Posts Tagged ‘Shakespeare’

Way Out Wednesday: “Rock ‘n’ Roll Disco with Fat Albert and the Junkyard Band!”

discofatalbert-front

It’s Wednesday, which means it’s time to pull out another album from the Way Out Junk archives. Today’s music selection from Fat Albert and the Junkyard Band is called Rock ‘n’ Roll Disco, which is rather odd since their music is really neither rock ‘n’ roll nor disco. However, there are a few different styles on display here, along with the usual pop/R & B-ish vibe you’d expect.

Our first song is a doo-wop number called “Mr. Shakespeare.” In it, Fat Albert sings to the Bard himself, asking for help with his girl troubles because someone plays a better Romeo to her Juliet.

Fat Albert – Mr. Shakespeare

Next we have “Skippin’ Out.” Here he sings about skipping away because it’s so nice outside. (I assume he’s talking about skipping school here.) In the second verse he sings about them heading out down the highway in his car. Wait a minute. Fat Albert has a car? Could Fat Albert even fit in a car?

Fat Albert – Skippin’ Out

The next song, called “She Doesn’t See Me,” has a nice Latin sort of beat to it. In this song he laments the fact that even with glasses, bifocals, and binoculars she doesn’t see him. (I’m resisting the urge to ask, “How could she miss him?”)

Fat Albert – She Doesn’t See Me

Fat Albert and the gang go country in “I Wanna Be a Cowboy” (not to be confused with the Boys Don’t Cry hit). This is the only song where we get an actual “Hey Hey Hey!”

Fat Albert – I Wanna Be a Cowboy

Finally, what would a Fat Albert album be without a song about “Friends”? Well, it wouldn’t be this one!

Fat Albert – Friends

This was more than I originally intended to include in this post, but I liked the variety of the songs included here. If you want to hear the rest of this album, you can download it here!

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DVD Review: “The Duchess”

The Duchess (2008, Paramount)
purchase this DVD (Amazon)

Period pieces have to fight an uphill battle, from the moment a studio decides to press forward and make them. They’re a niche market, to be sure; no computers or other modern contrivances for the characters to use in aid of plot points. No one flying through the sky, either in X-wing fighters or under their own power. Not a lot of rough language, for those of that particular bent. Period pieces have the singularly unique blight of being all lumped together as the same type of story, simply told in slightly different ways each time…in other words: BORING. Aside from 1998’s Elizabeth, which bestowed Cate Blanchett upon the world, one would be hard pressed to find more than a handful of recent period pics that even came close to making their budget back.

The Duchess–released so long ago, back in September of ‘08–was only the latest to not earn returns on its relatively modest $25 mil budget. The U.S. trailer was woefully unremarkable (an obvious result of Paramount Vantage’s marketing division being unable to properly distinguish it), while the U.K. trailer (the film was produced in association with BBC Films)–much more artfully and interestingly done–attempted to draw comparisons between the central character, the Duchess Georgiana Cavendish of Devonshire, and the late Princess Diana of Wales, who was of some blood relation. While the comparisons between their lives–that of women trapped in loveless marriages, unable to fully live their lives as they choose due to duties of family, duty and the confines of aristocracy–are both relevant and accurate, on this point The Duchess was also doomed because of the poor timing of its release. Had the film been released back in 1997 following Diana’s untimely death, it would have done boffo box office biz.

Then again, star Keira Knightley would have only been 12 years old and unable to assume the part…and it is her performance, along with Ralph Fiennes’, which serve as the definitive linchpins of the film. (more…)

Jesus of Cool: Ten Years of Loving “10 Things I Hate About You”

A decade ago this past summer, Kay Hanley and her bandmates in Letters to Cleo had to be talked into accepting a free trip to Hollywood when the producers of a new teen comedy approached them about contributing to the film’s soundtrack. Little did the band know that within a couple of weeks they would be planted high on a rooftop in Tacoma, Washington, fearing for their lives as a helicopter buzzed closer … and closer … and closer

First things first. Next March will mark ten years since the theatrical release of 10 Things I Hate About You, a comedic update of Shakespeare’s The Taming of the Shrew that has overcome a middling performance at the box office to become one of the most popular teen movies of the post-John Hughes era. The film is best remembered these days as the American acting debut of Heath Ledger – who, ironically, is almost certain to be vying for a posthumous Oscar just a couple weeks before the anniversary of that debut. It’s likely Ledger’s participation, as much as the film’s immense likeability, that accounts for its near-constant presence on pay and basic cable over the past decade.

But 10 Things was much more than a showcase for Ledger and Julia Stiles, the co-star who also used the film as a springboard to greater fame and fortune. For all the contrivances of its Shakespearean plot, the film is among the most sensible and believable of the teen genre, full of warm and funny performances from a terrific supporting cast. Grown-ups Larry Miller and Alison Janney get some of the best moments, happily – particularly Miller as an Ob-Gyn so paranoid about his daughters dating that he forces them to “wear the [empathy] belly around the living room” before they leave the house. “Kissing? That’s what you think happens [at the prom]? I’ve got news for you. Kissing isn’t what keeps me up to my elbows in placenta all day long.”

The icing on this cupcake of a film is its music – a panoply of late-’90s modern rock (Semisonic, Sister Hazel, the Cardigans) and ’80s funk and pop (“Atomic Dog,” “Dazz,” “Push It”). Ledger’s most indelible scene featured him high-stepping across the football-stadium bleachers as he serenaded Stiles with “Can’t Take My Eyes Off of You” – with an unexpected assist from the marching band. (more…)