Posts Tagged ‘Rick James’

Unsolicited Career Advice for … Rick James

In 1967, Rick James was just getting out of military prison, having served a year for going AWOL from the Navy, and was pondering a return to music with the Mynah Birds, a band that had been signed to Motown and had briefly included Neil Young on guitar. Few people know that James at this time was a tea-totaling, God-fearing, neatly groomed young man who was shy around women and had never heard of funk. Uncle Donnie intended to set him straight and help him spice up his life and career in this 32-year-old memo. – RS

TO: Rick James
FROM: Don Skwatzenschitz
RE: Career Advice

Hi, Rick. Don Skwatzenschitz here; we met at the Motown building about a year and a half ago, while you and the Mynah Birds were recording “It’s My Time.” That should have been a hit, but we all know you had to meet your military obligation, and it’s good you ‘fessed up and faced the music, so to speak. Feels good to not having that hanging over your head, doesn’t it? By the way, how’s the food in the Brooklyn Brig?

Rick, you are a singular talent, but it has to be nurtured. I know you’re thinking about going back to Motown, but I ask you to reconsider. There are new musical worlds being discovered in places like San Francisco, Berkeley, and right around the corner from where I’m writing—Haverhill, Massachusetts (we have a swingin’ acid rock collective nearby called Captain Dusty Verkota and His Electric Hookah All-Stars. You should come by and check them out, next time you’re around). Soul music is great—you know me; I’m all about the soul of things. But there are other avenues of expression to consider. And, for God’s sake, don’t act so scared around the ladies! You’re a good-looking guy! (more…)

Bootleg City: Lindsey Buckingham, 12/10/92

I was beginning to think I’d never find a tough lawman to clean up Bootleg City, especially after my faux pas-filled interview with Marshall Crenshaw. (I won’t bore you with the details of my preliminary talks with the Police. They work well as a team, but who needs all that drama?) But last weekend, as I was digging through CDs at the one place left in town to shop for music — the local Christian thrift store, Heaven Is One Coffee-Stained Couch Donation Away — I ran across a copy of Law and Order by Lindsey Buckingham.

Of course! Who better to scare the crap out of criminals than the man who followed up Law and Order with Go Insane? Here in America we can’t get enough of “maverick cops” who have trouble “playing by the rules” and are willing to risk “life and limb” to nab the bad guys, possibly because they’re “mentally unstable” or just plain “suicidal,” and years down the road may end up making “anti-Semitic comments” to arresting officers while “hammered out of their gourds on Cazadores tequila” behind the wheel of an automobile. In order to catch the bad guys, you have to think like the bad guys, but sometimes that means you end up talking and even acting like the bad guys. But isn’t it worth all the apologetic “Whoopsy!” meetings with rabbis and the stints in rehab and the worldwide public condemnation if it eventually translates to some face time with Diane Sawyer?

Let’s not forget that Lindsey simulated sex with himself on Fleetwood Mac’s 1987 hit “Big Love.” That’s Rick James-level freaky. Plus he likes to talk about his “gift of screws,” he’s got a somewhat androgynous name, he wore makeup in the ’80s, and he used to do his hair up like Eraserhead and Treasury Secretary Timothy Geithner.

It’s no wonder Mayor P.R. Nelson of Erotic City was upset when he found out I’d hired Lindsey — no one had told him that Stevie Nicks’s ex was available as a gun for hire in the first place. His brisk e-mail said it all: “How come U don’t call me anymore?” His second e-mail was even more to the point: “I hate U.”

Don’t worry, he’ll get over it. If there’s one thing I’ve learned about freaky people, it’s that they keep on comin’.

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Mix Six: “Mashups”

DOWNLOAD THE FULL MIX HERE

Last week, I was trying to figure out the awkwardly titled decade called “The 2000s.”  Yes, there’s been an A.D.D. quality to the last 10 years, but it could also be argued that there’s also a postmodern current flowing underneath all those mini-trends that came and went so fast they didn’t say goodbye. If I may be so bold as to throw another musical novelty borne out of the proliferation of cheap multitrack audio software into this decade, it would be the mashup.  I think the first time I heard  a kind of mashup was with the release of the Small Soldiers soundtrack.  Just a few years later, people wouldn’t need recording studios to do what the DJs where able to do on that soundtrack — and I’m thinking specifically of the “Love Is a Battlefield” Kay Gee remix with Queen Latifah and Pat Benatar.  Nowadays, it’s clear that ProTools can do wonders, and the more people with time and interest on their hands delve into what new musical forms they can weave into familiar songs, the more the original songs take on new and interesting twists when mashed up together.  Having tried to do my own version of a mashup called “the smashup” — where I smashed covers of certain songs together — I know the time and dedication it takes to put these mixes together.  So, here we go with a mix from some very creative individuals who clearly have talented ears and great skills with a multitrack recorder. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 45

As I promised, no more Jacksons this week, but we will keep plodding through the letter J as we continue to take a look at songs that reached no higher than #41, a.k.a. “the ass end,” on the Billboard Hot 100 chart in the 1980s.

Debbie Jacobs
“High on Your Love” — 1980, #70 (download)

Debbie Jacobs had better luck on the dance chart than she did on the Hot 100. She had a few disco hits in the late ’70s and early ’80s, but this annoying track was her highest-charting pop single.

Mick Jagger
“Ruthless People” — 1986, #61 (download)
“Throwaway” — 1987, #67 (download)

Sigh. Well, at least one of these songs is better than anything on the Stones’ 1986 album Dirty Work. “Throwaway” should be the name of the first song here, as that’s all “Ruthless People” is — a limp, sad snapshot of an artist going through the motions. The actual “Throwaway” isn’t all that bad, though it’s still uninspired; it’s a track from Mick’s album Primitive Cool, which features some of the worst cover art of the decade.

The Jags
“Back of My Hand” — 1980, #84 (download)

Here’s probably where you should begin your listening this week — “Back of My Hand” is a superb track from the short-lived Jags. They formed in London in ‘78 and released only two records: 1980’s Evening Standards, which contains “Back of My Hand,” and 1981’s poorly titled No Tie Like a Present. Listening to this song always makes me want to pull out some Knack.

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When Good Albums Happen to Bad People: Rick James, “Street Songs”

When thinking about Rick James nowadays, it seems easy to slip into one of two moods: One is the enjoyment of the way Dave Chappelle satirized his life so humorously, making the phrases “I’m Rick James, bitch!” and “Cocaine’s a hell of a drug” part of the pop culture vernacular for umpteen months. The other is a sense of pity and sadness at a man who was cut down before his time, first by a stroke in 1998, then by death itself in 2004 at age 56.

What these two portraits painted of the original Slick Rick end up doing, though, is making people forget the things he did that went beyond simply having a “bad boy” reputation for loving to party, loving the ladies, and loving to imbibe in the various medicinal cocktails easily obtainable in the 70s and 80s. Things such as:

-After joining the US Naval Reserve at the ripe age of 15, James decided within a year that he preferred music to the military. So, he did what anyone would do in that situation: he just didn’t show up for involuntary weekend training, and went to gigs instead. Then, when word got to James that the military found out about his actions, he went completely AWOL and fled to Canada. Mind you, this was during a time when other members of the military were starting to head to Canada as well. But most of them were at least 18 years of age, and were doing it to avoid war, voice conscientious objection to the war, or both. In Rick’s case, he simply was trying to avoid paying the piper for choosing to spend his weekends holding a bass instead of an anchor.

-James first spent time in prison in the late ’60s — in a military brig, to be exact, after he snuck back into the U.S. to sign with Motown and record songs with his band the Mynah Birds (featuring a young Canadian by the name of Neil Young). As as result of a likely increase in success and income with a record deal, Rick and his bandmates informed their manager that they needed someone who could better manage their new day to day needs. Their old manager handled his dismissal surprisingly well, and with a lot of grace and…oh wait, no, he didn’t. He ratted Rick out to the Feds. (more…)