Posts Tagged ‘Sam & Dave’

Bootleg City: “Vin Scelsa’s Live at Lunch,” 6/28/00 (Pt. 2)

In part two of this flashback edition of Vin Scelsa’s Live at Lunch, singer-songwriter Jules Shear talks about the R&B inspiration for “If She Knew What She Wants,” how he feels about artists licensing their songs for commercials, his romantic relationships with singer-songwriters Pal Shazar and Aimee Mann, and his role in the creation of MTV Unplugged in the late ’80s. In between the bursts of candid conversation, Scelsa spins songs by Cyndi Lauper and Johnny Cash, a foot-stomping cover of Sam & Dave’s “Hold On, I’m Comin’” courtesy of B.B. King and Eric Clapton, and a cut from Shear’s first band, the Funky Kings.

However, the biggest surprise of the entire June 28, 2000, Live at Lunch broadcast is Shear’s speaking voice. Suffice to say it’s not what you’d expect if you’ve ever heard “Steady,” his sole entry on the Billboard Hot 100 chart (though Lauper’s cover of Shear’s “All Through the Night” reached #5 in ‘84). My own personal reaction is best summed up by the following verse from “Stereo,” the opening track on Pavement’s 1997 album Brighten the Corners:

What about the voice of Geddy Lee?
How did it get so high?
I wonder if he speaks like an ordinary guy.
(I know him, and he does.)
Then you’re my fact-checkin’ cuz.

[interview: Jules and the Isleys]
[interview: "Twist and Shout"]
If She Knew What She Wants (Jules Shear)
[interview: songs in commercials]
The More That I’m Around You (Jules Shear)
[interview: love and songwriting]
All Through the Night (Cyndi Lauper)
[interview: Cyndi Lauper's She's So Unusual]
All Through the Night (Jules Shear)
I Walk the Line (Johnny Cash)
[interview: questions from Vin's listeners]
Nothing Was Exchanged (The Funky Kings)
[interview: MTV Unplugged]
Hold On, I’m Comin’ (B.B. King and Eric Clapton)

Jesus of Cool: We Wuz Robbed! Great #2 Hits of the ’60s

Welcome to the second installment of an ongoing series celebrating songs that fell excruciatingly short of ascending to the top of Billboard’s pop singles chart. In the course of compiling and monitoring responses to the series’ first column a couple weeks ago, I learned a number of things, the most important of which were:

1. Unbeknownst to me as I wrote about the #2 hits of the ’50s – and in the process wrote the snappy sentence, “You don’t see Fred Bronson compiling five editions of The Billboard Book of #2 Hits, do you?” – it turns out that a Billboard Book of Number 2 Hits was indeed published in 2000. I have chosen to invoke the Pelosi defense: I was misled by the book’s obscurity into thinking it didn’t exist. My case is bolstered by the facts that Bronson had nothing to do with it (some fella named Christopher Feldman wrote it), and that the book went out of print without ever reaching a second edition. So, ha! You may read much of it on Google Books or buy a copy at Amazon Marketplace, or you may purchase a digital copy for the Amazon Kindle. (Don’t everybody run out all at once to blow $359 on a Kindle.) Needless to say, I didn’t use Feldman’s book as a reference in the first column; I make no such promises from here on out.

2. As I slog through six decades’ worth of fodder for future editions of this column, I’m going to have to dig deep for euphemisms that put some pizzazz behind the idea of a song being kept out of the #1 slot by another song. I believe that my low point in the last column came in the teaser for this one, when I left the distinct impression that Smokey Robinson might once have been “cock-blocked” by Lawrence Welk (see #4 below). Whoever the object of Smokey’s thwarted affections might have been in such a scenario, I am now convinced that at no time was Welk ever involved in blocking Smokey’s cock, and I apologize for the inference.

As a reminder, we’re giving extra weight to hits by artists who never reached #1, to songs that were far superior to the rivals that overtook them on the charts, and to plain old great songs that deserved the extra glory that the top of the Hot 100 brings. I’ll follow my choices with a list of other #2 hits of the decade, and we can debate their merits in the comments section. Now, on with the countdown!

11. “She’s Not There,” the Zombies. Keyboardist/songwriter Rod Argent made the Top 10 four times between 1964 and ’72 – three as leader of the Zombies, before he got greedy and named his next band after himself. Colin Blumstone sang lead for the Zombies, and just as his vocals offered more nuance than most of his early-British Invasion counterparts, “She’s Not There” was an awfully sophisticated single for an era when even the Beatles were still cranking out “I Feel Fine” and “Eight Days a Week.” Sadly, “She’s Not There” was left knocking on #1’s door while Bobby Vinton came through the window with “Mr. Lonely.” Even more annoying, Vinton’s hit version used the exact same backing track as Buddy Greco’s #64 smash of two years before! That’s just not right. (more…)