Posts Tagged ‘taylor dayne’

CHART ATTACK!: 9/24/88

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Hi everybody! It’s CHART ATTACK! time once again, and this week’s pretty solid, if I do say so myself. (And I do.) This week, we bid a fond (okay, maybe not-so-fond) farewell to three artists who had a slew of Top 10 hits in the ’80s but came to a dead halt within a few weeks of this chart. One day, someone will write a requiem for Loggins, Lewis and Palmer (sounds like a really bad supergroup), but until then, we’ll just have to pay tribute to them here, as we look back to September 24, 1988!

10. Don’t Be Cruel — Bobby Brown Amazon iTunes
9. Nobody’s Fool — Kenny Loggins Amazon iTunes
8. If It Isn’t Love — New Edition Amazon iTunes
7. One Good Woman — Peter Cetera Amazon iTunes
6. Perfect World — Huey Lewis & the News Amazon iTunes
5. Love Bites — Def Leppard Amazon iTunes
4. Simply Irresistible — Robert Palmer Amazon iTunes
3. I’ll Always Love You — Taylor Dayne Amazon iTunes
2. Sweet Child O’ Mine — Guns N’ Roses Amazon iTunes
1. Don’t Worry, Be Happy — Bobby McFerrin Amazon iTunes

10. Don’t Be Cruel — Bobby Brown

Whenever I’m feeling down in the dumps, I like to present myself with some perspective. I always used to think about the Blues Traveler line “It won’t mean a thing in a hundred years,” but I think I’m switching to “hey, you could be Bobby Brown.” Because I don’t know if anybody is such a great example of having everything and then flushing it right down the toilet. He’s even worse than Andy Gibb. I mean, Bobby Brown is so universally hated that even Whitney’s Oprah interview can’t bring her back to the top. You only need to spend a few minutes with Bobby Brown to know that it’s generally a bad idea (case in point? Glenn Medeiros); Whitney spent what, five years with this tool? Maybe if she could still sing, we’d take her back, but this is all besides the point. The point is that no matter how bad you think you’ve screwed up, or how much you think you’ll never be able to get back to a better place, remember: hey, you could be Bobby Brown.

Bobby’s first solo album King of Stage didn’t do so well on the charts (quite possibly because was not the king of the stage). Not so with Don’t Be Cruel, both the album and the single. This was the lead-off single, and though it took a couple of months, it eventually peaked at #8 and paved the way for the other hits from the album. “Don’t Be Cruel” is a pretty sweet R&B song; dare I say it deserved to chart higher, or at least higher than “Humpin’ Around.” My only criticism of the song, and I can’t believe I’m going to say this, is that it ends too abruptly. Bobby does a nifty lil’ rap, and then there’s a fade-out. I seriously want more.

9. Nobody’s Fool — Kenny Loggins

As we’ve said before, Kenny Loggins was the undisputed King of the Soundtrack Songs in the ’80s. You can’t deny the awesome montage/we’re-gonna-make-it-after-all power of “I’m Alright,” “Footloose,” “Danger Zone,” and “Meet Me Half Way.” Kenny would agree; they’re included on his 1997 greatest hits collection. “Nobody’s Fool,” however, isn’t on there. Seems odd, right? The song did reach #8, certainly higher than other included songs like “Forever” (#40), “Conviction of the Heart” (#65) and “The Real Thing” (#∞).

So why isn’t it included? I’m going to guess that perhaps it’s because the song was the “Theme From Caddyshack II,” which was a terrible, terrible movie. And because it actually includes the line “Back to the shack,” which just reeks of desperation. Take a look at the video, which — of course — includes numerous clips from the movie itself. When you’re competing with Jackie Mason for screen time, you know you’re in serious, serious trouble.

“Nobody’s Fool” was Loggins’ final appearance not only in the Top 10, but in the Top 40. That might be another reason why the song isn’t included. It’s actually a shame, because the chorus is pretty damn good. You can read more about the song and its video at Gavin Edwards’ Rule 42 blog. (more…)

Future Retro: Home of the Quick Serve

Obsessive fans know the sheer agony of waiting years, even decades, for their favorite oldies (ahem, classic) artist to finally release a new album of substandard material on a record label no one has ever heard of. Amazingly, some of these ancient relics manage to claw their way back from the brink of blinding obscurity. Anything to escape the horrors and degradation of the hotel casino circuit. Here are a few examples from the recent millennium.

The B-52’s — Funplex

Rock Lobster! Yes, it’s been approximately 8,000 years since Miss Fred Schneider screeched those immortal words and summed up the state of an entire inebriated generation. The nation’s collective lobster was indeed rockin’! Fred, Kate Pierson, Cindy Wilson, Ricky Wilson & Keith Strickland came streaming out of Athens, GA with sky high hairdos, thrift store fashion sense and a jubilant, camp attitude that no other group could match. Despite being labeled (and often dismissed) as a mere gimmick or cult band, they continued to spin off numerous iconic albums and singles. The B’s eventually reached their glossy, funky zenith in 1989 with the hit album Cosmic Thing. The band thrilled devoted fans and earned legions of new ones when they got their global groove on with the shiny, happy single “Love Shack,” baby.

Despite a huge mainstream breakthrough, an endless 16 years went swishing by before the group finally unleashed their seventh party platter with 2008’s Funplex. Music director Keith Strickland recruited producer Steve Osborne (of New Order & Sophie Ellis-Bextor fame) to pull the band’s retro sound solidly into the current decade. Suddenly they were off the oldies circuit and back into the studio where they belonged — making candy-coated musical extravaganzas. Funplex retains the band’s trademark cool quirks and dizzily enjoyable style of neon dance pop. This time around the recipe stirs in equals parts throbbing synthesizers and drum machine beats and then seals it over with an Aquanet sheen. Sometimes you’ll wonder if you’re trapped in a thumping remix on an infinite loop – one that you may never want to end.

The giddy title track “Funplex” discovers delirious leading lady Fred in glorious kitsch mode, shouting tales about malls and diet pills — timeless themes, indeed. High-haired harlots Cindy and Kate are still spinning gorgeous, effortless harmonies as if thirty years had simply stood still. The single was served up in January 2008 and took its party out of bounds where it reached #14 on the Billboard Hot Dance Club Play chart. One track in and it’s already obvious that betting on Steve Osborne has resulted in an eclectic jackpot. Stroll further through the carnival and you’ll find even more sideshow attractions and electronic feats of strength. Classic B-52’s beats collide with what passes for modern dance on “Eyes Wide Open.” Robots of various genders invade Fred’s dreams in “Love in the Year 3000.” Second single “Juliet of the Spirits” flew to #8 on the Billboard Hot Dance Club Play chart. “Ultraviolet” finds Fred extolling the virtues of highway rest stops and g-spots. Yeah, that sounds about right. These highlights, paired with dancefloor shakers like “Hot Corner,” are a sweet, high reminder of the band’s long-ago glory days. We can only hope it won’t take until the year 3000 for those days to return.

Is all of this inspired by early-era rock, Beach Boys harmony or just plain musical schizophrenia? Yes, it is! Funplex topped off at #11 on the Billboard 200 Albums chart and sold approximately 30,000 hot platters in its first week of release. Overall a nice return to form for music’s premiere party band. The whole shack shimmies, kids! (more…)