Posts Tagged ‘Television’

Random Play: “Robotech”

I barely knew him. Yet here I was, on a cold Tuesday night, at his apartment. We had had a drink or two at the bar/lounge/restaurant down the street from his place. As one would expect of a screenwriter, he had framed classic film posters on the walls, and a big bookshelf full of DVDs dominated the living room. I confess I remember only one, the one that made my breath catch and my heart skip a beat.

“Oh, yeah,” he said as I gently took it down and turned it over in my hands. “I wrote the first draft of the screenplay for that project.”

My face began to get hot. It was a sign. Despite his ponytail and potentially cheesy facial hair, I really was supposed to be here.

“To be honest,” he continued, “I don’t really like the source material much.”

Gentle reader, I wish I could say I walked out upon hearing this. But I didn’t. He did have excellent taste in literature, and despite the hair choices, he was definitely my type. Still, I should have taken a stand…in the name of the SDF-1. (more…)

The 2009 Emmy Awards

2009+emmy+awards+nominations+nominees[1]

Clips of some of the finest television to be aired in the last 12 months, a room full of beautiful people, and Neil Patrick Harris — what more could a TV fan ask for, right? It’s time for the 2009 Primetime Emmy Awards!

To celebrate this momentous occasion, we’re bringing out our trusty live chatroom, where we’ll be waiting to take in all the red carpet splendor — and dish about who won, who didn’t, and where Kanye might or might not be lurking at any given moment. Just choose a nickname and hit “Connect” to join us. See you there!

Powered By Wordpress Mibbit AJAX Chat Plugin Created By Keiran Smith


Reblog this post [with Zemanta]

Parlour to Parlour, Episode 6: The Parson Red Heads, Part Two

parlour_to_parlour

On February 23, 2009, I awoke on Evan and Brette Marie Way’s couch in their living room. It was a sunny L.A. morning, one that would be filled with music geek-out sessions, fruity crepes, friendly house cats, and of course, a fine interview for this very series. In part two of our visit with the Parson Red Heads, Evan, Brette and guitarist Aaron Ballard give a tour of their blissfully communal dwelling, and in the process, solidify the personal exchange that made this one of the key “parlour to parlour” moments of the entire series.

My second day with the Parson Red Heads was considerably calmer than the first, and more in line with their regular vibe. After all, I was now in the home Evan and Brette Marie Way, waking up on their couch and getting ready for a delicious breakfast of sweet, fruity homemade crepes. (more…)

The Friday Mixtape: 7/3/09

A-B-C! It’s easy as do-re-mi!

Art Brut – Summer Job from Art Brut vs. Satan (2009)
Bat for Lashes – Moon and Moon from Two Suns (2009)
Battles – Atlas from Mirrored (2007)
Chris Eaton – Don’t Play Games from Vision (1986)
Depeche Mode – Halo from Violator (1990)
Glenn Kaiser Band – Carolina Moon from Carolina Moon (2001)
Michael Been – Worried from On the Verge of a Nervous Breakthough (1994)
Michael Jackson – Human Nature from Thriller (1982)
Pale Forest – Tristesse from Of Machines and Men (2000)
Paul McCartney – My Brave Face from Flowers in the Dirt (1989)
Pete Droge – If You Don’t Love Me (I’ll Kill Myself) from Necktie Second (1994)
Robert Wyatt – Shipbuilding from Songs of Elvis Costello: Bespoke Songs, Lost Dogs, Detours & Rendezvous (1998)
Television – (I Can’t Get No) Satisfaction from Live at the Old Waldorf 1978 (2003)
The Dismemberment Plan – Gyroscope from Emergency & I (1999)
The Flaming Lips – Revenge from Dark Night of the Soul (2009)

The Friday Mixtape: 5/29/09

This week’s mixtape is Chris Hansen approved! Truly! Would Chris Hansen steer you wrong? By the way, why don’t you head into the kitchen for some sweet tea and brownies?

Emerson, Lake & Powell – Vacant Possession from Emerson, Lake & Powell (1987)
Ennio Morricone – L’estasi Dell’oro from The Good, the Bad and the Ugly [Expanded] (1966)
Firewater – 7th Avenue Static from Psychopharmacology (2001)
Joe Walsh – Rockets from There Goes the Neighborhood (1981)
Jon Brion – Voices from Meaningless (2001)
Mr. Bungle – Vanity Fair from California (1999)
Pinetop Seven – Drying Out from Rigging the Toplights (1988)
Sentenced – No One There from The Cold White Light (2002)
Spock’s Beard – Ghosts of Autumn from Feel Euphoria (2003)
Talk Talk – Ascension Day from Laughing Stock (1991)
Television – No Glamour for Willi from Television (1992)
The Kinks – Underneath the Neon Sign from Soap Opera (1975)
The Rutles – Eine Kleine Middle Klasse Musik from Archaeology (1996)
Utopia – You Make Me Crazy from Adventures in Utopia (1980)

TV on DVD: “Skins, Volume 2″

skins-vol-21Skins, Volume 2 (2009, BBC Video)
purchase from Amazon: DVD

Skins, the British teenage drama that airs in the states on BBC America, is the best teen series to come to television since My So Called Life went off the air in 1995. Funny, poignant, and at time heartbreaking, Skins explores the social activities and the emotional rollercoaster of being a teenager in the 21st Century with such devastating accuracy that nothing else on television compares to it. BBC Video has just released Skins Volume 2, compiling the entire second season of the show. The second season wraps up the stories of the group of friends attending Roundview Sixth Form College we met in Season 1 and is essential viewing for anyone who is a fan of Skins — and anyone who just likes quality television.

Skins season 2 picks up six months after the cliffhanger season one. Tony, the cocky, brash young man who is the lynch pin to the group of friends in the show, is a shell of his former self. In final moments of that finale, he was struck by a bus and his fate was left unknown. We soon learn that he survived the tragic accident, but spent in a coma (the “Lost Weeks” supplemental videos on disc 3 detail what happened to the other characters while Tony was in the hospital). As the season begins, Tony is slowly regaining his memory and how to use his limbs and other body parts. Tony is portrayed by Nicholas Hoult, who came into prominence as the boy in About A Boy. Hoult shows exceptional range as an actor charting all of Tony’s pain, frustrations, fears and emotional triumphs over the course of the entire second season’s 10 episodes. Equally effective are Mike Bailey as Sid, Tony’s oldest and most enduring friend and April Pearson as Michelle, the girl Tony loves. Both Sid and Michelle were devastated by the accident. In fact, Michelle was he was on the phone with Tony when he was hit by the bus. Moments after uttering that he loved her, the bus barreled into him. While Sid sat bedside and visited Tony everyday, Michelle was nowhere in sight, too overcome with grief to be there. However, now that Tony is recovering at home, Sid doesn’t know how to act around him and Michelle has decided that sleeping around is a good cure for her pain. All of these storylines are resolved by the end of episode 10, but not before feelings are betrayed and friendships nearly severed. (more…)

21st Century Digital Boy: Adapt, Migrate, or Die — “ER,” “Guiding Light,” and “Life on Mars”

450guidinglightprint20051After 15 big red-letter seasons, NBC’s ER came to an end on Thursday night, earning its largest audience in nearly three years—some 16.2 million viewers, according to Nielsen estimates. This audience represents the largest showing for a dramatic series finale since CBS’s Murder, She Wrote ended back in 1996.

The two-hour finale of the long-running, ensemble medical drama was informed by the real-life tragedy of Shelby Lyn Allen, a 17-year-old Redding, California, native who died of alcohol poisoning in December.

I won’t spoil the details (mainly because NBC continues to repeat the finale for those who missed it), but suffice it to say it capped the end of an era in more ways than one. Dr. Carter (Noah Wyle) opening his brand-new medical facility in Chicago for the less fortunate was the new beginning at the end of ER; the question is, where might a Wyle-anchored spin-off end up in this day and age, if at all?

ER’s finale wasn’t just the end of an era for the Peacock’s 10 PM drama slot, which surrenders to Jay Leno’s new weeknight prime-time show in the fall. It also appears to be the front end of a trend to come: where more high-impact network dramas adapt to new delivery methods, migrate to cable, or die on the vine for affordability reasons.

That “adapt, migrate, or die” thought was an interesting one to ponder in the context of television. That’s how ecologists describe options for a species when a “forcing function” like climate change is looming . It’s a perfect parallel for TV in the 21st century: programming decisions are increasingly met by forcing function(s) like the down economy, rising production costs, varying delivery technologies, wider battles for smaller audiences and so on.

How else can one explain the end of Guiding Light—the longest running show in broadcasting history— which will cancel on CBS after a monumental run? The archetypical “soap opera” was a staple for Procter & Gamble to “peddle” household cleaning products and sundries to women. P&G’s people are changing with the times; they’re thinking about web portal content with original digital material to connect with increasingly wired homes (and moms). They’re certainly not the only ones.

And lastly, speaking of digital, the brain robots in the second-to-last Life on Mars (ABC) really had me thrown—especially when yours truly had it figured as the last episode. Serves me right for paying more attention to my NCAA brackets than the TV guide lately. Or perhaps I was having my own weird, asteroid-interrupted dream involving Mackenzie Phillips and Valerie Bertinelli. I know, TMI.

Ahem. Anyway, I never had Mars pegged for a sci-fi, 2001:A Space Odyssey-meets-Mission to Mars that it revealed itself to be. It all made me wish this freshman show had carried on. I didn’t figure Gene was Sam’s dad or that they had all been asleep during a two-year Mars mission. I couldn’t have imagined that what we were following were “neurological simulations” that were warped by faulty tech after an asteroid shower.

The only thing missing? The HAL-9000.

One thing is certain after this week: none of us are going to wake up to television like in 1973 (or 1975, to honor my One Day at a Time daydream) anytime soon.

Reblog this post [with Zemanta]

DVD Review: “Degrassi: The Next Generation — Season 7″

degrassiDegrassi: The Next Generation — Season 7 (2009, Echo Bridge Home Entertainment)
purchase this DVD collection from Amazon: DVD

Degrassi: The Next Generation is like the older, Canadian cousin of the BBC’s Skins. Skins is brasher and quite a bit more racy, but that doesn’t mean that Degrassi: The Next Generation is some old fuddy duddy. Quite the contrary, using a half hour format (perfect for today’s attention deficit teenagers) and a much quicker pace, Degrassi: The Next Generation tackles the same issues as Skins with just as much drama, humor and effectiveness (with none of the nudity or foul language)

Echo Bridge Home Entertainment has just released the complete seventh Season of Degrassi: The Next Generation in a four-disc box set. If you are as unfamiliar with Degrassi as I was, starting your journey into the Degrassi universe with the seventh season is a little disorienting, like suddenly attending a new high school mid-way through the school year. However, a few clicks of the mouse are an easy remedy to that problem. Season 7 was significant because many of the regulars from the show (who had been on it all seven seasons) were finally graduating from high school (mind you, the actors playing these roles were actual teenagers and not twentysomethings trying to pass as teens). Particularly long-running was Emma (Miriam McDonald), whose origin dates back to the 1987 series, Degrassi Junior High, and whose character was the catalyst for Degrassi: The Next Generation.

The history of these characters may seem complicated, but once you’re immersed in this world, you quickly catch on. Which is good, because Degrassi has a cast so large I could spend most of this review rattling off their names and how they all interconnect. Instead, I’ll highlight several of the compelling story arcs that carried through season 7: (more…)

21st Century Digital Boy: “ER” (D.O.A.), Watching the “Detective,” and How TV Can “Mann” Up

er

If you’re a TV junkie, you’re waiting for the end of an era, or reeling from a hairpin, unorthodox beginning of a new one this week. Frankly, I’m not sure either compares to a good, old-fashioned dose of “TV Gold” from an old friend.

But that’s getting ahead of ourselves.

Thursday night marks the end of the 15-year run for NBC’s ER (the two-hour series finale “And in the End …”), and it’s certainly been talked to death. Spoilers have careened around the Internet for months, promising appearances by everyone from Dr. Ross (George Clooney) and Nurse Hathaway (Julianna Margulies) to Benton (Eriq LaSalle) and Carter (Noah Wyle).

In fact, rumors of Wyle’s character opening a new medical facility in Chicago for the disadvantaged leave the possibility of an ER spin-off wide open. As a longtime viewer, I can remember watching those first med-drama episodes. Now Thursday’s around the corner and everything I’m hearing about the end leaves me largely underwhelmed. I can’t imagine what the writers can do to competently bring this series to a close.

But I’ll be back next week to break that all down further.

At the same time this institution ends, the charming new HBO series The No. 1 Ladies’ Detective Agency might actually live up to the buzz. After a string of successfully dark and intense cable series (The Sopranos, Six Feet Under), this show’s vibe is like something out of left field — and a breath of fresh air. Bringing to life Botswana’s only lady detective last night was both old school and pretty cool.

Based on a series of ten books (which have sold over 14 million copies worldwide to date), Detective follows Columbo-esque sleuth Precious Ramotswe (neo-soul singer Jill Scott) through what’s shaping up to be a Murder, She Wrote redux. Not that there’s anything wrong with that: Scott’s permutation of street smarts, charm, cunning and tenacity explains HBO’s gamble on a 13-episode order. Not a mind blower, this Detective, but very promising so far.

All of which leads me to Art Mann Presents. (more…)

Unsolicited Career Advice for… Beyoncé

For someone who doesn’t know a lot about hip-hop (as we surmised from his memo to the late Tupac Shakur), Uncle Donnie does seem to be well acquainted with certain hip-hop movers and shakers.   Apparently, he’s close enough with Mr. and Mrs. Shawn Carter to score an invite to their “did-they-or-didn’t-they” nuptials last year.  Of course, after receiving this missive, who knows if he’ll be invited back if they ever renew their vows? —RS

TO: Beyoncé Knowles
FROM: Don Skwatzenschitz
RE: Career advice

Hey, there, Beyoncé.  It’s been too long, I know.  Mitzi and I really wanted to be at the wedding last year, but the dress she bought for the occasion gave her hives, and she couldn’t recover in time.  We hope you liked the Macy’s gift card.  They had a great deal on table linens recently; we got some very nice vinyl place mats that look like tree branches.  If you’ve got anything left on the card, I highly recommend the place mats.

Anyway, I see that you’re riding high on the charts with I Am … Sasha Fierce, though I’m not sure who Sasha is, and I haven’t trusted the whole alter ego thing since Garth took my advice on the Chris Gaines thing back in ’99.  What’s going on?  I mean, you could be even bigger than you are right now, but I think you could use a little guidance.  Since we’re old pals, I thought I might offer you some advice:

  • Play more inaugurations. The video of you singing “At Last” at that Obama inaugural ball was outstanding—a real moment.  Have you ever been on the TV more often than you were the week after that ball?  I think not.  Imagine how much exponential publicity you could receive if you played more inaugural balls.  I think Iraq is having an election soon. And those eastern European countries are always going to the polls for something.  Your name could become synonymous with democracy, and you’d be in the news almost constantly.  It’d be better than playing Vegas.
  • Make a duet record with Jay-Z. You two are great together.  “Crazy in Love?” Are you kidding?  Mitzi still shakes her rump to that, and even has the rap down cold.  People will pay for more.  In the grand tradition of Allman and Woman, Johnny Cash and His Woman, you and your hubby could do HOVA and His Bitch. It’d be a little like those records Kristofferson did with Rita Coolidge back in the 70s. Remember them? Probably not—that was a bit before your time. But trust the Skwatzenschitz—they were awesome. You could be as big as Rita Coolidge.
  • Make an ass calendar. Gather a dozen photos of your badonkadonk—one for each month of the year—and put them on a calendar for 2010.  You might not even have to put your name on it—you have the most recognizable tookas this side of J-Lo, so people would probably just know it was yours.  You’ll make millions—I guarantee it.
  • Fake your death. What does America love more than a diva?  A dead diva, that’s what.  Think Marilyn Monroe.  True, she didn’t really sing, but she’s an icon.  And she’s dead.  You could be an icon, too.  Collapse onstage in LA, we’ll have you in a cottage up in Mendocino in four hours.  Do it in Miami, and you and Jigga are choppered out to a waiting yacht in minutes.  Get in a plane that is reported disappeared, and you don’t even have to go onstage—we whisk you off to the Alps to live out your days living off all the Beyoncé merch people will absolutely have to have.  Think about it.  It’d really be no work at all to get it done.

All the best,

Don

Reblog this post [with Zemanta]