
A-B-C! It’s easy as do-re-mi!
Art Brut – Summer Job from Art Brut vs. Satan (2009)
Bat for Lashes – Moon and Moon from Two Suns (2009)
Battles – Atlas from Mirrored (2007)
Chris Eaton – Don’t Play Games from Vision (1986)
Depeche Mode – Halo from Violator (1990)
Glenn Kaiser Band – Carolina Moon from Carolina Moon (2001)
Michael Been – Worried from On the Verge of a Nervous Breakthough (1994)
Michael Jackson – Human Nature from Thriller (1982)
Pale Forest – Tristesse from Of Machines and Men (2000)
Paul McCartney – My Brave Face from Flowers in the Dirt (1989)
Pete Droge – If You Don’t Love Me (I’ll Kill Myself) from Necktie Second (1994)
Robert Wyatt – Shipbuilding from Songs of Elvis Costello: Bespoke Songs, Lost Dogs, Detours & Rendezvous (1998)
Television – (I Can’t Get No) Satisfaction from Live at the Old Waldorf 1978 (2003)
The Dismemberment Plan – Gyroscope from Emergency & I (1999)
The Flaming Lips – Revenge from Dark Night of the Soul (2009)


Welcome to the Popdose Guide to The Call, a semi-forgotten group that had a couple of hits in the ’80s, but has seen its catalog fall out of print and into obscurity over the last ten years or so. It’s a shame, if you ask me. Of all the bands making earnest, sweeping Heartland Rock during the decade (see: U2; Alarm, The; BoDeans, The), The Call were among the most talented and consistent. Though songwriter Michael Been flirted with overt Christianity in his lyrics and themes, his faith was often so tortured that even the most devout atheist would find it hard to listen without feeling a little of that old-time religion. In other words: While freshly scrubbed, L.L. Bean-wearing chumps like Michael W. Smith — or the always-vile dc Talk — were busy bringing Jesus to the mall, Michael Been and The Call were digging bare-handed through the bloodstained soil of Gethsemane.