Posts Tagged ‘sheena easton’

Cratedigger: Prince, “Sign ‘o’ the Times”

Prince - Sign 'o' the TimesThere has never been a doubt in my mind that Sign ‘o’ the Times (that ‘o’ is stylized as a peace sign in the title) is the best Prince album. For me, it represents The Artist at his peak, showcasing all of the styles that he’s proficient in. Though it is very much an album of its time, in this case 1987, with references to the AIDS pandemic, the Challenger disaster, Ronald Reagan’s Star Wars program, and the crack epidemic, it still sounds as fresh as today’s newspaper — or, given the state of the newspaper business, maybe I should say the most recent website update.

The album opens with the title track. The sound of a sequencer creates a water dripping effect and Prince takes on the role of a herald, chronicling the events of the day, while warning of the peril ahead:

“In France a skinny man
Died of a big disease with a little name.
By chance his girlfriend came across a needle
And soon she did the same.
At home there are seventeen-year-old boys
And their idea of fun,
Is being in a gang called the Disciples
High on crack, toting a machine gun.” (more…)

Jesus of Cool: We Wuz Robbed! Great #2 Hits of the ’80s

It’s amazing, the things a guy can learn even at my advanced age. The real treat for me, in slapping together this (too)-long-running series – which already has examined hits from the ’50s, ’60s and ’70s that ran out of gas just one block short of the Texaco – has been the opportunity to put into context some of the music-geek trivia that’s been crowding out more important information in my head for the last 30 years.

I’m embarrassed to say I was able to sit down at my laptop and reel off the names of about three dozen #2 hits from the grand and glorious ’80s without even cracking open my ever-present Joel Whitburn or Fred Bronson singles bibles. (The fact that I could do that, but can’t tie a Windsor knot, may explain why my career on Wall Street never took off. It also made narrowing down to 10 songs for this list a painful experience.) But it’s one thing to keep song titles and chart placements in your memory; it’s another to marvel at the tricks of fate, poor taste, or record-biz manipulation that launch one single over another on the way to Top 40 glory. Take this first juxtaposition, for example:

11. “Hazy Shade of Winter,” the Bangles. Here’s the hit that slaps some sense into those who mistake the Bangles for a novelty act, or stubbornly cling to the notion that Susanna, Vicki, Debbi and Michael didn’t really rock. They took a 20-year-old, twee-as-all-get-out Simon & Garfunkel tune and turned it into a fuzz-guitar anthem of ’80s excess, the perfect theme for what should have been a much better movie based on Bret Easton Ellis’ Hollywood-druggies novel Less than Zero. (Funny how the movie biz managed to mangle both Ellis’ book and Jay McInerney’s New York equivalent, Bright Lights, Big City. Of course, casting pretty boys Andrew McCarthy and Michael J. Fox as jaded protagonists didn’t help.) Anyway, how were the Bangles rewarded for their maturity and brilliance in transforming “Hazy Shade of Winter”? They were left in the dust by the god-awful ballad “Could’ve Been,” which might have been less terrible had it not been butchered by that caterwauling, flavor-of-the-month, shopping-mall princess Tiffany. A slightly interesting fact about “Could’ve Been”: Its composer, Lois Blaisch, was “discovered” while singing for her supper at a recently-shuttered restaurant a few miles from my house, called the Hungry Hunter. I knew there had to be a reason why I never considered going into that place … besides, of course, the goofiness of its name, particularly considering that it sat in the middle of a SoCal strip mall… (more…)

CHART ATTACK!: 11/24/84

Hey everybody!  Just think: one week from now, you’ll probably be feeling full and somewhat nauseous from all the food you’ve ingested.  I say, why wait a week?  Get that nauseous feeling right now as we tackle the Billboard Top 10 from November 24, 1984!

10.  I Just Called to Say I Love You  — Stevie Wonder Amazon iTunes
9.  Penny Lover — Lionel Richie Amazon iTunes
8.  All Through the Night — Cyndi Lauper Amazon iTunes
7.  Strut — Sheena Easton Amazon iTunes
6.  Caribbean Queen (No More Love on the Run) — Billy Ocean Amazon iTunes
5.  Better Be Good to Me — Tina Turner Amazon iTunes
4.  Out of Touch — Daryl Hall and John Oates Amazon iTunes
3.  I Feel For You — Chaka Khan Amazon iTunes
2.  Purple Rain — Prince and the Revolution Amazon iTunes
1.  Wake Me Up Before You Go-Go — Wham! Amazon iTunes

10. I Just Called to Say I Love You — Stevie Wonder

I’m sorry. I know it’s cliché, but I have to.

It’s funny ’cause it’s true! There are, sadly, a lot of people out there who think of this song when they think of Stevie Wonder, and seriously, that pains me. You know who I’m talking about. You probably work with them.

Barry asks another important question here: “Is it, in fact, unfair to criticize a formerly great artist for his latter day sins?” No, it’s not. Stevie Wonder may be a musical genius, but it doesn’t mean I have to love everything he’s ever released. “I Just Called to Say I Love You” is actually a well-written song. It’s poppy, it’s catchy, and the sentiment is simple, yet original. However, none of this changes the fact that this is song comes nowhere near the caliber of his work from the ’70s. And I’m still on the fence as to whether I give him credit or points off for the cha-cha-cha ending.

When I hear this song today (and I try not to), this is what I usually think about:

9. Penny Lover — Lionel Richie (download)

When you’re on fire like Lionel Richie in 1984, you can do whatever the hell you want.  You can write a song called “Penny Lover,” which is not actually about somebody who loves pennies, or even about someone who loves girls named Penny.  And you can sit back and watch your song reach the Top 10, without batting an eye.  That being said, “Penny Lover” peaked at #8 and thus became Richie’s lowest-charting solo single to date.  This doesn’t seem so bad until you realize that he co-wrote the song with his wife, Brenda, and you just know that Lionel got the shit kicked out of him for that one.  “You write a song with ‘Tam bo li de say de moi ya” and it goes to #1, but my song stalls at #8?  Go outside and find me a switch!”

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Bottom Feeders: The Ass End of the ’80s, Part 28

I’m a list man. I love making them, I love talking about them, I love everything about them. And if I accept a challenge to make a list I will painstakingly carve it out and be able to defend to the death why I chose what I did.

About three weeks ago I was challenged to make a list of the Top Ten ‘80s hits that I wish I would never hear again. Overall, finding these songs is not a terribly difficult thing for me as I would prefer not to listen to the Top 40 for the most part and instead focus more on these Bottom Feeders or the more obscure tracks anyway. But the part that took me three weeks to finalize is simply cutting it to just ten songs. If the criteria would have been 50 songs it would have been a piece of cake but just ten is ridiculous. But, I’ve done it and I told my buddy who proposed the challenge that I would post the ten songs as one of my intros to the segment. And while I’m not going to go into the full explanation of why I chose them here (that would just take way too long) I will tell you that my only criteria was that they were a Top 40 hit. To choose something that hit #98 would be too easy and clearly not the point of this exercise.

So here I present you with the ten top 40 hits from the ’80s that I could live without ever hearing again — in no particular order:

Beach Boys, “Kokomo”
Bobby McFerrin, “Don’t Worry, Be Happy”
Bangles, “Walk Like an Egyptian”
Katrina and the Waves, “Walking on Sunshine”
Corey Hart, “Sunglasses at Night”
Corey Hart, “Boy in the Box”
Rolling Stones, “Emotional Rescue”
New Kids on the Block, “Cover Girl”
Steve Miller Band, “Abracadabra”
Michael Bolton, “That’s What Love is All About”

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Future Retro: Sheena Easton, “Fabulous”

SHE’S A MODERN GIRL (na na na na na)

Back in the neon-colored days of the ’80s, Sheena Easton ruled the Adult Contemporary charts with a well-manicured fist. Sheena first began her ascension to fame on the BBC television show The Big Time, a documentary-style program chronicling an unknown singer’s attempt to achieve success in the music industry. Sheena was selected as the program’s subject based on her talent and her potential to become a singing star. EMI Records believed in her enough to give her a recording contract and a producer. Sheena spent the next several months being followed by cameras as she set out to create her very first single, “Modern Girl.”

Despite the television exposure, it wasn’t until “9 to 5,” Sheena’s second UK single, that her career finally started to take off. The song went to #3 on the UK charts, prompting its release in other countries. “9 to 5″ was renamed “Morning Train” in the U.S. to avoid confusion with Dolly Parton’s song of the same name. Regardless of its name, “Morning Train” went all the way to #1 in the U.S. “Modern Girl” was re-released in the UK after an initially disappointing debut and eventually climbed into the Top 10. “Modern Girl” was released as her second U.S. single and topped out at #18. Within months the Scottish newcomer had two huge hits on the charts in multiple countries. These accomplishments were followed by the Academy Award-nominated James Bond theme “For Your Eyes Only” which peaked at #4 in the U.S. and #8 in the UK. All of this led to a well-deserved Grammy for Best New Artist of 1981.

SHE’S GOT THE LOOK

Unlike many other Grammy winners, the supposed “Best New Artist jinx” didn’t seem to apply to Sheena. She continued to deliver numerous hits throughout the rest of the ’80s and into the ’90s. In 1983 she landed several huge hits, including the dance track “Telefone (Long Distance Love Affair),” the #1 country/pop duet with Kenny Rogers, “We’ve Got Tonight” (a Bob Seger cover) and “Almost Over You,” which rose to the top of the Adult Contemporary charts.

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