Posts Tagged ‘Sex Pistols’

CD Review: Cocktail Slippers, “Saint Valentine’s Day Massacre”

Cocktail Slippers, Saint Valentine’s Day Massacre (2009, Wicked Cool)
Purchase this album at Amazon.com

Isn’t it funny how quite often the finest practitioners of rock and roll—that most American of art forms—are those whose passports originate from outside the U.S.? I’m not just speaking of the Beatles, Stones, or Sex Pistols—we regularly extol the virtues of artists from lands unreachable by car from the bottom of my driveway. The best straight-up rock and roll band in the world right now may very well be the Hives, or maybe The Soundtrack of Our Lives, both of whom hail from Sweden, of all places.

But Norway? We’re expected to believe that the land of Vikings, the ‘94 Winter Olympics, and Henrik-freakin’-Ibsen has provided us with anything any more rockin’ than the wood John Lennon spoke of in that Beatles song? Well, in a word, ja. Leave it to Little Steven Van Zandt, the garage rock godfather, to find, promote, and produce not just a slammin’ rock and roll band from Norway, but a slammin’ all-female rock and roll band from Norway—Oslo’s own Cocktail Slippers.

Saint Valentine’s Day Massacre gives us a kick-ass rock band donning the costumes and playing the part of an early-60s girl group, like the Crystals or the Shirelles or the Ronnettes, with really loud guitars and the echoed thwap of a heavy-armed drummer. “Sentenced to Love” roars out of the gate with snarl and a backbeat the Strokes should kill for. The band’s “I-yi-yi-yi-yi’s” come from the best syllable-stretching rock and roll tradition (think Axl Rose with lipstick; or better yet, don’t), and the ‘Slippers bring forth the mighty thunder of a band onstage, trying to break the mirror behind the bar from across the room. (more…)

CD Review: Various Artists, “The Coolest Songs in the World! Vol. 8″

Various Artists – The Coolest Songs in the World! Vol. 8 (2009, Wicked Cool)
Purchase this album (Amazon)

Let us now praise famous do-rag-wearing guitarist/songwriter/deejay/record execs. Now, unless Clive Davis has a couple side gigs or fashion proclivities I’m unaware of, I can think of only one person who fits the bill—Steven Van Zandt. Call him Miami Steve, Little Steven, Silvio Dante, or Steven Lento, his main nom de rock should be “Almighty Savior of Garage Rock”—that soul-stirring mongrel amalgam of rock, soul, surf, folk, blues, punk, and the kitchen sink. Progenitors and practitioners of the three-chord stomp owe the recent interest in their work to Van Zandt’s radio program Little Steven’s Underground Garage and its various offshoots, including festival concerts, the show’s Web site, its satellite radio channel, and the wonderful Wicked Cool Records, the label through which Van Zandt has released a stack of loud and proud albums by the likes of the Chesterfield Kings, the Cocktail Slippers, and the Grip Weeds.

Wicked Cool is also responsible for a series of bitchin’ compilations named after Underground Garage’s weekly “Coolest Song in the World” feature. The eighth volume of the series has just seen wide release (after a four-month exclusive period with f.y.e., which sponsors the show), and it is a keeper. With its focus on new and young bands, the album shows garage as a living, thriving endeavor.

Palmyra Delran of the girl group the Friggs kicks off the comp with “Baby Should Have Known Better,” locking into a punky groove and spiking her cautionary tale with the kind of repetitive chorus that lodges itself in the listener’s head for years. It’s a fitting start to the record—the song was selected by Underground Garage listeners as the “Coolest Song of 2008″ and, well, it rocks.

“Terminal Boredom” finds the awesomely named Cute Lepers rocking a tune that could have been a Clash outtake. The Lepers are currently signed to Joan Jett’s Blackheart Records—a fitting connection, as Jett’s influence can be felt on a number of tracks led by female singers, like the Downbeat 5’s “Dum Dum Ditty,” which channels the Crystals through a Bad Reputation filter. That track would have made a an equally great Phil Spector single or deep cut on the Ramones’ first record, as would a number of old and recent Joan Jett tracks. (more…)

Hooks ‘N’ You: Random Reminiscing From the Averett Years

I can say without hesitation that today’s Hooks ‘N’ You was written more quickly and with less forethought in the history of the column, but whether that’s a good thing or a bad thing is a judgment call that only you can make. I guess we’ll find out soon enough, eh?

Earlier this morning, I posted some photos on Facebook from my college days at the school which is now known as Averett University. (It used to simply be Averett College, but it’s clearly much cooler now than it was when I attended.) The majority of the shots are of the various folks who haunted the halls of Bottom Bishop, where I made my home from 1990 – 1992, but the series begins with four photos of my dorm room. When I arrived in Danville, VA, I had just spent a year working music retail for Record Bar, so I had more posters to put on my walls than I had available wall space…but believe you me, I took advantage of the opportunity to plaster every last inch with something cool. If the space wasn’t big enough for a poster, then I put up an album flat. If it wasn’t big enough for an album flat, I put up a magazine cover.

In short, it was a desperate attempt to look cool.

It would be a lie to claim that this attempt succeeded, because there have been very few occasions in my life when I have been able to pass for “cool,” but at the very least, the combination of my decor and the music that was regularly blaring out of my room managed to help me in creating a circle of friends who have remained my friends to this day. Indeed, several of them have already commented on some of these photos on Facebook (I’m sure they will continue to give me shit about a couple of them for quite some time yet), and since I’m in a reminiscing mood, I thought I’d just offer up a few comments about some of the posters that can be seen in the photos and how the music has aged over the years.

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