Posts Tagged ‘Steven Wilson’

The Friday Mixtape: 9/18/09

Remember that mixtape from last week? One hundred Beatles covers? That thing was EPIC! It was freaking magnificent!

Yup… That was… really something.

Well, then.

Midnight Oil – Under The Overpass from Capricornia (2002)

fun. – Benson Hedges from Aim and Ignite (2009)

The 77s – The Treasure In You from More Miserable Than You’ll Ever Be (1990)

Roland Orzabal – Dandelion from Tomcats Screaming Outside (2001)

Porcupine Tree – Black Dahlia from The Incident (2009)

Velvet Crush – Hold Me Up from Teenage Symphonies to God (1994)

Elton John – Something About The Way You Look Tonight from The Big Picture (1997)

Gin Blossoms – Till I Hear It From You from Outside Looking In: The Best Of Gin Blossoms (1999)

Yngwie Malmsteen – I’m My Own Enemy from Fire & Ice (1992)

Toto – Drag Him To The Roof from Tambu (1996)

The Smithereens – Behind The Wall Of Sleep from Especially for You (1986)

Elvis Costello And The Imposters – American Gangster Time from Momofuku (2008)

The Balls Of France – Message From The Country from Lynne Me Your Ears: A Tribute to the Music of Jeff Lynne (2001)

The Simpsons – What Do I Think Of The Pie? from The Simpsons: Testify (2007)

CD Review: Porcupine Tree, “The Incident”

A famous occurrence found its way into Woody Allen’s film Manhattan. The director has just explained all the artistic allusion and metaphor in his latest work, pouring over details and really attempting to make an artistic statement. Then comes time for the audience Q&A session. First question: when are you going to be funny again? I had this thought while listening to Porcupine Tree’s latest, The Incident.

Before you misconstrue where I’m headed, let me say I enjoyed The Incident quite a bit. It is, as the prog rock geeks prefer, an epic with that first and title track actually being a suite of songs and interludes (14 in all), ranging from the opening piece of aggressive guitar, “Occam’s Razor” to the affecting pop-hard rock of “Time Flies,” the centerpiece of the suite, to the melancholic and affecting closer, “I Drive The Hearse.” Four additional songs are found on a second disc, unrelated to the suite but no less tonally similar, and here lies my hesitance about The Incident.

The band’s output has been steady and prolific, from chief Steven Wilson’s initial psychedelic leanings, to full-on prog, to a pop-rock feel for often forgotten gems like Stupid Dream and Lightbulb Sun. The band started to get broader attention with their In Absentia CD, but for the past few albums, that has been the dominant descriptor of Porcupine Tree music. Indeed, when people describe the band, they call on In Absentia, Deadwing, Fear of a Blank Planet and will surely add The Incident to that list, while there is a greater breadth of stylistic adventure just behind those recordings. It would be a broad stroke to claim the band has solely locked into a string of metal assaults punctuated by gorgeous, sad balladry, but each new album brings us closer to that conclusion. I’ve been waiting for that shift that used to occur every two or so albums. (more…)

The Friday Mixtape: 5/8/09

Brainiac – Kiss Me, You Jacked Up Jerk from Hissing Prigs in Static Couture (1996)
Buck Dharma – Cold Wind from Flat Out (1982)
Herman’s Hermits – Dandy from Retrospective (2004)
Ideola – Hold Back Your Tears from iDeOLA: Tribal Opera (1987)
Mike Viola – The Strawberry Blonde from Lurch (2007)
Ric Ocasek – She’s On from Quick Change World (1993)
Sam Phillips – Answers Don’t Come Easy from The Turning (1987)
Skeleton Key – That Tongue from Obtainium (2002)
Steven Wilson – Harmony Korine from Insurgentes [CD/DVD] (2009)
The Knack – Another Lousy Day in Paradise from Round Trip (1981)
The Swirling Eddies – Catch That Angel from Let’s Spin (1988)
Threshold – The Destruction of Words from Subsurface (2004)
Tobin Sprout – It’s Like Soul Man from Carnival Boy (1996)

Dw. Dunphy On… New Releases

We are now officially in the fourth quarter sales market. Department stores have begun to roll out the Christmas decorations, big summer movies are winding their way to the DVD department and some major releases in music are on the horizon for the all-important time in the retail year. It seemed appropriate, then, for me to discuss some of the most recent new releases in my headphones, one of which comes with a lot of expectation and another that exploded unbidden from out of the blue. Intrigued?

Ben Folds, Way to Normal (Epic)

I’ve been a fan of Folds’s work for a long time but find his solo efforts incredibly uneven. His last release, Songs for Silverman, was a leaden, ballad-heavy affair with very few tracks to really grab hold of. The latest, Way to Normal, should have been a return to form but only half succeeds. Sure, he regains a bit of his bounce and more than a bit of his bite, but the songs come from a sticky place: the dissolution of his third marriage, a relationship that informed most of his previous two albums. What you end up with is a lot of songs that make you feel like a friend has borrowed your ear for a while, relating to you how horrible that witch he used to be with has been. All the while, you have a sneaking suspicion that this friend is hardly as innocent as he claims.

I have no idea about the details of Folds’s personal life or how his marriage came apart. With semi-scathing tunes like “Bitch Went Nuts”, “Errant Dog,” and “You Don’t Know Me,” I frankly don’t want to know. Kiss-off and piss-off songs are common fodder in pop music, but they’re easier to take in smaller doses. They’re also easier on the ears when the production isn’t as abrasive as Dennis Herring’s. Tweedly-sounding synths, canned beat construction, occasional distortions that could be mistaken for blown speakers all attempt to frame the tunes in the most modern way, but become tiresome after a while. Worse, “You Don’t Know Me” employs the wonderful Regina Spektor and gives her nothing to really work with. Spektor, like Folds, has harnessed the power of solo voice and piano to great effect, so it’s really disappointing to find that anyone could have contributed her part on this song. (more…)

Vinyl Record Day: Porcupine Tree, “Lightbulb Sun”

LBulb artPorcupine Tree has been, for well on a decade now, a cult favorite trying to simply be a favorite, but there has been a problem in making that happen. That problem is the box lead member Steven Wilson refuses to be put in. The band started as a home studio project, a solo affair that leaned heavily on psychedelia, hence the trippy group name. The project would soon be fleshed out into a full group comprising Wilson, bassist Colin Edwin, drummer Chris Maitland (to be followed later on by Gavin Harrison), and former Japan synth player Richard Barbieri. With the expanded group ethic, Wilson found the proper tools to stretch out in progressive rock, pop, and even the current metal sound. That metal sound has, unfairly, caused some to blanch at the group’s Tool-like complexity and weight, which are mixed with Wilson’s harmonious, classic rock vocals.

And so it goes that radio programmers who need clear-cut lines of demarcation don’t know where to stick Porcupine Tree. For the most part it’s a cop-out, especially with their two most pop-centric releases, Stupid Dream (1999) and Lightbulb Sun (2000). While some songs do go off into eight-minutes-or-more fantasia, the majority on both releases are solid examples of pop songcraft, little marvels of production and eminently worthy of obsession. Amsterdam label Tonefloat knows very well about such obsession — they’ve been releasing Wilson’s music on high-quality vinyl for years, not just the recent Porcupine Tree album Fear of a Blank Planet (2007) but also his ambient forays as Bass Communion and his duo with vocalist Tim Bowness called No-Man. It’s a treat for fans of the band to finally have a vinyl version of Lightbulb Sun in their sweaty mitts. It couldn’t have come at a worse time, though.

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