Posts Tagged ‘Simple Minds’

White Label Wednesday: Simple Minds Six-Pack

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A girl on whom I held a massive crush in high school gave me one of her senior year photos, and on the back she wrote, “I will never hear Simple Minds without thinking of you.” And even then I thought, “Um, thanks?” Which is no disrespect to one of Scotland’s finest, but rather that if you remove the upper case in that band name, it goes from compliment to slam in a nanosecond. Still, I knew she wasn’t calling me a simple mind; I played the daylights out of those guys for anyone who’d listen, beginning with 1984’s drumtastic Sparkle in the Rain. My rocker friends caught on the following year when the band released their breakthrough hit Once Upon a Time, but by then, I was going back and discovering the New Romantic beauty of New Gold Dream. Today’s WLW will highlight mixes of two songs from these three albums, hopefully without dredging up any painful high school memories in the process. (more…)

Bootleg City: Simple Minds, 6/14/09

The budget cuts continue in Bootleg City. This week I had to lay off the village idiot.

It was a tough call. On the one hand, he’s provided countless hours of “It’s funny because it’s not me” entertainment. On the other hand, he’s a symbol of a more ignorant time in human history, when those with limited mental capacities were openly encouraged to humiliate themselves, only to be mocked by society for their efforts.

Luckily, Bootleg City’s village idiot took it in stride. “I’ll be honest with you — I’m relieved,” he said. “My last job, I was there too long. The first two years were pretty good, but then it started to get really hard, and my boss turned into a real jerk, and everybody started blaming me for everything. Here I just could be myself, but six months was a good run. Any longer and y’all would’ve started hating me, probably saying I was only here in the first place because somebody pulled some strings.”

I asked about his plans for the future. He said he might look into adjunct faculty positions at Yale. I thought he was making one last joke, but he was serious. All I could do was smile, pat him on the back, and say, “Good luck, George.”

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Mix Six: “White Hot Days”

Once again kids, yours truly is handing over the mixing duties to Jack Feerick — who brought us a mix that “gave the drummer some.” This week’s mix celebrates a season that, at least for me in the Bay Area, lasts from May to October. I’m talking about summer, and all the good (and not-so-good) things that go with it. See ya next week!

–Ted (AKA Py Korry)

DOWNLOAD THE FULL MIX HERE

There’s a website I like, called One-Minute Vacation. The content is simple enough—an ever-growing collection of digital field recordings donated by the site users themselves—but even more than the clips themselves I love the idea; that sound alone, even out of context, can transport us, can take our heads somewhere else in space and time.

It’s not just ambient sound that does this. We’ve all got our personal pantheon of “summer songs,” and it’s about this time that the blogs and the corporate sites start running polls about our favorites. (Not so long ago, it would have been the radio stations doing that.) But what’s a “summer song,” anyway? Is it a song that sounds best when you hear it in the summertime? Or is it a song that, whatever time of year you hear it, reminds you of summer? Or is it a little of both?

Try this; download this mix, and wait a while. Wait until winter comes to your hemisphere, for a day when the sky is the color of slate and the wind is rattling around your windows. Then listen. Close your eyes, as appropriate; where do you end up?

Open on the sound of the Campo del Principe in Granada, Spain, on a sunny day in May. You’ve got the morning free and you’re meeting your best friend at the café across from the park. She’s got a table on the terrace; the day is already hot, and she’s already ordered you iced coffee, sweet and creamy. (more…)

Exit Music (For a Film): “The Breakfast Club”

The Breakfast ClubWhen The Breakfast Club begins, we’re presented with the five characters as easily defined stereotypes – “a brain, an athlete, a basket case, a princess, and a criminal.” In the film’s closing moments, against the backdrop of the Simple Minds classic “Don’t You (Forget About Me),” Anthony Michael Hall iterates the fundamental message of the film – that although it is much simpler to perceive the characters as members of discrete categories, it’s just plain wrong, and it’s an insult to each of them to do so. The members of the Breakfast Club don’t believe that Principal Vernon’s assessment of any of them is going to change in the slightest beyond the stereotypes he has already assigned them to, and therefore feel there is no point in attempting to explain themselves to him. It would all go in one ear and out the other.

The Film: The Breakfast Club

The Song: “Don’t You (Forget About Me)”

The Artist: Simple Minds

Ever since this endless presidential race began – and let’s be honest, the Democratic primary has effectively been underway since Barack Obama’s speech at the 2004 convention and the Republican primary hasn’t been much shorter – the traditional media has been struggling to characterize the candidates in terms of their high school equivalents. Anyone who has actually been to their high school reunion has a pretty good idea that people change a great deal in college and thereafter. Relying on a perception of a candidate’s stereotypical high school persona to make judgments about their current character and competence is an activity you might expect from someone who needs a bib to eat, has mittens pinned to their jackets, and isn’t allowed to play with matches, but certainly not from a professional journalist. (more…)

White Label Wednesday: Simple Minds, “Speed Your Love to Me”

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Simply put, those “U1” jokes about Simple Minds that Py Korry referred to in his most recent Mix Six installment began here.

“Produced by Steve Lillywhite.” For most bands, those four words are akin to being touched by the hand of God. For Simple Minds, it ultimately caused more problems than it solved. The band was riding a steady wave of buzz after the release of their 1982 album New Gold Dream (81-82-83-84) in 1982, so it was easy to see why Lillywhite was interested in applying his sonic bombast to the band’s atmospheric art pop. The end result, 1984’s Sparkle in the Rain, is arguably Simple Minds’ finest record, and fewer songs displayed that bombast better than the album’s second single, “Speed Your Love to Me.” Along with its crash-boom-bang drum track, Mel Gaynor positively rocks that cowbell, and Lillywhite’s 12” mix, which highlights Charlie Burchill’s scratch guitar technique, inspired U2 comparisons by the pound. Bono didn’t mind, though; he loved Sparkle in the Rain, saying it was what U2 aspired to do with War. You know, if Bono had any idea back then how to lighten the fuck up.

This is the part where the writer is supposed to talk at length about the difficulties Simple Minds had living in the shadow of U2, their decision to record a silly pop song that Billy Idol and Bryan Ferry had already turned down, etc. But not here, not today. We choose to remember Simple Minds as they were before the music machine crushed their spirit. Consider this: when Sparkle in the Rain was released, it was still anyone’s guess whether U2 or Simple Minds would prove to be more popular. Isn’t that just adorable? Not as adorable as Kerr’s jacket in the song’s promo video, of course, but you get the idea.

Simple Minds – Speed Your Love to Me (Extended Version)

Jesus of Cool: John Hughes, Sixteen Candles, and a Kiss…of Death

If you were a GenXer coming of age in the 1980s, moviegoing meant heavy doses of Harrison Ford, too much Tom Cruise, an occasional journey into the unhinged eraserhead of David Lynch…and multitudes of Molly Ringwald. John Hughes’ hugely successful teen flicks were hit-and-miss in quality — with the exception of Sixteen Candles and Ferris Bueller’s Day Off, they all play better in the memory than they do in real time. Still, without them we might never have grown to loathe the Brat Pack — and Hughes did manage to give some early-career screen time to several young people who went on to more interesting acting careers (John Cusack, Alan Ruck and Gina Gershon, to name a few). (more…)