Posts Tagged ‘Star Wars’

Way Out Wednesday: “The Happy Hamsters Go Ghostbustin’”

hamsters ghostbustin frontIt’s Tony from Way Out Junk, and I’ve got another crazy one for you. Remember the high-pitched singing rodent craze started by Alvin and the Chipmunks and then all the rip-off groups that appeared afterward? This album is from the second renaissance of the Chipmunks, and features the Happy Hamsters. What’s their back story? Who knows? I don’t even know what their names are, or if they’ve got a human father figure or anything. Admittedly this is the Happy Hamsters’ second album, but I don’t think continuity is their strong suit here. Anyway, on to the songs!

Well, since this album is called The Happy Hamsters Go Ghostbustin’, you have to expect the song “Ghostbusters.” The singing isn’t that bad, all things considered. The problem is all the jabbering they do during the instrumental parts. It’s just a little bit here, but it gets worse, trust me!

Ghostbusters

Next, as a salute (?) to Michael Jackson, here’s “Thriller.” Again, the singing’s all right, and there’s not too much chatter this time. Extra points for including the Vincent Price part of the song as well. Of course, it does lose the effect hearing it done by three helium-filled voices.

Thriller

(more…)

Farkakte Film Flashback: When Good Dinosaurs Go Bad

I’m not a fan of the Ice Age movies. OK, I like the little squirrelly guy who continually risks severe bodily injury in search of a nut, because I can relate to that. But it seems to me the minute Ray Romano and Denis Leary open their animated mouths to earn their paychecks for a day and a half’s work, the air drains out of the entire enterprise.

This week marks the opening of the third film in the Ice Age series, Ice Age: Dawn of the Dinosaurs, which — in a signal of the level of desperation among the marketing specialists herded into a room to come up with these movies — adds the aforementioned dinosaurs to the mix, despite their extinction 25 million years before the Ice Age movies take place.

Now, I don’t expect cartoons to be realistic, necessarily; I know most prehistoric sloths didn’t talk like John Leguizamo either. But this seems particularly bald-faced: Why not add in a contingent of robots and space aliens while you’re at it? (That sound you just heard is a marketing specialist belching out a draft of Ice Age IV.)

With that in mind, I thought it would be appropriate to revisit five films that earned their inclusion of dinosaurs honestly, by making no bones (bones – get it?) about being completely historically inaccurate, or terrible, or both.

Godzilla’s Revenge, a.k.a. All Monsters Attack (1971): I will grant you that Godzilla is not, technically, a dinosaur; scientists have yet to discover a species of dinosaur that bloated and rubbery, and with such large thighs. But he’s close enough for government work.

If you’re going to revisit a Godzilla film, I think it defeats the purpose to choose one with even an air of respectability, like Godzilla, King of the Monsters (1956). That’s the American version of the original Japanese Gojira (1954), in which Raymond Burr (as American journalist Steve Martin, the wild and crazy guy) is inserted into every other scene to look all authoritative and white.

No, seems to me you’re better off with an installment like Godzilla’s Revenge, in which a little boy falls asleep and dreams he’s gone off to Monster Island, where he helps Godzilla teach his son Minilla to blow cute little smoke rings. Eventually there is some fighting, and the boy’s Godzilla training winds up enabling him to foil two bumbling robbers, confirming my theory that Home Alone 3 is one movie that actually would have been a lot better with dinosaurs. (more…)

Mix Six: “Super Soundtracks”

DOWNLOAD THE FULL MIX HERE

Hiya, kids! This week’s mix is brought to you by Jeff Johnson, who’s been a friend of mine since high school. Ever since I’ve known him, Jeff’s tastes in music have skewed toward the soundtrack side, specifically orchestral soundtracks. We attended film school together (I changed majors at the end of my junior year), and he went on to write and direct a feature film called Holly vs. Hollywood. Nowadays Jeff is happily ensconced as the online store manager at the ever-popular soundtrack store (and record label) Intrada in Oakland, California. Intrada is one of those rare record stores where they not only exclusively stock movie soundtracks, they also restore and reissue them. Jeff also cohosts the podcast Filmed, Not Stirred with his gal pal Lisa. It’s unique because they review a new movie and compare it with an older movie in a similar genre or director. So you see? There is life after film school! —Ted

You’re about to discover six pieces of music you’re not even really supposed to notice. So what is it about film-music geeks that makes it virtually impossible for them to watch a film without noticing its music? And even more curious, why would they want to listen to it on its own?

In coming up with this list of my favorite soundtrack cues, two things are obvious: 1) all the pieces are composed by either Jerry Goldsmith or John Williams, and 2) they were all composed between 1976 and 1982. I don’t know what that means, except to say that I discovered all of them when I was between the ages of 11 and 17. I had them all on vinyl and played them so many times as a kid that I wore out the records. These aren’t necessarily the best pieces of film music, but they are some of my favorites.
(more…)

Film Review: “Up”

up-poster11The new Disney/Pixar collaboration, Up, has just opened to some of the best reviews the studio’s ever received. While it’s a very enjoyable film, I have to say it certainly isn’t among their best, in spite of the talent behind it.

As a child, Carl Fredricksen (at this point voiced by Jeremy Leary) is a huge fan of famed adventurer/explorer Charles Muntz (voiced by Christopher Plummer). Young Carl is a true devotee, keeping up with all of Muntz’ doings and is shocked to the core when one of his archaeological finds is disputed as a fraud. While Muntz sets off to clear his name, Carl happens to cross paths with Ellie (voiced by Elie Docter), who is just as much a fan of Muntz as Carl. The two become close, eventually falling in love, marrying and growing old together…all while keeping a coin jar in which they save whatever money they can to one day take a trip to Paradise Falls, the “land lost in time” for which Muntz set out. Carl makes the ultimate kids’ promise–crossing his heart–that he will one day take Ellie there, but before he can, she passes away. (more…)

Dw. Dunphy On… Drawing

There was a period of time during junior high and high school when I was convinced music wouldn’t be a part of my life. I couldn’t afford to get a guitar or a keyboard, I didn’t have the outsize personality the other rock kids had, and I found it terribly difficult to put across my ambitions to even the few people I entrusted with my goals. I focused more on the possibility of going into comics. Just as some of my earliest recollections are of songs, I also have an undiminished affinity for Charlie Brown and the Peanuts gang. In those high school years my attention was fixed on the artist Al Williamson, whose superrealistic, detailed style was so perfect in the notorious EC science-fiction comics of the late ’50s and early ’60s. In my mind, his work on Marvel’s adaptation of The Empire Strikes Back and his subsequent work on the Star Wars newspaper strip are the epitome of great comic book art.

In the past month I’ve been rooting through the boxes in my attic, looking at the stuff I’ve squirreled away up there over the years. I came upon a small cache of drawings, paintings, and such, gave them a once-over, and decided maybe it was a good idea to bring them downstairs and get some quality scans together, just to have a decent record of their existence. I doodle from time to time, but my dreams of being in the business of comics are long gone. This is partly due to the quality of what’s out there, specifically the writing. In the past two decades Neil Gaiman, Alan Moore, and Frank Miller have made that once unimaginable leap from the “funny books” to honest-to-God literature, and they didn’t even have to change their addresses. With the often funny but deeply felt Bone saga, Jeff Smith made a brilliant epic out of something that might have been relegated to a goofy kids’-comic limbo at one time. And then there’s Jon J. Muth’s insanely awesome adaptation of Fritz Lang’s M. Each example not only deserves space on the snootiest of bookshelves, but some deserve to kick a few warhorses off those shelves just for breathing room.

(more…)

The Bigger Picture: The Internet is Over(rated)

200157989-001The Internet has spawned an explosion of opinion and independent thought. Movies I once thought were untouchable I now find have their own critics. While the Web has also coined new terms and brought about an entirely new culture, I have some major complaints, namely the use of the word “overrated.”

When I was in elementary school, there were certain movies that I absolutely idolized. I had a queue of films that I would watch on sick days. It was a long list, but it included all three of the Star Wars films, Indiana Jones and the Last Crusade, The Rocketeer, and a TNT version of Treasure Island that starred Charlton Heston and a young Christian Bale. Not only did I love these movies, I would actually re-enact them. This was usually a sign to my parents that I wasn’t sick anymore and it was time to send me back to school.

Hang on; I’m going to make the rest of the Popdosers look old. My high school experience went side by side with the transformation of the Internet into what it is today. These were the days of dial up modems that squealed like a pig to the slaughter. It was the Also sprach Zarathustra of my entry into the negativity that the Internet has cornered the market on.

Around the same time, I had found a new friend at my high school. His name was Duncan, and he was far different from the friends I had grown up with. By sophomore year I had turned into an all too-serious adult. Duncan had transferred to my school and displayed a different sensibility from my old friends, so I gravitated toward him. Being young, I mistook his arrogance for maturity. Duncan was a smart kid, but all too often intellectualism can cause a man to act cruelly toward others (and how smart is that?). Duncan introduced me to criticism and cynicism, and being impressionable, I imitated him.

The Internet is filled with Duncans; people who know their intellect but display little understanding that emotional intelligence is far more important than mere knowledge. With the Internet has come an extremely critical culture, one in which a single negative voice can speak louder than one hundred positive ones. It would be silly to say that this problem didn’t exist prior to Al Gore’s invention of the World Wide Web, but it is hard to deny that it has become an almost suffocating force in our culture.

One day, in a conversation with Duncan, I mentioned my love of The Rocketeer. He sneered at my bond with that movie, taking an almost mocking tone. How could someone, in one swift stroke, destroy me for loving a movie that I cherished from my childhood? My unfortunate reaction was to give in. I wanted to look cool and all too often looking cool means to betray one’s own self. It was around this time that I first became aware of the word “overrated.” (more…)

The Bigger Picture: Disaster Movie!

The average movie is mediocre at best. This is not meant as an insult to hardworking filmmakers. The simple fact of the matter is that few films in a given year can actually be given the label of a “good movie.”

People often look back fondly at a cultural era. In our short-term memory, this is often reduced to decades. Looking further back, cultural movements generally take up more time and are given weighty names (the Renaissance, the Enlightenment). Often someone will say “Remember the music in the ’90s? It was so much better than it is today” or “Movies were a lot better in the ’70s.” Think about it rationally, though: What possible reason could there be for the quality of art to change from one period in history to the next? It’s not as if new generations are less talented than previous ones, as much as Tom Brokaw tries to convince us otherwise. Generations are made up of individuals. Sometimes we lose sight of this much like we fail to acknowledge the tiny pixels that form our computer screens.

Let’s take a look at the conditions art needs to survive. First, there are the technological advances in artistic mediums. Oil-based paints and watercolor paints both developed at different times in history. The electric guitar spawned a revolution in music, just as programmed beats and synthesized instruments have done in more recent decades. The biggest technological change right now in film is the use of digital technologies. Even if a movie is still shot on film it will pass through a computer at some point, be it for color correction, CGI, titles, or DVD production.

The other major requirement is something that is more difficult to pinpoint. I call it cultural inspiration. These are the societal tendencies that are working both for and against the artist, and are often easier to pinpoint in hindsight. The great thing about art is that the forces working against it are easily neutralized by the work. The Vietnam War is an example of a cultural inspiration. Music underwent a fundamental change during this time, and films as well. For all the peace and love in the air, films seemed to get grittier and more cynical from this point forward. Star Wars, though an attempt at more uplifting cinema, was even inspired by the Vietnam War. George Lucas was originally scheduled to make Apocalypse Now, but when this plan fell through he began forming his space epic by following the same threads of rebellion and empires stretched too far.

(more…)