Scott Malchus revisits the soundtrack to that seminal film celebrating America’s two favorite past times: Sex and baseball.
Today in “Legendary,” Kate has one thing on her mind, and Brian has too many.
Kate returns home from her ride in the Metroparks. Her parents are leaving town and her little brother is sleeping over her friends house, which makes for the perfect romantic interlude with Brian.
Kate drives down to the Cleveland Metroparks to spend time riding with her horse, Kenny, and to reflect on what the future holds for her.
Welcome back to Comrades, a weekly podcast/discussion/ramblefest about the FX series, The Americans. This week’s stellar episode of the show was entitled “The Walk In.” It featured a distracted Elizabeth, Paige taking a road trip, and Stan getting a big reward. Okay, he slept with Nina again, but he’s also getting a medal! Do Jeff and Scott live up to the greatness of the episode. That’s for you to decide. In this week’s podcast we also discuss Peter Gabriel’s “Here Comes the Flood.” The version used in “The Walk In” is from Gabriel’s 1977 self-titled solo album, often referred to as Peter Gabriel 1 or Car. Gabriel rerecorded the song twice, including this version that appears on Robert Fripp’s 1979 album, Exposure. Comrades is produced by Southgate Media Group, a website dedicated to podcasts. They’ve recently expanded beyond TV to include podcasts about comic books and sports. You can listen to Comrades three ways: through the SMG website, by subscribing to it on iTunes, or with the link below. However you choose to listen to …
Welcome to “Comrades,” a weekly podcast devoted to the FX series, The Americans. Our first episode takes a look back at The Americans first season (now on Blu-ray), previews the upcoming season (which premieres on February 26th) and features the usual tangents that Scott goes off on, such as the great use of Pete Townshend’s “Rough Boys” and how film editors accomplish the timing of image to music.
Matt ‘n’ Jeff talk to author and Popdose writer Scott Malchus about his new book, Basement Songs.
Scott Malchus recalls his family’s Make-A-Wish vacation in this week’s Scotty’s Jukebox.
In this week’s Jukebox, Scott Malchus reflects on his parents’ 50th wedding anniversary.
Much like our 100 Greatest Covers post last year, this was a collaborative effort for the Popdose staff. Although our list of nominees was a bit smaller – only 300 songs – the voting was every bit as competitive, with our #7 and #8 songs being separated by just one tenth of a point. As a collective, we wish you a happy Valentine’s Day, whether you’re a member of a Bizarre Love Triangle, a pair of Two Hearts, or even if you’re a member of the Lonely Hearts Club. Love to all. — Zack Dennis If you’re listening on Spotify, you can find a link to versions of all of the songs here. 100. “You Belong to Me” – Bob Dylan. Of all the things that can cause friction in a relationship, physical distance can be one of the hardest to endure. It softens a couple’s strengths, and makes every single problem – even the smallest ones – harder to address. Without a definitive end in sight, very few long-distance relationships survive. And yet, almost …
Al Green gets funky in this week’s Basement Songs.
Scott Malchus pays tribute to a beloved family member in this week’s Basement Song.
Begin 2012 with a new Basement Song and some vintage Marshall Crenshaw
On the eighth day of Mellowmas, we got our first real six-string
Chris Holmes and Scott Malchus take a look at the two fantasy series that premiered just before Halloween.
I wasn’t so interested in offering my two cents. Instead, I wanted to hear my daughter’s thoughts and, truthfully, just spend some alone time with her.
Last week, we published a compilation of the 100 greatest cover songs of all time, as voted by the Popdose staff. Of course, our way of tabulating the results (you can see the original spreadsheet here, if you’re really, really, really curious) meant that plenty of worthy songs were going to be left off the final list. So we decided to include a few more songs that some of the staff felt deserved an “honorable mention.” Each of the songs below is special to at least one of us, and even though none of these had broad enough appeal to make our Top 100 list, we thought they were good enough to at least get a tip of the cap. Opelousas (Sweet Relief) – Maria McKee. Originally performed by Victoria Williams. Taken by itself, Maria McKee’s cover of Victoria Williams “Opelousas” isn’t all that remarkable of a song. It’s a nice update to the low-key original, with a much bigger sound and scope, but what makes this cover great, and the reason why I included …
Look, Ma! We can count to a hundred!
Your Popdose staff gathers ’round the new Chickenfoot single and can’t help arguing about Van Halen. Again.
Bob Dylan is 70 years old, and the Popdose Staff has pulled together a massive post to honor him. Here are 70 of our favorite Dylan songs, one for each year.
Scott Malchus looks back again (and again) at the Bill Murray classic Groundhog Day.
Oh my effing giddy aunt! The zombies are coming, and there’s nothing you can do about it. But you can get prepared now with this week’s Mix Six.
As I did a quick dance to get around a woman standing idle on the steps at the train station, my iPod shuffled on to “I’ll Stand by You” and I knew that I had to write a few words. I can’t think of a more appropriate message at this time of the year, especially in these hard times.
A strong, effective piece of songwriting that blended hard rock with some new wave leanings, you hear an unexpected poignancy in “Little Guitars.” That’s right, a Van Halen song that actually has feeling.
I believe that like any great character of fiction, we see a part of ourselves in Don Draper. We see a human being with faults, albeit ones that are amplified by being the central character of a hit TV series. The lucky few out there who’ve never questioned their purpose and meaning in the world probably aren’t the people making Mad Men one of the most watched series on cable television.
How does a comic book come together? By chance and friendship. Read today’s Basement Songs to find out about the latest (co) creation by Scott Malchus. Don’t worry, there are still a couple songs, too.
You don’t come across many throwback love songs like this one, with a driving beat that beckons the open road and your hands pounding on the dashboard.
In the fall of 1984, the Make A Wish Foundation contacted the band Journey. A 16-year old fan from Cleveland named Kenny Sykaluk was in the final days of his lifelong battle with cystic fibrosis. One of his dreams was to meet his musical idols. The members of Journey flew to Cleveland in November to meet the boy as he lay in a hospital, gasping for air; his young lungs were giving out on him. Among the gifts Journey brought with them was a cassette containing the band’s upcoming single, a song cut from their 1983 hit album, Frontiers, but soon to be released on the soundtrack to the film Vision Quest. That song was “Only the Young.” Kenny became one of the very first Journey fans to hear the song, as he played it on his Walkman while the band stood by his bedside. Eventually, the visit came to an end and Journey returned to their homes back in California. Their time with Kenny deeply affected them and they would honor the boy on …
Long before I knew who Paul Newman and Robert Redford were, before I understood what a long con was or even what a hooker did, I knew of Scott Joplin, Marvin Hamlisch and the music of The Sting. The soundtrack LP to the 1973 Academy Award winning film was amongst the collection of records housed in the stereo unit that sat in our living room, growing up. That immense piece of furniture could be heard playing The Sting soundtrack on any given day when I was a boy. Later, we had the piano music, too, although I never learned to play any of the songs, despite my seven years of piano lessons. My mom could play it, quite well, actually. Mom’s an excellent piano player, although she would deny it. George Roy Hill’s movie, written by David S. Ward, employed several Joplin songs that Hamilsch arranged specifically for the film. The film is set in the 1930’s, long after Joplin’s ragtime music was out of style, but somehow it works for the film. It definitely …
The wind blew through my grimy hair as I lounged in the back of the pickup truck. Drunk on the youthful feeling of invincibility, and also the four beers I’d had at lunch, work was the furthest thing from my mind. I was thinking about school, a new apartment, making movies and saying goodbye. As I wound down my final hours as an employee of the North Olmsted Board of Education, I was thinking about the future. It had been three straight summers of waking to the orange glow of the sun over the horizon and the dampness of the night’s dew. Some days Steve and I rode our bikes, full of vigor; while others we dragged our sorry asses into cars, sometimes still reeking from the mass quantities of alcohol we’d consumed the night before. We never drank on the job, though. The thought of getting reprimanded by our boss was uncomfortable enough to keep us straight during work hours. We may have been lazy and a little irresponsible but we tried to walk …