Posts Tagged ‘Semisonic’

  
Friday, September 4th, 2009

Bootleg City: Matthew McConaughey’s Favorite Songs of the Late ’90s

by Robert Cass

Hey, y’all. Matthew McConaughey here, fillin’ in for Mr. Mayor of Bootleg City this week. Cassanova gave me a jingle-jangle the other day and said, “Matty Mac, do me a solid and make a celebrity cameo in the BLC this week so I can cut out early for Labor Day. Surf, sand, sun, and sobriety — I’m all over it this weekend. Except for that last part, brother, knowwhatI’msayin’? Hahaha! Cool. Later.” (I did use the words “Labor Day.” The rest is from the mind of Matthew. —Ed.)

Hard to believe it’s been over a year since I last talked to y’all on Popdoze so Bobby C. could have another week off. I’m a big fan of Sugar Water (Stop it, you’re embarrassing me! —Ed.), so I was sad to see it move from entree to after-dinner mint on Bobby’s menu when he became mayor of Bootleg City last fall. But we all have to make sacrifices when we take on new responsibilities, don’t we?

Take me, for example — my son, Levi, is almost 14 months old. Can y’all believe that? Crazy. I can’t even remember life before he was born. Part of that’s because of the weed, but life really does change once you’re a daddy. And my wife, Camila, is expecting our second one by the end of the year.

Whoa, did I just say “wife”? Back up, y’all — that was a slip of the tongue. Camila’s my partner. My main squeeze. My colleague in baby raisin’. But not my wife. Neither of us are into that right now. Maybe one day, but we’re not like normal people — we don’t need the tax breaks, know what I mean? When you’re rich, money has no effect on love.

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Posted in Bootleg City, Music | Comments

Friday, July 17th, 2009

CHART ATTACK!: 7/20/74

by Jason Hare

Hi again, everyone! Thanks for all the fantastic comments on the all-Michael Jackson edition of CHART ATTACK! Did you notice that Motown jumped all over his death and released Michael Jackson: The Stripped Mixes? And it’s scary to think that this is only the tip of the iceberg. But that’s all I’m going to say about it — I’m all MJ’d out and I imagine you are, too — so this week, let’s go back a full 35 years and see what was at the top of the charts for the week ending July 20, 1974!

10. If You Love Me (Let Me Know) — Olivia Newton-John  Amazon
9. The Air That I Breathe — The Hollies Amazon iTunes
8. You Won’t See Me — Anne Murray  Amazon iTunes
7. Rikki Don’t Lose That Number — Steely Dan Amazon iTunes
6. Rock the Boat — The Hues Corporation Amazon iTunes
5. On and On — Gladys Knight & the Pips Amazon iTunes
4. Don’t Let the Sun Go Down on Me — Elton John Amazon iTunes
3. Rock and Roll Heaven — The Righteous Brothers  Amazon
2. Annie’s Song — John Denver Amazon iTunes
1. Rock Your Baby — George McCrae Amazon iTunes

10. If You Love Me (Let Me Know) — Olivia Newton-John

This song is a pretty simple pop-twinged country tune (it peaked at #2 on the Country chart and remains her highest charting song there), and is a fine vehicle for ONJ’s beautiful voice. However, the choruses feature a backing vocal by what can only be described as a drunk bullfrog. There are a number of voices joining in behind Olivia on the chorus, but this guy is just way lower (and louder in the mix) than the others, and it sounds odd. I mean, clearly it was done to achieve a certain feel, but I just can’t get behind it. What I can get behind, though, is any clip of Olivia Newton-John, ever, because she is SO DAMN CUTE.

9. The Air That I Breathe — The Hollies

I really love this song. For me, it’ll always be one of those songs that just transcends time and genre. That being said, it’s a cover fave for many “light” artists: Barry Manilow, k.d. lang, Air Supply, Judy Collins…the list goes on. The Hollies version is actually a cover itself; it was co-written by Albert Hammond and Mike Hazlewood and recorded by Hammond in 1972. Phil Everly covered it in 1973, and in 1974 the Hollies had, by far, the greatest success with it, reaching #6. It wound up being the last of their numerous top 10 hits. I like Hammond’s original version, and I’m also partial to a cover by Semisonic; those links will take you to the excellent Coverville podcast where I heard both for the first time.

I was thinking about including a clip of the Hollies performing the song, but then I’d be turning down a perfectly good opportunity to look at Olivia Newton-John again. So here’s her cover.

8. You Won’t See Me — Anne Murray

Aw, crap. Who the hell asked for this? Did the Beatles split affect us so much that we just allowed any cover to reach the Top 10? When Paul sang it, he had irritation in his voice; I don’t know if Anne Murray has ever sounded irritated in her whole life. She gets rid of the awesome “ooh la la la” backing vocals, and confuses the listener by featuring a somewhat funky fade-in, creating a vibe that is completely eliminated by the time she starts to sing. And yet, according to the liner notes of her greatest hits album, Lennon apparently told Murray that her cover was his favorite Beatles cover. Like, ever. If this is true, then clearly John had a soft spot for Captain & Tennille, because this track sounds like it was ripped right off of them. In fact, I’m unconvinced that this isn’t actually a C&T track with Murray singing over it.

And just when you thought it couldn’t get any worse…check out those shoulder pads!

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Posted in Chart Attack!, Featured, Featured - Frontpage, Music | Comments

Monday, July 6th, 2009

Song-Off Jr.: Fast Food Burgers

by Matchup Monkey

fastfood

As people eat more meals outside the home, they consume more calories, less fiber, and more fat. Commodity prices have fallen so low that the fast food industry has greatly increased its portion sizes, without reducing profits, in order to attract customers. The size of a burger has become one of its main selling points. Wendy’s offers the Triple Decker; Burger King, the Great American; and Hardee’s sells a hamburger called the Monster. The Little Caesars slogan “Big! Big!” now applies not just to the industry’s portions, but to its customers. Over the past forty years in the United States, per capita consumption of carbonated soft drinks has more than quadrupled. During the late 1950s the typical soft drink order at a fast food restaurant contained about eight ounces of soda; today a “Child” order of Coke at McDonald’s is twelve ounces. A “Large” Coke is thirty-two ounces-and about 310 calories. In 1972, McDonald’s added Large French Fries to its menu; twenty years later, the chain added Super Size Fries, a serving three times larger than what McDonald’s offered a generation ago. Super Size Fries have 610 calories and 29 grams of fat. At Carl’s Jr. restaurants, an order of CrissCut Fries and a Double Western Bacon Cheeseburger boasts 73 grams of fat — more fat than ten of the chain’s milk shakes.

–from Fast Food Nation by Eric Schlosser

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Posted in Music, Popdose, Song-Off | Comments

Wednesday, February 25th, 2009

Mope Like Me: One Final Mix Tape

by David Medsker

This will be the last Mope Like Me column.

In truth, I didn’t think I would be saying this, at least not this soon after launching it. I’m a sucker for sad songs, and God knows there are plenty of them. What I didn’t anticipate, though, is how exhausting it would be to go to that dark place, even if it was only every other week. I guess I’m just too happy now to revisit the more unpleasant times in my life.

And so, rather than draw out the misery for months on end, I’m making a final mix tape of every song I ever thought about writing up for this column. White Label Wednesday will continue to run every other week, and in the place of Mope Like Me will be another song column, but one that is decidedly more upbeat. Ta.

Air – Run
Elliott Smith – Everything Means Nothing to Me
Semisonic – She’s Got My Number
World Party – And I Fell Back Alone
Rialto – Love Like Semtex
E – The Day I Wrote You Off
The Jayhawks – A Break in the Clouds
Joe Jackson – The Other Me
Kerli – Fragile
Squeeze – There Is A Voice
Gus – Tell Me What You Can’t Say
R.E.M. – Endgame
Elbow – Powder Blue
XTC – I Can’t Own Her
October Project – Take Me as I Am
Everything but the Girl – Shadow on a Harvest Moon

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Posted in Mope Like Me, Music | Comments

Monday, November 17th, 2008

Jesus of Cool: Ten Years of Loving “10 Things I Hate About You”

by Jon Cummings

A decade ago this past summer, Kay Hanley and her bandmates in Letters to Cleo had to be talked into accepting a free trip to Hollywood when the producers of a new teen comedy approached them about contributing to the film’s soundtrack. Little did the band know that within a couple of weeks they would be planted high on a rooftop in Tacoma, Washington, fearing for their lives as a helicopter buzzed closer … and closer … and closer …

First things first. Next March will mark ten years since the theatrical release of 10 Things I Hate About You, a comedic update of Shakespeare’s The Taming of the Shrew that has overcome a middling performance at the box office to become one of the most popular teen movies of the post-John Hughes era. The film is best remembered these days as the American acting debut of Heath Ledger – who, ironically, is almost certain to be vying for a posthumous Oscar just a couple weeks before the anniversary of that debut. It’s likely Ledger’s participation, as much as the film’s immense likeability, that accounts for its near-constant presence on pay and basic cable over the past decade.

But 10 Things was much more than a showcase for Ledger and Julia Stiles, the co-star who also used the film as a springboard to greater fame and fortune. For all the contrivances of its Shakespearean plot, the film is among the most sensible and believable of the teen genre, full of warm and funny performances from a terrific supporting cast. Grown-ups Larry Miller and Alison Janney get some of the best moments, happily – particularly Miller as an Ob-Gyn so paranoid about his daughters dating that he forces them to “wear the [empathy] belly around the living room” before they leave the house. “Kissing? That’s what you think happens [at the prom]? I’ve got news for you. Kissing isn’t what keeps me up to my elbows in placenta all day long.”

The icing on this cupcake of a film is its music – a panoply of late-’90s modern rock (Semisonic, Sister Hazel, the Cardigans) and ’80s funk and pop (“Atomic Dog,” “Dazz,” “Push It”). Ledger’s most indelible scene featured him high-stepping across the football-stadium bleachers as he serenaded Stiles with “Can’t Take My Eyes Off of You” – with an unexpected assist from the marching band. (more…)

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Posted in Jesus of Cool, Music | Comments

Tuesday, June 17th, 2008

Mix Six: “Graduation Day”

by Ted Asregadoo

LISTEN TO THE FULL MIX HERE

This is the time of the year when graduates go through the ritual where they transition from one stage of life to another. It’s certainly an emotional time for all involved, and it does mark endings and beginnings. I don’t know about you, but when I graduated from high school, it was really strange to think that I was finished; that I wasn’t coming back in the fall. But I got over it, and quickly moved on. When I finished college, I was just excited to finally complete a degree that took far-too-long to get. I was ready to start my “adult life” and enter the world of careers, maybe marriage, kids, mortgages, and all that grown-up stuff. But what did I do? Um, I dove right back into school after a year of working at some crappy jobs. Ah, I guess I wasn’t quite ready to leave the womb. But enough about me. Here’s to you! The class of 2008. Go forth and kick some ass.


“I’m Coming Out,” Diana Ross

It seems this song has become a huge graduation song among “the kids.” I’m surprised it’s survived this long, but I suppose it’s a classic — even if it’s a classic performed by a really, really, really, really, bad person. (more…)

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Posted in Mix Six, Music | Comments