Posts Tagged ‘Sara Watkins’

CD Review: Works Progress Administration, “WPA”

Works Progress Administration - WPAThe new Works Progress Administration album is the sort of musical collaboration that should be encouraged. The core of WPA consists of Glen Phillips (Toad the Wet Sprocket), Sean Watkins (Nickel Creek), and Luke Bulla (Ricky Skaggs, Jerry Douglas Band, Lyle Lovett). They are joined on the album by Benmont Tench (Tom Petty and the Heartbreakers), Sara Watkins (Sean’s sister, and also a member of Nickel Creek), Greg Leisz (Joni Mitchell, Bill Frisell), and Pete Thomas and Davey Faragher (Elvis Costello and the Imposters). The musicians are part of a music scene that is centered around the Los Angeles club Largo. They put this project together totally on their own, sans managers or record labels.

WPA offers up classic Southern California country rock, and as is always the case with this genre, the album rises and falls with the quality of the songwriting. The good news is that Glen Phillips has contributed several terrific songs, including the wondrous opener “Always Have My Love.” He also takes a page out of Don Henley’s playbook with the heartbreak ballad “End This Now.” Less successful are Luke Bulla’s songwriting contributions. It’s not that songs like “Remember Well” are bad, and in fact “Cry for You” (written with Phillips) is pretty damn good. It’s just that they don’t seem to have much of a point, other then to make you cry in your beer. Sean Watkins’ songs fall somewhere in the middle. They are well-intentioned, mostly upbeat, but fairly standard efforts, save for “Not Sure,” a strong modern country song. Benmont Tench contributes the beautiful closing song “The Price,” which he wrote over 20 years ago, and Sara Watkins does a lovely job singing it. On the other hand, the cover of Ray Davies “I Go to Sleep” on which she sings is completely pointless given the great cover of the song that Chrissie Hynde did with the Pretenders way back when. (more…)

The Popdose Interview: Sara Watkins

51rxpqa2bmxl_sclzzzzzzz_1Ever since George Clooney lip-synched his way through Dan Tyminski’s version of “I am a Man of Constant Sorrow” in the Coen Brothers’ O Brother Where Art Thou, Bluegrass and American Roots music has enjoyed a mini-renaissance, with venerable old lions like Bill Monroe, Earl Scruggs and Doc Watson, and current artists like Alison Krauss, Gillian Welch, Norman Blake and the Old Crow Medicine Show being exposed to a far wider audience.

Riding the crest of that wave was Nickel Creek. A young trio which wedded strong instrumental and vocal technique and bluegrass sensibilities to modern pop music (their short career included covers of songs by Pavement and Britney Spears, a tour with Glen Phillips of Toad the Wet Sprocket in a “supergroup” called Mutual Admiration Society, and a tour opening for Fiona Apple and serving as her backup band). Nickel Creek went on indefinite hiatus a few years ago, leaving one of its members, fiddle player Sara Watkins, without a regular gig. Sara has now returned with her eponymous debut solo album, produced by John Paul Jones and featuring a veritable who’s who of the roots/folk/bluegrass scene. All of this is to say, if you enjoy roots music and bluegrass, and have not yet heard Sara Watkins, you should most definitely check her out.

Sara was kind enough to speak with us about her solo record on May 29. In addition to educating me on the existence of something called a Hardanger Fiddle, she spoke about her songwriting process, her other projects, the differences between being a member of Nickel Creek and a solo artist, and showed what I consider to be a remarkable degree of humility with respect to her own talent. (more…)