Posts Tagged ‘Television’

CD Review: Lelia Broussard, “Waiting on the 9″

Lelia Broussard – Waiting on the 9 (self-released, 2008)
purchase this album (Amie Street)

I’m pretty sure I have t-shirts that are older than Lelia Broussard, but even at the tender age of 20, she’s already got a few albums under her belt — none of which I’ve heard, mind you, but having listened to Broussard’s new six-song EP, Waiting on the 9, I’m smitten enough to seek them out.

Broussard received her first major exposure thanks to Joan of Arcadia — the show featured her song “Secrets,” which she recorded when she was 14 — and her music has also appeared on The Hills, but she doesn’t have the wistful acoustic sound shared by most “as heard on TV” artists; her songs are rootsier, with slightly rougher edges, and unlike a lot of indie-pop singer/songwriters, she’s a singer as opposed to merely a vocalist. This distinction is made early on Waiting, with the subdued opening track, “Scared to Feel” — although it doesn’t contain many of the soul ingredients used on some of the EP’s other cuts, it gives Broussard an opportunity to glide from hushed to full-throated in a little over four minutes.

She co-wrote each of the EP’s tracks, and she displays her gift for easy melodies on the second cut, “Don’t Let Go,” a midtempo love song with a nicely layered arrangement and a big chorus, and the shuffling title track, where Broussard cops a Dusty in Memphis vibe without embarrassing herself. Some of the songs are more distinguished than others — “I’m Not Waiting” and “So Far by Far” fade into the background a little more than their fellow tracks — but they’re all eminently listenable, and the closing number, “Grass Is Greener,” is a piano-frosted blues belter that showcases the grittier end of her vocal delivery.

A lot of artists are still trying to figure out how to translate MySpace “friends” and YouTube views into actual, you know, dollars, but Lelia Broussard has done an admirable job of carving a career out of the digital frontier, thanks to talent and plenty of energy for self-promotion (and I do mean self-promotion — she e-mailed me directly to ask about submitting a copy of Waiting on the 9). Check out her video for “Don’t Let Go” (over one million views!) and then sample Waiting’s tracks at the link above.

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The Three Strike Rule: And Now, a Word from Our Sponsor

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Last week I read an article in the L.A. Times’ business section that detailed how Americans are watching television at an all-time high these days. To quote Alana Semuels’ piece, “The Nielsen Co.’s ‘Three Screen Report’ — referring to televisions, computers and cell phones — for the fourth quarter said the average American now watches more than 151 hours of TV a month. That’s about five hours a day…up 3.6% from the 145 or so hours Americans reportedly watched in the same period last year.” The article also goes on to state the obvious that in these harsh economic times, adults and their families are more likely to stay at home than go out to dinner and to the movies, both expensive endeavors. I mean, when you could easily drop $60 on a family of four at the cineplex vs. watching a movie or program on TV and cooking dinner, which would you choose? This all makes sense, but I think it goes a little deeper than just spending as to why people are watching so much television.

This weekend, as I was preparing to write this week’s article on Lie to Me (Fox’s newest hit) or Ashes to Ashes (the BBC’s spin-off of Life on Mars) I walked through the bedroom and saw my wife watching a repeat of America’s Next Top Model on Oxygen. The expression on her face made me stop. She didn’t seem all that consumed by the show; instead, she seemed dazed, as if escaping for a couple of minutes before having to drive off to the laundromat. It was a hell of a weekend, primarily because we put one of our cats to sleep. It’s not just the cat, though; our lives since last year have been pretty stressful. We have home repairs that have been placed on the back burner (including plumbing work, hence the laundromat), bills piling up, and (obviously) we have our son’s health, which occupies much of our thoughts. When I came upon my wife and saw that expression on her face, I knew it well, because I’ve had it many times myself.

I don’t think it’s just about spending money or about having more options in our television viewing habits that is making so many people watch TV. I believe it’s the chance to escape, even if it’s just an hour a day, from the daily barrage of bad news you see in the newspapers, on the Internet, and yes, on television. I can’t tell you how many times I’ve found myself curled in a ball trying to forget those worries that seem to follow me around nearly all day. At 9:00 PM on a Monday night, when I want to forget, you better believe I’m going to watch something pointless and funny like Two and a Half Men or How I Met Your Mother. And when I want to really get away, what better place to escape to than an island trapped in a time loop, like in Lost?

For my wife, it’s drawing inspiration from the contestants on The Biggest Loser, or the doctors on Deliver Me, that offers her some quality time away from the daily stress. Television has become comfort food for the brain, especially in these trying times. Some television is thick and fills your belly like a good stew, some of it is completely bad for you, but oh it tastes so good going down, and occasionally there is some television that actually nourishes you in your time of need. Until the country comes out of this recession and people find the means and/or the enthusiasm to go to the mall or to the ballpark again, television viewing is going to continue to rise.

What do you think?

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The Three Strike Rule: “Mad Men”

This week, something new for the column: I invited my fellow TV critic, Shaun Hamid, to sit in and discuss the highly acclaimed Mad Men.   I hope that our discussion will draw more comments from you readers and start a discussion about this celebrated show.  Consider it a sort-of Siskel & Ebert type of exchange, if you will.

Scott: Last month. AMC’s Mad Men became the first basic cable show to win the Emmy for best dramatic series.  This was quite a feat for a show that airs on the little-watched AMC. Created by Matthew Weiner (an executive producer for The Sopranos), Mad Men (the show derives its name from what the Madison Avenue ad men used to call themselves) is set in the early 1960s, when postwar conservative ‘50s values carried over into the new decade.  Men were the breadwinners, women stayed at home and raised the children, and anything outside of this “norm” was seen as controversial and scandalous. 

Mad Men does a remarkable job of capturing the tone and look of that era in the way the characters speak and act, as well as the meticulous attention to detail. The clothes, the sets, everything is pretty much pitch perfect. The main character is Don Draper, played by actor Jon Hamm. Draper is a rising star in the advertising world and a partner in the firm of Sterling/Cooper. When he isn’t gulping scotch, smoking endless cigarettes and proving that he has an undeniable gift for selling things to consumers, Draper is on his way to becoming a captain of industry and a member of the elite class. Yet, Draper isn’t all that he seems. He doesn’t lead just a double life, this guy harbors so many secrets he carries on a triple and quadruple life.  Born Dick Whitman, he’s the bastard child of a prostitute and grew up poor on a farm.  He fought in the Korean war and when his commanding officer was killed in the line of duty, assumed the fallen soldier’s identity to escape his miserable past.  By age 19, Draper began harboring the first of his many secrets.  That he has been able to rise to the top of the advertising world is a mystery, but it’s a good mystery and one that has kept the cult like fan base watching for over two seasons.

As Draper demonstrates, Mad Men is a show about secrets.  Marital affairs, hidden sexuality, children out of wedlock, discreet alcoholism, and most of all, secret identities — everyone is keeping something locked away. (more…)

Dw. Dunphy On… Darn Floor Big Bite

Have you read the entertainment news today? Oh boy. A particularly dreadful tune is set to break some major records for sales, this week’s new movies arriving under a mantle of critical kudos have been trounced at the box office by The Dark Knight, a four-week winner no less, and the spate of mind-numbing reality TV shows, once considered dead in the water by pundits, are not only thriving but multiplying for the 2008/2009 season. It is, as the critics have feared, the grim realization that they have zero effect on the zeitgeist. But then again, we always knew that.

The few critics that actually heard Darn Floor Big Bite, the 1987 release by the band Daniel Amos, were flabbergasted. They praised the textured, atmospheric guitar work as a revelation in contrast to the band’s keyboard-driven previous releases, Vox Humana and Fearful Symmetry. They were keen on the balancing act singer/writer Terry Scott Taylor had struck lyrically, still as literate and mature as before but not as heavy-handed. In a time where guitar groups were hair metal, and regular groups were messing with their synths, Daniel Amos (known at that point as Da to avoid the whole “Which one is Daniel” question. Answer: none) looked to the underground and came up with an angular, nervy winner.

And now you get to say, “Well it can’t be that great, because I’ve never heard of it,” which has been the bane of Da’s musical existence from the start. The band started, of all things, as a thoroughly Christian country act, morphing into a Beatle-esque rock outfit, then fully embracing the original new wave ethic that was coming from CBGB darlings like Talking Heads and Television.

Problematically, they were the antithesis of most bands from the Christian subset. Their Beatles and Beach Boys influences came at a time when outside forces were totally verboten. Their four Alarma Chronicles albums (Alarma, Doppelganger, Vox Humana and Fearful Symmetry) plumbed the sounds of punk, garage, darkwave synth-rock and Krautrock, none of which sat well with the established Christian organizations, record labels and bookstores. They were alternately branded for “consorting,” being too secularly intellectual and just plain too weird. Oddly, the secular music outlets rather much felt the same way in vice-versa terms.

Perhaps the most damning charge thrown at them was that they dared to criticize the Church as equally as they looked toward the scriptures. It has been one of the major drawbacks for people in accepting Christian rock as rock music with the specified worldview that discernment with worldly ways was fine, but when it came to investigating the hypocrisies within the institutions, well, it just wasn’t done. Da, however, dared to go to that thorny place. (more…)

The Three Strike Interview with John Lehr of “10 Items or Less”

Those of you who follow The Three Strike Rule know what a big fan I am of the TBS comedy, 10 Items or Less Thanks to my fellow Popdoser, Will, I had the opportunity to speak with John Lehr, the star and co-creator of — not to mention one of the producers and writers for — 10 Items or Less Needless to say, the guy has his cart full. The show had wrapped its second season before the writers strike began, and John was just about to leave on a well-deserved vacation. He was in New York doing publicity for the show when I caught up with him.

10 Items or Less is an improv-based half-hour ensemble comedy. Lehr stars as Leslie Pool, who has inherited his father’s Ohio grocery store, the Green & Grains. Determined to carry on his father’s legacy, despite knowing little about the grocery business, Pool oversees a crew of misfits while dealing with a competitive chain across the street.

The genesis for 10 Items or Less came out of an independent film Lehr starred in and co-produced, Memron. That film, which was an improv comedy, was co-written by Robert Hickey and Nancy Hower, who also directed. According to Lehr, these three decided that they “would like to do more of that kind of humor (improv). It felt like it was meant for TV.” They developed 10 Items or Less and pitched the idea to Sony, who prepared to shop it around. The first network they approached was TBS. The former Superstation was changing its image and starting to produce new, original comedies. Lehr was excited about finding a home on the cable channel. He said, “I grew up watching Superstation and it felt like our show would be a perfect fit. TBS is aimed at the whole country, not just New York and Los Angeles, and our show takes place in the Midwest. This seemed like a perfect fit.” (more…)

The Year in Rock: 1978

Although released in late 1977, the Saturday Night Fever soundtrack would be impossible to ignore for much of 1978, with the Bee Gees’ “Night Fever” and “Stayin’ Alive,” as well as Yvonne Elliman’s “If I Can’t Have You,” all reaching #1. At several points during the first half of ‘78, the soundtrack album was selling over 1 million units a week.

Bee Gees – Stayin’ Alive
Bee Gees – Night Fever (w/ More Than a Woman) (more…)

The Three Strike Rule: 10 Items or Less

Those of you looking for a laugh will be pleased to know that TBS has just begun airing the second season of their workplace comedy, 10 Items or Less. Unfortunately, you’ll be hard pressed to find any PR for the show. It feels like the network chose to place all of its ad dollars behind Tyler Perry’s House of Payne (because, you know, Tyler has a tough time getting people to find his work) and the far inferior My Boys.

10 Items or Less premiered in the summer of 2006 to little fanfare; the show seemed to slip under the radar as critics instead salivated over My Boys, the romantic comedy with which it was paired. Thankfully, TBS didn’t give up on the series, and you can now catch new episodes Tuesdays at 11 p.m. (I know, I know, what kind of time is that to premiere an original series? Once again, all praise the mighty TiVo). Full episodes of the series are also available online. (more…)

The Three Strike Rule: “Quarterlife”

I have seen the future of television, and its name is Quarterlife.

Several weeks ago, NBC announced a deal to broadcast the Internet series, Quarterlife, during this strike shortened television season. For those of you unaware, Quarterlife has been streaming 11-12 minute episodes twice a week since sometime in mid-November over at MySpace and quarterlife.com. While this may seem like a major coup for some start up webcaster, the truth is that Quarterlife is the brainchild of Marshall Herskovitz and Edward Zwick. Those names may not ring a bell, but their past TV series are considered to be some of the most beloved family dramas in the past twenty years. I’m speaking about Thirtysomething, My So Called Life, and Once and Again. Additionally, Zwick has directed some of today’s most important actors in films such as Glory, Legends of the Fall, Courage Under Fire, and Blood Diamond. In other words, these guys have some clout.

Quarterlife follows a group of friends in their twenties living in Los Angeles as they embark on their professional lives and adulthood. Covering similar territory that Cameron Crowe did in Singles (but without Matt Dillon’s killer wig), the characters in Quarterlife are driven to succeed in life and love. However, all of them are without a map as they traverse this unfamiliar territory. Their lives are full of questions: How do you get ahead without compromise? How do you assert yourself without looking like a bitch? How do you find love and fulfillment in a city as vast and overwhelming as L.A.? How do you become a grown up while retaining the optimism and hope of your youth? These are some of the major themes Quarterlife has posed in a short time. (more…)

The Three Strike Rule: 2008 Top 10 List

Welcome to The Three Strike Rule, the Popdose television column. If you’re reading this live, you must either be a really big fan of the site, or you don’t have much to do on a Sunday morning. Whatever the case, thanks for dropping in and reading me blather about TV for a couple of minutes. My hope is that with this column, we’ll be able to begin a conversation about television, both as a consumer product and as an art form. While so many people still view the television landscape as a vast wasteland, I say they’re wrong. True, there are hundreds of channels of crap out there. But there’s a reason that so many film actors are choosing HBO, FX or Showtime over starring in an empty-minded blockbuster. Moreover, the quality in production values and in the craftsmanship of good television series rivals those of many independent movies and some big budget features. My hope with The Three Strike Rule is that I’ll be able to shed a little more light on television and you, as a reader, will appreciate the finer things about it.

To start off the new year, I thought I’d introduce my likes with a list of the ten shows I think are worth watching and to look out for in the coming months. (more…)