Posts Tagged ‘The Band’

Cratedigger: The Band, “Music From Big Pink”

The Band - Music From Big PinkYou know this album. Even if you have somehow managed to miss it over the years, you know it from the countless other albums it has influenced in the 31 years since its release. Music From Big Pink is the closest thing we have to a sacred album in the annals of rock and roll. But let’s put the myth aside for a moment, and discuss the music.

The Band’s debut album was released in 1968, one of the most tumultuous years in the history of this country, and the world for that matter. It was a time of immense social and political change. There was civil unrest, assassination, war raging in Southeast Asia, the rise of the drug culture, and some of the most earth-shaking music ever made as the soundtrack to the whole mess. To say that the Band was unknown would not quite be accurate. They had been slugging it out on the road with Ronnie Hawkins for years, and more recently they had served as Bob Dylan’s backing band. It is fair to say that they weren’t on the radar of most people at the time. So in the midst of all of this change and chaos, what did these four Canadians and one American do? They released an album that took us back to our roots via popular music. Lives were changed. Eric Clapton decided to quit Cream after he heard the album. George Harrison paid close attention to the sound, and became even more disenchanted with the Beatles. (more…)

Cratedigger: Elton John, “Tumbleweed Connection”

Elton John - Tumbleweed ConnectionDo you ever buy something used and wonder about the life of that thing before it came into your possession? I like to think about such things sometimes. The reason I bring it up here is that the album I’m writing about today was apparently once owned by someone named Barb Follett. You can see her name printed in pencil on the label. I can’t help thinking about Barb. Who is she? Where is she? When and why did she sell this album? Barb, if you’re out there, let me hear from you!

I didn’t like Tumbleweed Connection much when it first came out. It wasn’t like Elton John’s self-titled first U.S. album (his actual first album, Empty Sky, wasn’t released in the U.S. until 1975). It had more of a country rock feel. Sure, there were songs that harkened back to that first album, particularly the ethereal acoustic songs “Come Down In Time,” and “Love Song,” but mostly it seemed to be an attempt to cash in on what the Band started with Music From Big Pink, and it just didn’t work for me.

My, how things can change. It wasn’t until more than 30 years later, after hearing the epic track “My Father’s Gun” on the radio, that I began to reconsider Tumbleweed Connection. I went back for another listen. First of all, I was struck by how well this album holds up. It still sounds as fresh as the day it was released, and time has treated this music very well. The production by Gus Dudgeon, and the arrangements by Paul Buckmaster are first rate. In 1970, the Americana movement was just beginning in this country. In other words, Tumbleweed Connection was an album ahead of its time, but it’s very much of our time. (more…)

Book Review: Michael Lang (with Holly George-Warren), “The Road To Woodstock”

road-to-woodstock-cover-image-677x1024[1]When it comes to telling the true story of Woodstock, more properly known as “An Aquarian Exposition: The Woodstock Music and Art Fair,” it’s hard to imagine anyone better suited for the role than Michael Lang. Now, 40 years after the world-changing event and right on time for the various activities celebrating the anniversary, the man who conceived the festival has decided to tell his story in The Road to Woodstock, co-written with Holly George-Warren.

One thing you learn early on in his book is that Michael Lang is a die-hard optimist. There’s no dream that can’t be realized, no obstacle that can’t be overcome. That attitude served him well on the road to Woodstock, because to say there were obstacles to getting the festival up and running would be a major understatement. Lang also manages to find the good in people, and despite profound disagreements with his Woodstock Ventures partners and others, there is no mudslinging here. (more…)

Bootleg City: “Vin Scelsa’s Live at Lunch,” 6/28/00 (Pt. 3)

Here are some fun facts about singer-songwriter Jules Shear:

1. He’s from Pittsburgh. So is actor Jeff Goldblum, who stars in a 2006 pseudo-documentary called Pittsburgh that chronicles his homecoming performance in a production of The Music Man five years ago. It also stars Illeana Douglas, a friend of Goldblum’s, who was dating Moby in ‘04 and learning more than she wanted to know about the musician’s appetite for pornography.

2. Illeana Douglas and Moby never dated, hence Pittsburgh’s status as a “pseudo-documentary.” But Moby did research his role by borrowing Jules Shear’s extensive collection of amateur porn.

(Okay, so that “fact” about Shear’s porn collection is a lie. And it’s possible he wouldn’t consider it to be “fun,” either. But why should Jeff Goldblum be the only person who’s allowed to blur the line between fact and fiction? On that note …)

3. For a brief period in the early ’90s, Shear cut his own hair. When he was finished with a trim he’d yell, “Shear genius!” Sadly, no one was around to hear it.

4. Jules & the Polar Bears was originally going to consist of Shear and three actual polar bears, but due to his unwillingness to relocate to the North Pole — and polar bears’ general inability to play instruments — he eventually settled for human musicians David Beebe, Richard Bredice, and Stephen Hague. However, he insisted on treating them like real polar bears, going so far as to contractually limit them to an all-fish diet.

5. Jeff Goldblum starred in the 1988 movie Vibes with Cyndi Lauper, whose hit song “All Through the Night” was written and first recorded by Shear. The soundtrack of 1985’s The Goonies includes two songs performed by Lauper as well as one by the Bangles, “I Got Nothing,” which was cowritten by Shear. The Bangles then recorded Shear’s “If She Knew What She Wants,” another song he recorded first on one of his own LPs, for their album Different Light. Goldblum sings in Pittsburgh for his role as Professor Harold Hill in The Music Man, but songs like “Seventy-six Trombones” probably would’ve sounded better coming out of Lauper’s mouth.

6. “Jules Shear” is a stage name. His real name is Julianne Shear.

7. Did you know that legendary author Jules Verne used rival sci-fi scribe H.G. Wells’s time machine to travel forward in time to 1984, where he declared Cyndi Lauper’s “Time After Time” to be “not as good as that one Shear wrote”? And that after watching The Adventures of Buckaroo Banzai Across the 8th Dimension he declared costar Jeff Goldblum to be “quirky as hell but fun to watch”?

8. Jeff Goldblum, Jeff Goldblum, Jeff Goldblum!!!

9. The Pittsburgh Penguins recently won the Stanley Cup, but don’t talk about the reigning hockey champions around Shear or he’ll go into a loud, profane tirade about how there aren’t any penguins in Pittsburgh. There aren’t any polar bears either, but you’ll only make things worse if you bring that up. Just change the subject to Happy Feet and you’ll see that he loves penguins — it’s lapses in geographical logic he can’t stand.

10. Though it hasn’t been confirmed that either Jules Shear or Jeff Goldblum has read Michael Chabon’s The Mysteries of Pittsburgh, it’s nice to imagine them being members of the same book club. Especially if one’s a big fan of Jules Verne and the other’s a big fan of H.G. Wells and they’re willing to wrestle over who’s better.

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Lists You Didn’t Ask For: Consumer Safety Edition

Earlier this month New York attorney general Andrew Cuomo reported that he had sent his staff to 1,000 pharmacies across the state in March, April, and May and found more than 250 that were selling expired milk, eggs, baby formula, and over-the-counter medication. The two biggest culprits were the CVS and Rite Aid chains. So what else have these drugstores not been telling consumers?

1. CVS-brand sparkling water gets its sparkle from Darfurian children’s tears. (White Lion, “When the Children Cry” [download])

2. That lawn chair you bought in the “seasonal” aisle? Someone had sex on it. (The Band, “Rockin’ Chair” [download])

3. Whenever you bought an impulse item at the front counter in 2000 and 2004, your name was added to a GOP database of potential swing voters most likely to vote for George W. Bush. (Everything But the Girl, “Politics Aside” [download])

4. Expired baby formula mixed with expired teeth whitener will totally get you high. (Glen Phillips, “I Want a New Drug” [download])

5. The security camera adds 25 pounds. (Joe Henry, “Fat” [download])

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When Good Albums Happen to Bad People: Robbie Robertson, “Robbie Robertson”

Robbie Robertson’s recorded output with his legendary band — that is, The Band — and his solo career would seem like different beasts on the surface. While The Band was known for its exploration of the various forms of American roots music — folk, country, and rhythm and blues — his solo recordings have aimed for a more expansive sound, incorporating electronic instrumentation, prog-rock arrangements, and even dance remixes. But beyond that, Robertson’s solo career actually follows a similar level of output as The Band: two good albums (or in the case of The Band’s first two, great albums), followed by a few more middling works, and then absolutely nothing for at least a decade. Eleven years passed between The Last Waltz and Robbie Robertson, and it was ten years this March that Robertson’s most recent record (Contact From the Underworld of Red Boy) came out. Don’t expect that drought to be broken any time soon: The only times in the last few years that Robertson has been attached to music was to help oversee The Band’s 2005 retrospective box set, and to make an abbreviated appearance at Eric Clapton’s Crossroads guitar festival last year.

Robertson’s solo career also follows a similar pattern as to his time both within The Band, and after their breakup: the pattern of being a flaming jag-off. How much a jerk you believe Robertson to be is usually inversely proportional to how much you like his former Band-mate, Levon Helm, since most of the more juicy tales about Robertson are tied to the decades-long feud between the two men.

-Both blame the other for the suicide of The Band’s Richard Manuel. Robertson blames Helm because Helm supposedly dragged Manuel along on the sans-Robertson incarnation of The Band, putting more pressure on the depressed and alcoholic Manuel until he got to the breaking point and hung himself in his Florida hotel room during a 1986 tour. Helm blames Robertson for breaking up The Band via his unilateral decision, and leading Manuel to be in no financial position to to afford proper treatment (since Robertson controlled almost all the songwriting and publishing royalties), and contends that re-forming The Band actually allowed Manuel to survive longer, regardless of his tragic end coming on tour. Robertson would eulogize Manuel on the opening track of his first solo album, “Fallen Angel” (download). (more…)