Posts Tagged ‘Susanna Hoffs’

The Popdose Interview: Susanna Hoffs

Last Tuesday, to celebrate the release of Under the Covers, Vol. 2, the latest collaboration between Matthew Sweet and Susanna Hoffs, we offered up the Popdose Interview with Mr. Sweet, wherein he responded to the questions of you, the Popdose readership. We also promised you that, come the following Tuesday, you’d get the chance to find out what his partner in crime had to say to your queries.

Well, my friends, the time has come.

Say hello to the doe-eyed mistress of the Rickenbacker, Ms. Susanna Hoffs:

Popdose: Well, I talked to Matthew the other day, and I don’t know if he told you or if you heard from the folks at Shout! Factory, but these will be exclusively reader questions.

Susanna Hoffs: Oh, that’s always fun!

Well, let’s get rolling, then! I’ll go ahead and start with the Sid ‘n’ Susie questions, and after that, we’ll head into the questions about your solo stuff and the Bangles.

Great!

* Was there a nugget that you both loved and wanted to record for the new album but didn’t because the song was just too obscure?

Let me think about that. (Hesitates) No, because I would have to say that we recorded things that we were just sort of intrigued with or loved in a certain way. Like, we recorded “Marquee Moon”! (Laughs) There are some bonus tracks that you’ll start to see materializing, but I’m not sure how they’re planning to release them. But we just sort of went with our hearts. We didn’t really question whether something was known or unknown.

I’ve heard “Marquee Moon,” thanks to Shout! Factory. Matthew had talked about it and really played it up, but it lives up to his claims.

Okay, great! So did Matthew answer the same questions, or are they all different questions?

Well, the ones that were addressed to both of you, I asked him and I’ll ask you as well, but you each have your own individual questions about your respective careers, too.

Oh, okay!

* Has there been a song that you really wanted to cover but that you couldn’t make work and therefore had to abandon?

Well, we recorded, like, close to 40 songs, and we recorded more than ended up on the first record as well. Sometimes we would take on something that was difficult, and we would surprise ourselves and go, “Wow, that worked!” Like, say, “I’ve Seen Good All People / Your Move,” by Yes. (Laughs) It’s a pretty difficult song to take on! And there were others that were good but, at the end of the day, it was just so difficult picking which songs should go on the record. It was kind of, in some ways, more about trying to find some kind of continuity, even though there isn’t any specific thread or theme to the songs. Somehow they just kind of went together. We recorded “More Than A Feeling,” which is a pretty daunting song to take on, and we recorded “Venus and Mars.” We recorded some pretty epic songs! (Laughs) But it was just a question of…I don’t know, it was just tough picking the songs. We were both dreading that moment. And at first, we thought we could put 20 songs on, but then we were told that that wasn’t going to work. We wanted to make a double record, but we ended up with 16 tracks. But it was fun. Everything we recorded, we enjoyed the process. It’s really been fun doing these cover records.

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Mix Six: “Mashups”

DOWNLOAD THE FULL MIX HERE

Last week, I was trying to figure out the awkwardly titled decade called “The 2000s.”  Yes, there’s been an A.D.D. quality to the last 10 years, but it could also be argued that there’s also a postmodern current flowing underneath all those mini-trends that came and went so fast they didn’t say goodbye. If I may be so bold as to throw another musical novelty borne out of the proliferation of cheap multitrack audio software into this decade, it would be the mashup.  I think the first time I heard  a kind of mashup was with the release of the Small Soldiers soundtrack.  Just a few years later, people wouldn’t need recording studios to do what the DJs where able to do on that soundtrack — and I’m thinking specifically of the “Love Is a Battlefield” Kay Gee remix with Queen Latifah and Pat Benatar.  Nowadays, it’s clear that ProTools can do wonders, and the more people with time and interest on their hands delve into what new musical forms they can weave into familiar songs, the more the original songs take on new and interesting twists when mashed up together.  Having tried to do my own version of a mashup called “the smashup” — where I smashed covers of certain songs together — I know the time and dedication it takes to put these mixes together.  So, here we go with a mix from some very creative individuals who clearly have talented ears and great skills with a multitrack recorder. (more…)

The Popdose Interview: Matthew Sweet

Hey, kids: remember last month, when we put out a “Calling All Questions” for Matthew Sweet and Susanna Hoffs?

Well, here’s the thing: we thought we were going to get an interview with both of them on the line at the same time, but due to conflicts in their respective schedules, we ended up talking to them separately. Since we still got to talk to both of them, though, we’re still putting a mark in the “win” column…and you should, too, since it meant that we were also still able to ask them your questions. Now, at first, we were going to take the two interviews and combine them into one big piece, but in the end, it became evident that it would be a pretty disjointed conglomeration. As such, we’ll be presenting them independently…one this Tuesday, one next Tuesday…and since we talked to Mr. Sweet first, it seemed only fair to allow him to maintain his status and dive headlong into the fray.

Popdose: Okay, Matthew, are you ready for this?

Matthew Sweet: I’m ready to go! Now, did I hear…is it actually fan questions?

It is all reader questions.

That’s awesome! (more…)

Calling All Questions: Matthew Sweet and Susanna Hoffs

After the success of our request for reader questions to Andy Partridge a few weeks ago, we decided we’d give it another go and let our dedicated Popdose readers have the opportunity to offer up queries to another pair of pop music legends: Matthew Sweet and Susanna Hoffs.

The duo are on the cusp of releasing their second collection of cover songs – Under the Covers, Vol. 2, scheduled for a 7/21 release on Shout Factory – and have agreed to answer your questions as part of the promotional blitz for the album. The deadline for submission is June 18th, so if you want to know about their collaborations, their respective solo careers, or their band work (the Bangles, Rainy Day, Oh OK, Buzz of Delight, the Thorns, or even Ming Tea), leave your questions below. And, yes, asking about this film is considered to be fair game:

Only one word of warning: don’t expect me to ask either of them, “Why are you such a wanker?” Trust me when I tell you that, based on my recent experience, artists do not like it when you ask them that.

Soundtrack Saturday: “Buffy the Vampire Slayer”

I should begin this post by telling you that I’ve only seen two episodes of the Buffy the Vampire Slayer TV series. I’ve never read a single volume of the Twilight or Sookie Stackhouse books, I’ve never seen an episode of True Blood, and I generally don’t give a shit about the current vampire obsession all the girls seem to have thrown themselves into. That said, I love the original 1992 Buffy the Vampire Slayer movie, and this is as close as I’m going to get to joining the vampire love-in.

So, let’s take a step back to 1992, when Beverly Hills 90210 was one of the most popular shows on the teevee and Luke Perry was one of the biggest teen-dream heartthrobs. At the time Perry only had two films under his belt, neither of which his 90210 fans, mostly teenage girls, probably would have seen. When posters for Buffy the Vampire Slayer started showing up in movie theaters, all the teenyboppers — myself included — were aflutter. Not long after it opened, I read a review in some magazine that basically said the movie sucked, but do you think that stopped me from seeing it? As Whitney would say, “Hell to the no!”

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Cutouts Gone Wild!: Susanna Hoffs, “When You’re a Boy”

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Susanna Hoffs – When You’re a Boy (1991)
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As longtime readers of this space are no doubt aware, I have a severe weakness for Susanna Hoffs, quite possibly as a result of having won tickets to a stop on the Bangles’ Different Light tour, and thus being exposed to dangerously high levels of Hoffs rays at the tender age of eleven.

Anyway, I admit that I will use just about any excuse to write about the doe-eyed Bangle, but today it isn’t my fault — I was all set to write about Club Nouveau’s Listen to the Message, which was totally a cutout the last time I looked, but it turns out that the stupid Amazon MP3 store is selling it as a download.

I believe I was bitching about this exact phenomenon last week, was I not? Before long, we’ll be stuck writing about Wesley Willis fanclub releases. Everything else will be back in print.

Until then, friends, we’ve got When You’re a Boy. (more…)