Posts Tagged ‘Richie Havens’

CHART ATTACK!: Beatles Edition

Well, Beatles covers, anyway.

As if you haven’t noticed, it’s Beatles Week here on Popdose. Hell, it’s Beatles Week all over the world. Well, far be it from me to stay away from any bandwagon, but as you know, I gotta give things a little bit of a twist. See, I could talk for days about the Beatles’ appearances on the Billboard Top 10. They hold a million records, too — “Hey Jude,” for example, was the first single in the history of the Hot 100 to enter the charts at #10, and stayed at the top for nine weeks, longer than any other Beatles single. But what can I really say about these songs that hasn’t been said before? So instead, I thought I’d present you with ten Beatles covers that appeared in (or at least hovered around) the Top 10. Okay, I’ll be stretching it a little: two of these songs were never recorded by the Beatles but were written by Paul and/or John. Still, I think it provides for a fun week. And as a little treat — every single song is available for download! (You can thank/curse me later.) Off we go with CHART ATTACK!: Beatles Edition!

10. Here Comes the Sun — Richie Havens Amazon iTunes
9. Goodbye — Mary Hopkin Amazon iTunes
8. We Can Work It Out — Stevie Wonder Amazon iTunes
7. You’ve Got to Hide Your Love Away — The Silkie Amazon
6. Got to Get You into My Life — Earth, Wind & Fire Amazon iTunes
5. I Saw Him Standing There — Tiffany Amazon iTunes
4. The Fool On The Hill — Sérgio Mendes & Brasil ‘66 Amazon iTunes
3. A World Without Love — Peter and Gordon Amazon iTunes
2. Lucy In the Sky With Diamonds — Elton John Amazon iTunes
1. Medley — Stars on 45 Amazon iTunes

10. Here Comes the Sun — Richie Havens (download)
Peaked at #16 on 5/22/71

Okay, I have to admit that I’m cheating a bit here: a spot in this Top 10 legitimately belongs to Anne Murray and her cover of “You Won’t See Me,” which peaked at #8 in July of 1974. But we covered that song back in July, and I honestly couldn’t bear to talk about it again. So instead, we’ll talk about Richie Havens’ song, which is a live version taken from his album Alarm Clock and remains his only single to reach the Top 40. Havens’ version features his trademark bordering-on-frenetic rhythmic guitar work, and definitely takes the song in a different direction; sadly, the lead guitar riff that is featured so prominently in the original (both in the introduction and the chorus) is gone, but Havens’ gentle, assured voice gives this version its own kind of peace.

9. Goodbye — Mary Hopkin (download)
Peaked at #13 on 5/31/69

In 1968, an 18-year-old Welsh singer named Mary Hopkin appeared on the British talent television show Opportunity Knocks. She sang “Turn, Turn, Turn” and won the competition. Twiggy happened to be watching the show that night, and called Paul McCartney to tell him about this fabulous new singer. The next Monday, Hopkin was in the studio with McCartney, recorded eight songs in a day and ended up with a contract offer at Apple Records. Her first single “Those Were the Days” (produced by Macca and recorded in English, French, German, and Italian) reached #1 in the UK and #2 in the US. Its catalog number was APPLE 2, behind APPLE 1, “Hey Jude.”

It was her follow-up single, “Goodbye,” that gives us a somewhat more direct Beatles connection — in addition to production, Paul also wrote the song (though, as with all songs at that point in time, it was credited to Lennon/McCartney). The 10th single released on Apple, it only reached #13 here but made it to #2 in the UK — held back from the #1 spot by “Get Back.”

I think “Goodbye” is a simple, sweet and charming little ditty. Hopkin’s vocal is pure and clean, and the percussion is quite charming. Paul’s demo, however, has a charm all its own, and in many ways, I prefer it to Hopkin’s version.

Paul McCartney — Goodbye (Demo) (download)

Here’s a promotional video for “Goodbye,” featuring Hopkin and McCartney in the studio. And if all that wasn’t enough, I found an absolutely stunning cover on YouTube. Check it out!

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Book Review: Michael Lang (with Holly George-Warren), “The Road To Woodstock”

road-to-woodstock-cover-image-677x1024[1]When it comes to telling the true story of Woodstock, more properly known as “An Aquarian Exposition: The Woodstock Music and Art Fair,” it’s hard to imagine anyone better suited for the role than Michael Lang. Now, 40 years after the world-changing event and right on time for the various activities celebrating the anniversary, the man who conceived the festival has decided to tell his story in The Road to Woodstock, co-written with Holly George-Warren.

One thing you learn early on in his book is that Michael Lang is a die-hard optimist. There’s no dream that can’t be realized, no obstacle that can’t be overcome. That attitude served him well on the road to Woodstock, because to say there were obstacles to getting the festival up and running would be a major understatement. Lang also manages to find the good in people, and despite profound disagreements with his Woodstock Ventures partners and others, there is no mudslinging here. (more…)

DVD Review: “Woodstock: 3 Days of Peace and Music Director’s Cut”

Woodstock - The Director's CutThere’s a well-known saying that if you think Woodstock was great, you weren’t there. The point is that the mud, drugs, lack of food and water, and often bad music made the whole thing a disaster for those who were there. I don’t know about where you live, but where I’m from in New Jersey, everyone of a certain age claims to have been there. I’ve even made that claim a couple of times. At least I was at the great, but now forgotten, Atlantic City Pop Festival two weeks earlier. If everyone who says they were there was actually there, there would have been millions of people rolling around in the mud, instead of the hundreds of thousands who were actually there.

Jeff Giles reviewed the Blu-ray version of the new 40th Anniversary Edition Director’s Cut of the Woodstock film a couple of weeks ago. I haven’t read Jeff’s review because I make it a point not to read any reviews of something that I’m working on until after I’ve finished my review. So this may end up being a point-counterpoint, or maybe we’ll agree on everything.

I first saw Michael Wadleigh’s film in a theater in New York City when it was released in 1970. It was the same night as the Knicks seventh game victory over the Lakers (the game where a hobbled Willis Reed provided one of the most inspirational performances in sports history), and since there were no vcr’s, and certainly no dvr’s yet, I missed the game. The things we do for love. I may have seen the film once in the years since then. The biggest surprise for me after all these years is that the film, so fondly remembered for the bands, is not about the music at all. It’s about people. The people who organized the whole thing. The people who went and lived to tell the tale. The townspeople who were massively inconvenienced that weekend. The man who cleaned the Port-O-Sans. (more…)