Posts Tagged ‘Sam Phillips’

Lost in the ’90s: Sam Phillips

lit90s

In 1988, Leslie Phillips turned her back on a successful career as a Christian Contemporary artist, changed her performing moniker to “Sam,” and recorded her first mainstream pop album, The Indescribable Wow, with producer and soon-to-be husband T Bone Burnett.  It was a bold move that paid off critically, if not commercially.  The album sold a fraction of Phillips’ Christian work, but her inventive songwriting and unique voice won her a new cult of fans.

But it was her third secular album that saw Phillips come closest to breaking through to the pop charts.  1994’s Martinis & Bikinis was packed with Beatles-esque hooks, clever wordplay, and sterling production by Burnett and XTC’s Colin Moulding on key tracks.  Lead single “I Need Love” got some Modern Rock radio love, but it was the second single, “Baby I Can’t Please You” (download) (one of the Moulding tracks, a fact that becomes quite obvious upon listening), that got the most attention.  Besides a video that made regular rotation on MTV’s 120 Minutes and Alternative Nation, it was also featured on the Melrose Place soundtrack compilation that sold quite a few copies. (more…)

The Friday Mixtape: 5/8/09

Brainiac – Kiss Me, You Jacked Up Jerk from Hissing Prigs in Static Couture (1996)
Buck Dharma – Cold Wind from Flat Out (1982)
Herman’s Hermits – Dandy from Retrospective (2004)
Ideola – Hold Back Your Tears from iDeOLA: Tribal Opera (1987)
Mike Viola – The Strawberry Blonde from Lurch (2007)
Ric Ocasek – She’s On from Quick Change World (1993)
Sam Phillips – Answers Don’t Come Easy from The Turning (1987)
Skeleton Key – That Tongue from Obtainium (2002)
Steven Wilson – Harmony Korine from Insurgentes [CD/DVD] (2009)
The Knack – Another Lousy Day in Paradise from Round Trip (1981)
The Swirling Eddies – Catch That Angel from Let’s Spin (1988)
Threshold – The Destruction of Words from Subsurface (2004)
Tobin Sprout – It’s Like Soul Man from Carnival Boy (1996)

The Popdose Interview: Kelly Jones

kelly-jones-1It’s your third album. You’ve written and performed songs that recall the best tunes from simpler, more fun times, yet they reveal true songwriting talent and a desire to do more than flog the studio gimmick of the moment. You’ve also somehow found yourself working with pop-music gurus Mike Viola and Adam Schlesinger. If all of this strikes you as oddly familiar, you might just be Kelly Jones, and at this moment Popdose is catching up with you.

Popdose: You’ve just released your third CD, SheBANG! and you’ve found yourself in this pretty impressive pop collective, considering Mike Viola, Adam Schlesinger, Ducky Carlisle and the people they’ve worked with. How did you come together with them?

Kelly Jones: It all started very organically with Adam Schlesinger.  Sometime in 2004 while out to see a show, I recognized him and introduced myself.  I had only discovered Fountains of Wayne in 2002 or 2003 so I was very excited to say hello and gush over his music.  We exchanged info and I visited his studio (Stratosphere Sound). He came and watched me perform, and we became friends!  Then sometime in 2007, he introduced me to Mike Viola.  Coincidentally Mike and I were both playing the same night at the Living Room in NYC.  I saw the tail end of Mike’s set and was hooked.  I thought he was brilliant.  He had another show the following week so I went to that and we chit-chatted afterward and also became fast friends.  I started sitting in with him during his sets and the more we worked and sang together the more I decided he would be the perfect producer for the pop record I wanted to make.  Then I met the famous Ducky Carlisle when we traveled to Medford, Mass. for our first recording session at (his studio) Ice Station Zebra…

Could you give a little background on your career so far and what brought you to this point?
I’m originally from a small town just north of Portland, Oregon.  As a child/teenager, I was a dancer and trained in classical piano.  I moved to New York City in 2003 to get closer to the action and decided it was my chance to really pursue a life in music.  I completed my first record called Brave Heartache at the end of 2003.  it’s alt-country for lack of a better term.  Country music was one of the genres I was most familiar with growing up and went hand in hand with gospel music which I sang a lot of in church.  It seemed to be the natural first step for me as I was writing my first songs and I think it served me well at the time. After completing that record, I got a great band together here in NYC (which I still work with), we started playing a bunch of shows and I started to build a little following. (more…)