Posts Tagged ‘Sweet’

The Friday Mixtape: 10/2/09

The important thing to remember is that I didn’t set out to make this mix as it is.

The initial concept was to pull out the box of CDs I seldom listen to and pull tracks from them. It is not a judgment call as to why the Beasties’ Hello Nasty is down there on the Island of Misfit Toys; I just don’t listen to the album much and, if I have a yen for the Boyz, I go for Ill Communication or Paul’s Boutique. If I am in a really regressive state of mind and nostalgia has me by the nosehairs, out comes A Flock Of Seagulls (which is amazing considering how tiny my nostrils are.)

(Who am I kidding? My nostrils are HUGE.)

There are songs here that I never listen to. The dust on Orgy’s Vapor Transmissionand the Pushmonkey CD are like instant mud – just add water. Some of these tunes are fondly remembered, some barely remembered and still others come from the “what was I thinking” file, but in combination, this constitutes the strangest mix I think I’ve ever achieved and, quite rightly, I’m afraid of it.

Somebody hold me.

A Flock Of Seagulls – Wishing (If I Had A Photograph Of You) from The Best of A Flock of Seagulls (1987)

Beastie Boys – Intergalactic from Hello Nasty (1998)

Eve 6 – Leech from Eve 6 (1998)

Keats – Hollywood Heart from Keats (1984)

Leaves’ Eyes – Elegy from Vinland Saga (2005)

Limblifter – Screwed It Up from Limblifter (1995)

My Little Dog China – Eggshells from Velvis Carnival (1994)

Orgy – Fiction (Dreams In Digital) from Vapor Transmission (2000)

Procol Harum – Bringing Home The Bacon from Grand Hotel (1973)

Pushmonkey – Handslide from Pushmonkey (1998)

Sweet – Burn On The Flame from Strung Up (1975)

T Bone Burnett – The Long Time Now from The Criminal Under My Own Hat (1992)

The Screamin’ Cheetah Wheelies – Boogie King from Big Wheel (1999)

Thomas Dolby – Airwaves from The Golden Age of Wireless (1982)

Triumph – Headed For Nowhere from Surveillance (1987)

CD Review: Tinted Windows, “Tinted Windows”

tinted-windowsThe mark of any great power pop album is its ability to not only stick in your head after the music has stopped, but its ability to make you want to listen to it over and over again. By pop, I mean: Catchy, rocking harmonies, hooky guitars, and driving, powerful drums, a la Cheap Trick, the Raspberries, Sweet and the Knack. Those groups are obvious influences on the self-titled debut album of Tinted Windows, a supergroup of sorts that consists of Taylor Hanson, James Iha (formerly of Smashing Pumpkins), Adam Schlesinger of Fountains of Wayne, and Bun E. Carlos from Cheap Trick. Clocking in at just under than 40 minutes, this 11-song collection sounds in no way dated or retro. The band goes after every track with such enthusiasm and energy that the fun they’re having gushes out of the speakers. Tinted Windows just may be this summer’s soundtrack record.

The band came together out of a mutual passion for straight-ahead rock and roll. Schlesinger, Hanson and Iha wrote the songs with one specific rule: no keyboards. This kept the sound a little raw. When it came time for a drummer, all three knew they wanted someone who played like Carlos. Instead of looking for someone like Carlos, they decided to ask the legendary drummer if he’d be interested in participating. Despite his busy schedule, Carlos felt he couldn’t pass up the opportunity to play on material he thought was so good.

The leadoff track (and first single), “Kind of a Girl,” has already received some attention from radio and the Internet. However, the rest of the record holds up to the hype that has slowly been building since the song was first released to the public. “Kind of a Girl” is quickly followed by the equally radio-friendly “Messing with My Head,” which features crunchy guitars by Iha and a great sing-along chorus. Meanwhile, “Can’t Get a Read” is a straight-ahead rocker that recalls the best of Cheap Trick, and “Without Love” brings to mind all that was great about the Knack. One of my favorites is “Cha Cha,” a nice little slice of glam rock that ensures Tinted Windows never get mistaken for any of the pop acts Disney’s forever churning out. Even when the band slows things down, on songs like “Dead Serious” and “Back with You,” the aching and earnestness comes off as sincere and not posturing. Although only 26, Hanson has the life experiences (married, four kids) that make what he’s singing so much more believable than the Jonas Brothers or Taylor Swift. (more…)