Posts Tagged ‘Robyn Hitchcock’

Hooks ‘N’ You: The Trashcan Sinatras, Pt. 2

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Now, where were we?

Oh, that’s right: we were chatting with the one and only Francis Reader, frontman for the Trashcan Sinatras. If you tuned in last week (and you really should have, you know), then you’re already aware that the conversation between Frank and myself was one that was a little freewheeling in its form, but the end result seems to be well appreciated by fans of the band…and, indeed, by members of the band. Our own David Medsker spoke with Paul Livingston a few days later – look for that interview on Bullz-Eye.com in the very near future – and remarked that I really seemed to have caught Mr. Reader in a talkative mood. Well, all I can tell you is that the decision to make it less of an interview and more of a conversation seems to have worked in my favor, and I’m glad that it seems to be going over well. Now, mind you, I did hear from one friend of mine who, after praising the piece, noted that it perhaps wasn’t the kind of interview that the band’s manager would want, given that there was zero mention of the band’s latest album, In the Music.

What luck, then, that there’s quite a bit of chat about the record in the second and final part of our conversation.

Popdose: So what’s Davy Hughes’ status with the band? Did he drop out? Did he just not want to participate anymore?

Frank Reader: Well, Davy’s still involved, but he’s…you know, he’s got a family, and it’s just not the kind of thing, really, where you can give your all your time to it when you’ve got a family and kids to support. Neither me or Paul or Steven or John have got kids, and although three of us are married, John’s married to another musician, and me and Paul are married to very understanding, beautiful women. (Laughs) For Davy, it was just a case where we had to work out a different way of having him involved, and that was…what we kind of do now is that we keep in touch, obviously, and every now and again, he’ll say, “You know, I managed to get ten minutes’ peace from the kids…” (Laughs) “…and I sat down and did a bit of writing, and here it is. If there’s anything you can do with it, do something with it.” So he contributed to In the Music in that way. And it’s great, because it feels good to have him involved, because he’s a touchstone in my life. He was there in the very beginning, although he didn’t play on Cake. He was actually playing with us once or twice before we made an album – when we were just doing covers, he was around then – so it’s good to have involved. It’s kind of “once a Trashcan, always a Trashcan” with him, you know? (Laughs) And the keyboard player we have, Stevie, has been with us off and on since ‘95, so he’s more permanent now, too.

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The Popdose Interview: Andy Partridge

He denies being the man who murdered love, but he is one of the men who served as a member of XTC. That’s right, he’s Andy Partridge, and this upstanding musical legend was kind enough to take on the daunting task of answering the questions of the Popdose readership…questions which, it must be said, ranged from the obscure to the ridiculous and hit virtually every spot in-between. Mr. Partridge was a gem throughout the conversation, however, and endured them all with great aplomb, never failing to come back with a witty retort.

(”You bastard” still counts as witty, right?)

Join us now as we enter into the Popdose Interview with the one and only Andy Partridge… (more…)

Chartburn: 4/25/08

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Mainstream Rock: Silverchair, “Tomorrow” (1995)

John: It’s Jim Henson’s Kurt Cobain Babies!

Zack: Everybody made such a big deal out of this band because the members were so young. Just because they’re young doesn’t mean their music doesn’t suck. It kind of feels like the record company played the role of the doting parents whose six-year-old brought home a laughably bad drawing of the beach cottage the family rented last summer and hung it up on the fridge, all the while snickering behind their hands. And the public, not getting the joke, all agreed that it was pretty terrific.

Will: How far they’ve come. I didn’t give a flying flip about these guys when they first came around selling their wares, and this song reminds me why. (Granted, the video’s a little creepy.) Since they dumped the Nirvana wannabe sound and embraced the glory of the pop hook, their stock has risen considerably. The turning point for me was “Across the Night” and they’ve remained on my “can’t wait to hear the next record” list ever since.

David: What Will said. I love their last record, Young Modern, and also liked the Dissociatives, that electronic project that Daniel Johns did. But this song still bugs me. So derivative, so void of any personality.

Jeff: It should surprise none of you that I got bored with grunge sometime in the fall of 1991 right around the time “Even Flow” or “Alive” was reaching its 10,000th spin on our local rock stations and by the time Silverchair came around, anything that sounded the least bit like flannel was switched off immediately. I know this was just one aspect of Silverchair’s sound, but I’ve never bothered to check up on their later recordings, despite Will’s evangelism.

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Hooks ‘N’ You: Various Artists, “Alvin Lives (In Leeds): Anti Poll Tax Trax”

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As I wait for another fine, upstanding artist to find time in their busy schedule to provide me with answers to the Q&A I’ve sent their way, I thought I’d tackle one of my favorite obscure various-artists collections.

Alvin Lives (In Leeds): Anti Poll Tax Trax isn’t by any means what you’d call the most consistent compilation, but I’m a huge fan of cover songs, and I always find it fascinating to listen to how some artists play it safe and do straight-up Xeroxes of the originals while others have the balls to switch up the arrangement or even the melody to make a song their own. This 12-track compilation came out on Midnight Music in 1990 as a reaction against the so-called Community Charge, which was instituted by good ol’ Maggie Thatcher in 1989 and proved so tremendously unpopular that it led directly to her departure from office. Her successor, John Major, alleviated the problem by replacing the Community Charge with the Council Tax system, but Brits can still relive their painful memories by revisiting this CD and remembering just how up in arms they got about it back then.

I stumbled upon this compilation when I was in the UK for the first time, back in 1992, and was scouring through every CD store that crossed my path, looking for all the obscurities I could possibly fit into my bag. This mission ultimately proved so successful that I needed to mail an entire box of CDs home, which was a pricey endeavor, but I don’t regret it for a moment, as just about everything I purchased on that trip remains in my collection to this day. At the time I purchased it, I was familiar with less than half of the artists, but it really only took six words for the disc to find its way up to the cash register:

Robyn Hitchcock does “Kung Fu Fighting.”

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