Posts Tagged ‘Rhett Miller’

Infinite Play: Old 97’s, “Barrier Reef”

Too Far To CareWell, it’s been a few weeks since I’ve done one of these. Sometimes I figure out which song I want to write about, but have no idea what angle to take other than “This song rules!” Then another song pops into my head and I think, “That’s the one.” Without getting into the backstory, that’s what happened to me the other day with “Barrier Reef.”

Like nearly all the great early songs by Old 97’s, the beauty of “Barrier Reef” is how it simultaneously works within the confines of country music while standing them on its head. It starts off with a simple guitar riff by Ken Bethea, followed by the rhythm section of drummer Philip Peeples and bassist Murry Hammond crashing in with a loping shuffle. If that wasn’t enough to scream “COUNTRY!” Rhett Miller’s lyrics seal the deal.

The Empty Bottle was half-empty
Tide was low and I was thirsty
Saw her sitting at the bar

Isn’t that perfect? Within the first 25 seconds, you’ve got a bar with a great name for the local honky-tonk, and a girl just waiting for some guy to put the moves on, which is what Rhett does in the second verse. (more…)

CD Review: Rhett Miller, “Rhett Miller”

Rhett MillerOld 97’s leader Rhett Miller has a real knack for taking lyrically dark material, and setting it to a upbeat tune. He takes that ability to a whole new level of his self-titled fourth solo album (Shout Factory). Miller has a real Elvis Costello-like way with melody, and slightly skewed, occasionally acerbic lyrics. In other words, he’s more than just another pretty face with a great head of hair. That said, he does have some nice hair.

This time out, Miller’s darkness was created by the death of his grandmother, along with the suicide of his hero, writer David Foster Wallace. In “Like Love,” Miller sings that the girl of his dreams “wanted things that I couldn’t afford, like love.” But don’t despair, he soon finds another girl of his dreams to take her place.

Miller claims that the bizarre tale that is “Happy Birthday Don’t Die” was all there in his head when he woke up on the morning that he was headed to Texas to make the album. The sci-fi inspired story seems to have something to do with a little old lady who is buried in the catacombs of a colony planet, and is celebrating her 100th birthday by dying. Typical, right?

The album’s best track is a little gem called “If It’s Not Love.” “Now the whole situation, went to hell an hour late. Are you on the side of reason, or is your heart made out of hate,” wonders Miller before stating “you make a great big deal out of nothing, and then you cut me down to size.” All of this drama plays out over a stomping beat and chiming electric guitars before giving way to a drop dead perfect chorus in which Miller says, “if you’re not gonna be the one, you’re gonna be the one I miss.” Or what about “Another Girlfriend,” in which Miller boasts “the last thing I need, is another girlfriend. Two is enough, for me. Two is enough, and you would make three.” Clever stuff.

Miller has a great foil in producer and multi-instrumentalist Jon Brion, who plays guitar and bass on all 12 tracks. The production is simple, clean, and relatively unadorned by any sort of flourishes, which allows the songs to stand on their own. the rest of the assembled team includes the Apples in Stereo’s John Dufilho on drums and Billy Harvey on guitar.

There is no wheel reinvention going on here, but if the idea of 12 well-written, cleanly produced songs that melodically deny their own dark roots appeals, Rhett Miller is for you.

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Live Music: NON-COMMvention, World Cafe Live, Philadelphia, PA

treNON-COMMvention is the premier annual event for North America’s noncommercial Triple A radio stations. It was founded by Dan Reed in 2001, when he was at radio station WFPK in Louisville, which cosponsored the event. In 2008 the event moved to Philadelphia, and WXPN (where Reed is the music director) stepped into the co-sponsorship role, along with TripleAradio.com.

This was my first visit to the annual conference, which not only features panels of interest to radio people, but some notable musical guests over the course of the event’s three days. To be honest, although I’m sure that the panels were interesting, I’m not a radio professional, and my main interest in being there was to see the artists assembled for day two. NON-COMM is held in WXPN’s World Cafe Live, which is one of the best new music venues in the country, with stages on two levels, including one with a bar/restaurant. To see all of my photos from NON-COMM, please click here.)

I arrived at World Cafe in time to head downstairs to the main stage for an early performance by the Derek Trucks Band. Trucks has developed into one of the finest slide guitar players in the world, and his set of torrid blues got the day off to a great start. Musically, the set was very reminiscent of Trucks’ day job, as a guitar player for the Allman Brothers Band, but he does quite well on his own, playing with great confidence and style. (more…)