.E.M. — “Supernatural Superserious” (download)

Ace Frehley — “New York Groove” (download)

Cheap Trick — “Elo Kiddies” (download)

Nick Gilder — “Hot Child in the City” (download)

The Year in Rock: 1996

Welcome to a series I began at He’s A Whore and am proud-as-punch to continue here at Popdose. While not able to mention everything that happened, I’ve touched upon some of the key events that made 1996 what it was, warts ‘n’ all.


Kiss announce plans to reunite with original members Ace Frehley and Peter Criss as part of a “farewell” world tour.

In March, Phil Collins announces his decision to leave Genesis.

That same month, the Sex Pistols announce plans for a reunion tour marking the 20th anniversary of the band’s formation. (more…)

Political Culture: Will Hollywood Matter in 2008?

“Who cares what I think? I’m not the president. I’m just a storyteller, man.”

So says Bob Dylan — or, at least, Cate Blanchett as Jude Quinn as Bob Dylan — in Todd Haynes’ wonderful, baffling film I’m Not There. But whether Quinn/Dylan’s dismissal is sincere, or just part of his circa ‘65 scramble to negate every aspect of his public image, the question he poses is one with which artists and entertainers have been struggling for decades. Their celebrity brings access to cameras and microphones, but does it also bring the ability — or the responsibility — to influence political debates and even turn elections? Can actors and pop stars really change the world by speaking their minds? Should they bother trying? And, honestly, who cares what they think? (more…)