Posts Tagged ‘Rihanna’

Mix Six Six Six (’09)

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DOWNLOAD THE FULL MIX HERE

Last year, I was feeling all boo hoo about the fact that no one, and I mean no one comes to our house on Halloween.  Call it fear of strangers with candy (who might shove a razor blade in that Snickers bar, or snap off a hypodermic needle in that family size peanut butter cup), or, more realistically, it’s the fact that I live in a condo complex where the motto is “A place for the newlywed … and the nearly dead.”  Yeah, there really aren’t any kids around here, so we just gave up buying candy for those non-existent trick or treaters.  So, that leaves me with you, dear reader and lover of the ye olde Mix Six, to spoil you with musical treats. So grab a mug of bitches brew and get ready for a Mix Six Six Six for ‘09!

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“Freaks Come Out At Night,” Whodini (Download)

You can’t always start out a mix with a top of the hour cooker.  Nope, sometimes you gotta dig a little deeper and find a song that signals the keynote of the mix in a “deep cut” kind of way. Sure, this tune by Whodini has a pretty long shelf life because, well, the title of this song pretty much guarantees that it’s going to end up on a Halloween mix.  And look: it did! (more…)

Jesus of Cool: We Wuz Robbed! Great #2 Hits of the ’00s

My apologies to anyone who’s been waiting with bated breath for me to wrap up this series – is there any such person out there? I left off in early August, with my review of songs that failed to wriggle their way past Mariah Carey and/or Boyz II Men to reach the top of Billboard’s Hot 100 during the ’90s. Since then I’ve faced the same trepidation I had last year while surveying the Worst Number One Songs of the ’00s – namely, the fact that I feel less than eminently qualified to pass judgment on the Auto-Tune Era. Finally, though, as Woody Harrelson puts it so eloquently in Zombieland, I decided it was time to “nut up or shut up,” so here we are.

Fortunately, I’ve got the artist kicking off our countdown to push me forward, and remind me why I took up this six-part (so far) endeavor in the first place. As always, I’ll conclude with a list of some other #2s from the decade.

11. “Work It,” Missy “Misdemeanor” Elliott. I don’t particularly care for this track, but there are a couple reasons why it’s a perfect launching pad for this column. For one, it represents a key step in the evolution of hip-hop toward raunchy themes and racy lyrics. Because Missy was as nasty as the boyz of her era, she absolved the trend of any misogynist stigma, and it was a quick step from “Work It” to the strip-club hip-hop soul that’s become so prevalent lately. Not that there’s anything wrong with that, necessarily … though when even Jordin Sparks is singing about “the club,” maybe the moment is over, huh? Anyway, the other key accomplishment of “Work It” was its 10-week stay at #2 — tied with Foreigner’s “Waiting for a Girl Like You” (which we celebrated here) for the longest runner-up run in chart history. And here’s where we’ve gotta give Missy her props, because she’s got the stones to admit that only reaching #2 with her biggest hit kinda sucked. “I just wanted to die those ten weeks,” she said of being blocked by Eminem’s smash “Lose Yourself” through the winter of ’03. “I mean, it wasn’t cool.” (more…)

Song-Off Jr.: Misfortune

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Social Distortion – “Bad Luck”

Janet Jackson – “Black Cat”

Ying Yang Twins – “Salt Shaker”

Prince – “The Ladder”

The Who – “Smash the Mirror”

Rihanna – “Umbrella”

Say Hi – “We Lost the Albatross”

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What bad luck charm are you avoiding?

View Results

Last week Nada Surf was the most popular selection, as Sarah Sebestyen’s fans showed up en force to deliver her 49 percent of the vote — almost three times as many as anyone else. Join us again next week as we match up songs about Fading to Black.  Song suggestions for next week are welcome in the comments!

Mix Six: “Oh So Middle School”

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Do you remember you middle school years?  For old codgers like me, middle school was called “junior high” and yes, it was also den of conflicting emotions, big changes in bodies, self-awareness,  crushes, and for some, the beginning of a love affair with music that shaped one’s tastes for years to come.

My daughter is in the thick of it right now. Middle school friends, cliques, status symbols (Thank the cellphone gods I signed up for unlimited texting), fretting over hair, clothes, makeup, and gossiping about boys.  But music is very important to her as well.  I know she likes some of the music I enjoy, but that’s starting to change as she charts her own course and develops her own tastes that reflect her generation.

I gave her a texting assignment a few weeks ago, and it was pretty simple:  Have her friends text in three of their favorite songs, bands, or singers. She sent out a mass text to 20 of her closest friends, and most couldn’t peg a particular song they liked, but they sure had opinions on favorite band or singers.  There was a lot of overlap, and some editing by yours truly, but what follows is a pretty good unscientific sample of the middle school soundtrack in a San Francisco/Bay Area suburb.


“Fences,” Paramore (download)

Granted, this band has been around for a few years, but having a song featured on the Twilight soundtrack has propelled Paramore from “Yeah, they’re kind of cool” to the cusp of superstardom.  While many of their songs have an unremarkable pop/rock sound (to me, anyway), “Fences” stands out in part because of the infectious Cure/”Love Cats”-inspired bass line. (more…)

Billboarding: The Hot 100, 6/2/08

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Happy Monday, folks! What says “starting off the work week” like counting down the Top 10 of Billboard’s Hot 100? Nothing, that’s what, so let’s get to counting!


1. Lil Wayne featuring Static Major, “Lollipop” (Universal Motown/Cash Money)

The last time we visited the Hot 100, this damn song was on it, and here it is, still hanging around. Previously, I said I loved it because it represents — it has to represent — the ludicrous end of the road for the Auto Tune plague that has smothered Top 40 radio like a smallpox-infected blanket for the last year and change. Admittedly, that really doesn’t fit the standard definition of love, but it’s more than I can say about “Lollipop” this week.

I don’t hate Lil Wayne, and I don’t even really hate “Lollipop,” but I can’t hear past that damn vocal gimmick — which is probably the point; take it away, and there isn’t much of a song left over. Of course technology has been masking artistic weaknesses for decades; from a certain point of view, this little dung heap is to the ’00s what, say, Rick Springfield’s “Celebrate Youth” was to the ’80s. Does this mean Lil Wayne is five years away from playing casinos and state fairs? Cross your fingers. (more…)