Posts Tagged ‘Scott Malchus’

Basement Songs: 100 and Counting

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Two years ago I quietly began writing the Basement Songs posts on my blog, Thunderbolt. At the time I didn’t know who my audience was, as I honestly believed that ten, maybe twenty readers were checking out Thunderbolt on a weekly basis. Inspired by some of the finer music blogs I’d come across, I thought that Basement Songs would be an interesting alternative to the daily confessionals I was posting. At least it could be fun. As I’ve written before, the early months of 2007 were tough. I believe that the 2005 death of my friend, Matt, and a laundry list of regrets and unresolved issues finally caught up with me. Coupled with the ongoing stress of worrying about my son, I sunk into a deep funk (and not the kind of funk that involves the groove of Duck Dunn). Despite those dark months, I found great pleasure in writing the Basement Songs. A friend used the term “therapeutic communication” once, and I believe that’s a sound way of describing what I was doing. Again, I had no idea who was reading; I just needed to get some things off of my chest, and I wanted to share my love of certain music.

One person who was reading happened to be Jeff Giles, whose Jefitoblog was one of the best written and enjoyable sites I visited daily. Jeff and I became friends thanks to a comment he made about Springsteen and my response. This led to the exchange of some choice bootlegs, an Idiot’s Guide to Journey, and then one of the kindest gestures I’ve experienced this decade: Bloggers for a Cure, in which Jeff and some other fine bloggers (most of whom write for this site) joined together to raise money for the Cystic Fibrosis Foundation. Jeff was also a strong supporter of the Basement Songs and would link each new post in his weekly “Friday Linkfest.” (more…)

TV on DVD: “Andy Barker, P.I.: The Complete Series”

AndyBarkerPIAndy Barker, P.I. was, by far, my favorite new series to premiere during the winter of 2007. Andy Richter’s second foray into half-hour comedy was a hybrid comedy/mystery series, co-created by executive producers Conan O’Brien and Jonathan Groff. Although a critical darling, it only lasted six episodes before vanishing from the air. Luckily, the smart people at Shout! Factory have chosen to release the entire series on this new 2-disc DVD set. In addition to each episode containing commentary by Groff and at least two cast members, there are excellent bonus features including a look back at the show with interviews with all the major players.

Richter stars as the titular character, a nerdy accountant who has always succeeded in life. When he opens a private practice in an L.A. strip mall, Andy expects business to take off. It doesn’t. Instead, he waits patiently for the hours to pass before returning home to his loving, perky wife, Jenny (Ellen’s Clea Lewis). At the strip mall, Andy quickly befriends Simon, the manager of a video store (played by the hilarious Tony Hale, late of Arrested Development) and Wally (Marshall Manesh) an Afghani restaurant owner.  In the pilot, a woman mistakes Andy for Lew Staziak, a retired private investigator that used to occupy the storefront where Andy now runs his office. Although he tries to convince the woman he’s no private dick, the money she slaps down in front of him — and the intrigue of being a gumshoe — is too thrilling to pas up. Simon, a walking encyclopedia of old movies, comes along as Andy’s sidekick. Eventually Andy runs into Lew Staziak (Fargo’s Harve Presnell), and the retired tough as nails P.I. becomes Andy’s mentor. (more…)

Basement Songs: The Donnas, “New Kid in School”

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bitchincoverIn our house, the Donnas’ “New Kid in School” is known as the song with the ‘A’ word in it. It’s a word Sophie and Jacob have heard hundred of times, as their father spits out profanity like Darren McGavin in A Christmas Story.  We hear “New Kid in School” quite a bit in the house these days; it’s become one of Jacob’s favorite tracks to play on Rock Band. His affinity for this song, as well as classics by the Clash, Ramones and Replacements, confirms what I’ve suspected for a couple of years now: My boy likes his music fast and loud.

Since the days when he’d jump around carrying a ukulele like a guitar during Springsteen’s “The Rising,” Jake has always been a boisterous little kid. His voice booms throughout the house whenever he’s happy (or angry, or sad). One of the reasons I believe he’s so loud is because of his breathing treatments. Twice a day the buzzing of his nebulizer machine and the vibrating noise of his Vest take over the house. It’s hard for me to hear when I’m standing at the other end of the house; imagine what it must be like sitting right next to the machines. Add to that the constant hissing of the misting medicine he has to breathe in and the whole experience must feel quite claustrophobic. When you take this into consideration, is it any wonder that Jake’s voice thunders from room to room? (more…)

TV on DVD: “Fawlty Towers: The Complete Collection-Remastered”

FAWLTY_REMASTER_UScymkAs a longtime Monty Python fanatic, I’ve often heard of the legendary Fawlty Towers, the British sitcom John Cleese co-created and starred in after Flying Circus had gone off the air. The show ranks high in the annals of sitcom lore, with Cleese singled out for his performance as Basil Fawlty, the co-owner of a small, English seaside hotel. For reasons I can’t come up with, I had never seen this revered show before it arrived on my doorstep in the form of a new BBC 30th Anniversary collector’s edition that contains every episode from its two seasons (1975 and 1979) painstakingly remastered. I was thrilled for the opportunity to finally see the show I’d heard so much about since I first began watching Python in my college dorm room, 20 years ago.

Cleese created the show with his then-wife, actress Connie Booth (who also co-stars). The show follows the exploits of Basil, one of the most cantankerous, put-upon, non-people persons you’d ever meet. If ever there was a man who shouldn’t be interacting with hotel guests, it’s Basil Fawlty. The character was based on a real hotel owner named Donald Sinclair. As the story goes, while the Pythons were on a film shoot in the early ’70s, they stayed at Sinclair’s hotel, only to check out after just one night’s stay. Sinclair was so rude that the actors couldn’t stand him. However, Cleese opted to stay behind and study the man, fascinated by his behavior. When the time came to pitch a series to the BBC, Booth suggested to her husband “What about that hotel owner?” The rest is history. (more…)

Basement Songs: Robert Plant & Alison Krauss, “Stick With Me Baby”

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In the midst of all my mid-life reflection last week, I received an email from a guy I hadn’t heard from in raising-sand1twenty years. John* had tracked me down through the massive power of the Internet, so of course, I immediately directed him to the Basement Songs (we writers are kind of narcissistic that way). After a friendly exchange of e-mails that detailed an overview of our lives, John checked out a couple of my columns and wrote me a follow up e-mail. He told me to disregard the previous e-mail as bullshit. He then wrote one of the most confessional letters that has ever shown up in my Gmail inbox. I’m not going to go into details because his life isn’t an open book like mine (again, narcissism), but I will say that John had a rough time in the ’90s. Happily, through the love of a good woman who never gave up on him, he’s dug himself out and now leads a happier life.

I understood what he was talking about. I went through a period of months a couple years ago in which I suffered through a paralyzing depression. I couldn’t see the light at the end of the tunnel and each day it got harder and harder to get up and face life. I, too, am lucky that I had a good woman and good friends to help me through the times and to right the course of my life. Have you ever experienced that? Have you ever tripped into the dark sides of your psyche and dragged your loved ones with you? If you haven’t been through that hell, then you, my friend, are fortunate. (more…)

TV on DVD: “Blood Ties: Season Two”

BloodTies_S2If vampires, mysteries and romance are your thing, you can do much worse than Blood Ties, the supernatural drama that aired on Lifetime in 2007. The second season collection contains the final nine episodes on three DVDs.

Blood Ties stars Christina Cox as Vicki Nelson, a former cop turned private investigator. Her partner is a hunky, ageless vampire named Henry Fitzroy (Kyle Schmid). The two of them are hired to solve crimes that are out of the ordinary (demons, cat people, etc) and sometimes get brought in by Vicki’s old police partner and lover, Mike Celluci (Dylan Neal). Although all three are “friends,” there are lingering feelings between Mike and Vicki, feelings that make Henry a bit jealous. Likewise, Mike isn’t too sure how he feels about his ex hanging out with a bloodsucking bo-hunk. This strange romantic triangle makes for some light moments in between the X-Files-esque cases that form the basis for the plots of Blood Ties.

Nelson is a no-nonsense, hard nosed detective; she’s not afraid of anything. It’s this quality in her that makes her attractive to both men. Of the two, she seems more drawn to Henry and seems open to the idea of living forever. However, Henry knows that should he give her the gift of eternal life, their love will evaporate; he will have cursed Vicki into watching her friends and family die. This makes Henry one of the most sensitive vampires I’ve seen since Brat Pitt bared his fangs in Interview with a Vampire (this show did come out long before Twilight and The Vampire Diaries). Henry is no pushover and is quite protective of Vicki, as is Mike. The tough guy detective draws many stares and places his career in jeopardy by constantly going to Vicki for help. Some begin to question his sanity as he lets slip his belief in the supernatural. (more…)

Basement Songs: Jeff Beck with Terry Bozzio and Tony Hyams, “Big Block”

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In an effort to conserve gas and save money, I’ve been riding my bike to the train station on a regular basis.Beck It reminds me of my sophomore year at BGSU, when I’d zip around the campus on the red one-speed I bought for three bucks from my friend, Brett. With my Toledo Mud Hens hat turned backwards and an obnoxious turquoise backpack over my shoulders, I’d ride to classes or just tool around aimlessly with the strong Bowling Green winds trying to blow me over. Accompanying me on these journeys was my semi-reliable Emerson portable cassette player (made from the finest plastic China had to offer). And blasting through my headphones in October of ’89 were my favorite albums at the time: Edie Brickell & New Bohemians’ Shooting Rubberbands at the Stars and Jeff Beck’s Guitar Shop.

Brickell and her band were the flavor of the month, with a hit single and exposure on the radio and MTV. Beck’s record, on the other hand, was released with hardly any airplay and little press (the only review I read appeared in Rolling Stone). What the mainstream missed was their loss, because this is one killer album. Featuring his longtime collaborator Tony Hyams on keyboards and former Missing Persons drummer Terry Bozzio, Guitar Shop is a solid mix of rockers and ballads. Moreover, each instrumental displays a 45- year old Beck on fire, showing up the hair metal rockers half his age who dominated the radio in the late ’80s. In the movie in my head, when I wanted to feel cool and ride around like I was Mel Gibson on a bike, I would cue up “Big Block,” with its funky beat and nasty guitar solo, and just cruise the campus. (more…)

DVD Review: “The Brothers Bloom”

the_brothers_bloom_200j5tnThe Brothers Bloom is the second feature film from writer/director Rian Johnson. His first, the high school film noir cult classic, Brick, revealed a promising filmmaker with a fluent style and a knack for writing interesting and unique characters. Brick was a critical success and found an audience on DVD. Because of this, Johnson’s follow-up was bound to be scrutinized as many would be left to wonder whether Johnson was part of the next wave of great filmmakers or just another one-hit wonder. In the end, Johnson’s second effort received limited release and didn’t do well at the box office, which is a shame, because The Brothers Bloom is a beautifully shot film that uses the wide screen to its advantage in all of its scope and color. Brothers is now available on DVD, and it builds on the promise of Brick, succeeding in all of the ways necessary to guarantee that Johnson will continue making movies for years to come.

Mark Ruffalo (You Can Count on Me) and Adrian Brody (The Pianist) star as Stephen and Bloom, two brothers who have always shared everything. Tossed around from foster home to foster home as boys, they learned that they could only depend on each other. They also learned that they could make a lot of money by conning people. The opening prologue of The Brothers Bloom is an innocent, funny and expertly executed introduction to the boys, finding their calling as con artists and scamming their peers. From the start, Stephen is the planner and Bloom the one who sets the con in motion. We also see that at this early age Bloom longs for a connection with someone other than the brother he loves and admires; he wants to be loved. As Rod Stewart’s version of “I Know I’m Losing You” accompanies the boys’ slow-mo walk out of their latest town, the film titles appear and the story jumps ahead 20 years, when Stephen and Bloom are world renowned for being able to pull off the most elaborate and well-staged cons. (more…)

Basement Songs: Patty Griffin, “Be Careful”

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Since the day we moved into our house, I have regularly snuggled my daughter Sophie for about 10 minutes before she1000 kisses goes to sleep at night. When she was younger, it was to help ease her fears over the creaks and rattles of her room when the lights were off. As she got older, this routine turned into an opportunity for the two of us to catch up on our days. I found out about how school was for her, and Sophie asked me questions about my job.  For the past year I have tried to end this nightly routine.  Whenever I expressed this to Julie, my great wife admonished me by saying, “There’s going to come a time when she wants nothing to do with you. Enjoy this while you can.” Generally I pooh pooh this comment; I can’t imagine my daughter not wanting her dad around.

I vividly recall dropping her off for the first time at daycare when she was just two months old. It happened to coincide with my first day at a new job, so I was already a bundle of raw nerves. Letting her go and placing her into the care of people I barely knew was one of the worst things I ever had to do, and after I left the daycare, I had a meltdown in my car before finding the strength to start the car. I felt like she was already moving on. (more…)

DVD Review: “An Audience of One”

audience_of_one_DVDAn Audience of One (2009, Indiepix)
Purchase this DVD from Amazon or from Indiepix

At age 40, Richard Gozawsky, a San Francisco Pentecostal pastor at one of those houses of worship where the members are encouraged to speak in tongues and prayers become shouting matches with the devil, saw his first movie ever. Soon thereafter he received a message from God: Richard was to form a production company and make the greatest, biggest motion picture of all time. It was to be called Gravity: In the Shadow of Joseph, and this cross between Star Wars and The Ten Commandments was going to change the world.

Sounds like the makings of a high concept, studio-budgeted comedy from the Bruce Almighty playbook, doesn’t it? Think again, my friends, because Gazowsky and his journey are the subject of An Audience of One, a documentary from director Michael Jacobs. The film, originally released in 2007 and the recipient of many festival awards, has come to DVD through Indiepix. If you’re tired of documentary filmmakers injecting their beliefs and themselves into their movies, or if you simply enjoy well-made, dramatic movies with humor and eccentric characters, then the nonjudgmental An Audience of One is a film you should see.

Jacob’s film opens as preproduction of Gravity is underway. The volunteer members of the church are making costumes, running the finances, and planning a company move from California to Alberobello, Italy, where they plan to shoot their movie. Having never directed a movie in his life and having never produced anything of this capacity before, Gazowsky is able to raise enough money to put the film into production. His “how hard can it be” attitude about film making and his undying faith that God will guide him have convinced people that he will make this movie. As spiritual leader of his entire production staff, no one questions his actions; no one thinks he’s going to fail. As for the professionals hired to light and work on the camera crew, well, a gig is a gig as long as you get paid, even if the director of the film is delusional. (more…)