In the spring of 1971, Grateful Dead keyboardist Tom Constanten, along with the band Touchstone, produced and performed the music for an off-broadway show at the Circle in the Square in New York City.
The performance was called Tarot and the music was later recorded and released in 1972 on United Artists. The performance and resulting album both fell into obscurity and is now highly sought-after by collectors of rare prog and psychedelia.
A little over a year ago, the possibility of a Phish reunion was the stuff of parking lot rumor and message board postings. When they took the stage at Hampton back in March and played those opening notes to “Fluffhead,” 2009 officially became the year of Phish.
Somehow, between jamming with Bruce Springsteen at Bonnaroo and playing consistently sold-out nights, they managed to record a new album with old friend Steve Lilywhite. Joy is their first studio outing since the weary Undermind back in 2004. (more…)
“But there was something else tugging at Garcia as 1964 turned into 1965. For one thing, like half of America under the age of 25, Jerry had been seduced by the Beatles, especially their film, A Hard Day’s Night, which depicted life in a rock and roll band as just about the most fun that could be had on planet earth. the Beatles were deliciously irreverent and in-your-face anarchic; untamable gadabouts on an endless lark, always living in a completely different universe than the pitiable straight forces that were constantly trying to control, or at the very least, restrain them…” –from Garcia: An American Life by Blair Jackson
Grateful Dead – Why Don’t We Do It In the Road?” 4/7/85 Philly Spectrum
Grateful Dead – “Day Tripper” 12/28/84 SF Civic Auditorium (more…)
As people gather to celebrate the life of Jerry Garcia during the first week of August, I wanted to share a mix of tunes. Instead of the usual suspects like “Eyes of the World” or “Ripple,” I dug a little deeper and found some stuff that was a little off the beaten path.
You can read my “Jerry Post” from last summer here.
Enjoy the tunes and I’ll meet you back here next week.
““You need music, I dont know why. It’s probably one of those Joseph Campbell questions, why we need ritual. We need magic and bliss, and power and myth, and celebration and religion in our lives and music is a good way to encapsulate a lot of it.” - Jerry Garcia
The Grateful Dead – “Mountains of the Moon” from Aoxomoxoa original vinyl pressing
Jerry and Sara Garcia – “Deep Elem Blues” 5/4/63 The Tangent, Palo Alto
The Grateful Dead – “I Second That Emotion” 4/25/71 Fillmore East, New York
Jerry Garcia Band – “Shining Star” unknown date and venue 1993
Mother McCree’s Uptown Jug Champions – “Shake That Thing” 7/?/64 The Tangent, Palo Alto
Legion of Mary – “The Wicked Messenger” 4/19/75 Oriental Theater, Milwaukee
The Grateful Dead – “Morning Dew” 9/21/74 Palais Des Sports, Paris
Jerry Garcia and John Kahn – “Ruben and Cherise” 5/5/82 Oregon State Prison, Salem
The Grateful Dead – “Whiskey in the Jar” soundcheck 2/?/93
bonus track
Jerry’s Acid Test Commentary ca. 1967 (?)
The 2009 Dead made their last stand on July 4th at Rothbury. The second year of the Michigan festival was a rousing success and the Dead’s solid show was a definite highlight. While the band got off to a shaky start on their spring tour, they proved their mettle beneath the Independence Day sky rockets.
Now if there was only a fall tour to start getting fired up about.
You can get the boards of the Rothbury show at dead.net and you find several excellent audience recordings on Etree.
Today we’re looking at some rehearsals and soundchecks from the ’90s, but I do have some pretty remarkable recordings of Jerry Garcia in the studio from 1969 for your downloading pleasure. Enjoy.
Sherman, set the wayback machine for September 1990. (more…)
Hey gang, welcome back to another edition of Test of the Boomerang. Happy summer solstice. I hope you all get a chance to enjoy these long summer days with some sweet tunes, either on the road or on your patio. Festival season is in full swing and rather than try and cover everything, we’re going to take a look at a few notable shows from the past month or so. We’ll call it “Best of the Fests” or something clever like that. Pass me a beer and let’s get to the music!
Railroad Earth at DelFest, May 23rd. Allegany County Fairgrounds, Cumberland, MD.
Warhead Boogie>New Jam, Saddle of the Sun, Little Bit O’ Me, Fisherman’s Blues, 1759, Long Way to Go
encore: Railroad Earth
You may have heard about the terrible storm that tore into DelFest on Saturday, May 23rd. It destroyed the stage area and Railroad Earth’s late-night set was moved into a indoor multi-purpose room. The band delivered one solid set the previous day, but after the terrible events of the 23rd, the band played one of their most intimate and heartfelt sets ever.
Highlights include a 25-minute suite of “Warhead Boogie” into “New Jam,” guest appearances by Jason Carter and Ronnie McCoury, and a sweet “Railroad Earth” encore. Tim Carbone wrote over at his blog:
“That night when we encored with Railroad Earth at the late night show, I never meant it more when I sang…. Oh Mama, ain’t it good to be alive! It surely is… it surely is.”
Go check it out HERE. Also here’s some goodness from 5/29/09Â — a good chunk of that night’s way cool version of “Like a Buddha.” Enjoy! (more…)
Crosby, Stills & Nash – Demos (Rhino)
In the wake of Graham Nash’s box earlier this year, and of course Neil Young’s behemoth Archives, Crosby, Stills & Nash (Neil Young appears only on one song) Demos is a pretty modest little disc. A cross-section of hits in their embryonic, home recorded states. It almost feels like a missing chunk of the old CSN box set. Almost. Nothing here feels too oblique, nothing too archaic or for-completists-only. Crosby’s early takes on “Almost Cut My Hair” and “Deja Vu” are especially interesting in their early arrangements. Graham Nash’s “Sleep Song” and Stephen Stills’ “My Love Is a Gentle Thing” crank up the intimacy factor on these recordings and “Be Yourself” and “Music is Love” retain their summery sing-along feel. (more…)
The Dead wrapped up their 2009 tour with two solid shows back home at Shoreline Amphitheater and then an end-of-the-tour barn burner at The Gorge in Washington. The tour started a little ragged back in April, but after the band worked out the kinks, they appeared to be in fine form. Each night of the tour featured a “dream show”-worthy setlist and made me almost nostalgic for an old school predictable setlist – devoid of such treats as “Viola Lee Blues” and “New Potato Caboose.”
All kidding aside, Warren Haynes has proven himself to be truly the hardest working man in show business. He became the nucleus of this new Dead machine, and his playing could be gently delicate in an “ice petals revolving” kind of way one moment and then full-on warp-drive ferocity the next. Also Jeff Chimenti proved himself night after night sitting at the keys. His tasteful, crystalline playing was spot-on. Hope he’s got good life insurance.
You can get soundboard recordings of the tour from Dead.net and finally the “core four” have allowed the Live Music Archive to host Audience recordings of concerts from the 2003-2004 incarnations of The Dead as well as the Barack Obama benefits last year. There are some sweet sounding AUDS out there and its fun to have access to those ‘03 and ‘04 shows with Jimmy Herring and Joan Obsourne.
Perhaps one day some soundchecks and rehearsal tapes will also surface, but for now, let’s look at the following bits of archaic lore… (more…)
Man, I miss California. I really do. I don’t miss paying exorbitantly high rent. I don’t miss the collective panic that sets in whenever it rains and being in a mountain shack without power for ten days. I just miss the West – my ancestral homeland. Feeling that unconscious sense of being where I belong- ocean before me, mountains behind me, and good Mexican food.
Northern California band Izabella do a great job at helping to ease that feeling of displacement. A warm, sweet and heady blend of jam rock, funk, and soul that is totally steeped in the warm vibes and deep roots of the West Coast.
Now with a solidified line-up of Sean Lehe on guitar and vocals, multi-instrumentalist Brian Rogers on percussion, guitar, bass and lead vocals, Murph (no, not that guy!) on bass guitar, Sam Phelps and Jeff Coleman as the four-handed keyboardist and Lucas Carlton on the skins, Izabella is the culmination of years of jamming in the garage with various bands, jazz combos, burgeoning jam units. Juggling the daily obligations like families, day jobs, school while playing out as much as humanly possible. It’s a dedication and a musical relationship that reinforces the band’s groove on record, and is the electric undercurrent in their live performances – over 200 since late 2006. (more…)
I love the new Bob Dylan album. I do. Because the older Bob Dylan gets, the more he sounds like Tom Waits. Seriously, though, Together Through Life is another solid, rich album. You can check out the zydeco vibe on “It’s All Good” in the mix down below. Also you’ll find some new Neil Young, some old George Harrison and a couple artists covering the Grateful Dead, including Jane’s Addiction.
Rhino has just released A Cabinet of Curiosities, the ultimate Jane’s Addiction “live, rare, and unreleased” package. A little wooden curio cabinet filled with voodoo dolls, lyrics, reproductions of old fliers, along with the discs (a regular edition in a plain ol’ cardboard slipcase will be released next month). You’ll have to supply your own eyeliner and Nag Champa incense, though.
I got into Jane’s Addiction during the heady summer of 1991 (or was it 1990?) A friend had taped Ritual de lo Habitual for me and while at first I didn’t like “that weird LA shit,” I had to admit it was growing on me. I was having a cigarette (it may even have been a clove cigarette) and listening to side two’s centerpiece, “Three Days,” unfolding like the warm summer evening outside.
Two girls heard the music and came to my window — they crawled into my dorm room and we all sat down on my futon and got acquainted. We instantly became friends. We shared all our stories and some grass. Staying up all night talking, laughing, and playing that tape over and over endlessly. In the morning the three of us watched the sun come up and we ate waffles together. (more…)
