Posts Tagged ‘The Knack’

The Friday Mixtape: 8/14/09

Read that headline and weep, folks. In just two more weeks, the summer of ‘09 will be finito. Yeah, I know technically summer has a few more weeks of life but, who are we kidding? Once the Muscular Dystrophy Telethon goes off the air, the season’s deader than Freddie (That’s what I said.)

We have no time for heavy sentiment. Leave that to back-to-school shopping, pool closings and those Summer credit card bills coming back to bite you on the Coppertoned ass. We have two weeks left of fun, fun, fun. Break out the beach towels and crank up the pop music.

Beagle – Well, It’s Only Pain from International Pop Overthrow, Vol. 4 (2001)

Cheap Trick – Hard To Tell from Cheap Trick (1997)

Elvis Costello and The Attractions – High Fidelity from Get Happy!! (1980)

Joe Jackson – Friday from I’m the Man (1979)

Nerk Twins – Against The Grain from International Pop Overthrow Vol. 1 (1998)

Oingo Boingo – My Life from Boi-ngo (1987)

Paul Steel – Cry Away from Moon Rock (2007)

Squeeze – Is That Love from Singles 45’s and Under (1982)

Starclock – Yo Pussycat from International Pop Overthrow, Vol. 5 (2002)

The Duckworth Lewis Method – Gentlemen And Players from Duckworth Lewis Method (2009)

The Knack – Lucinda from Get the Knack (1979)

The New Pornographers – Star Bodies from Twin Cinema (2005)

The Ravines – Dark Clouds from International Pop Overthrow Vol. 11 (3CD) (2008)

Urge Overkill – Sister Havana from Saturation (1993)

You’ll notice an inordinate amount of songs from the International Pop Overthrow collections, and for good reason. In the short time I’ve discovered this ongoing series of releases, I’ve become irrevocably hooked. You might as well, and can find these releases at the site that released them, Not Lame Recordings.

The Friday Mixtape: 5/8/09

Brainiac – Kiss Me, You Jacked Up Jerk from Hissing Prigs in Static Couture (1996)
Buck Dharma – Cold Wind from Flat Out (1982)
Herman’s Hermits – Dandy from Retrospective (2004)
Ideola – Hold Back Your Tears from iDeOLA: Tribal Opera (1987)
Mike Viola – The Strawberry Blonde from Lurch (2007)
Ric Ocasek – She’s On from Quick Change World (1993)
Sam Phillips – Answers Don’t Come Easy from The Turning (1987)
Skeleton Key – That Tongue from Obtainium (2002)
Steven Wilson – Harmony Korine from Insurgentes [CD/DVD] (2009)
The Knack – Another Lousy Day in Paradise from Round Trip (1981)
The Swirling Eddies – Catch That Angel from Let’s Spin (1988)
Threshold – The Destruction of Words from Subsurface (2004)
Tobin Sprout – It’s Like Soul Man from Carnival Boy (1996)

Bottom Feeders: The Ass End of the ’80s, Part 50

Welcome again to Bottom Feeders, your weekly look into songs that charted no higher than #41 on the Billboard Hot 100 chart in the 1980s. This should be a fun week, with more rock ‘n’ roll storytelling on our hands. Download and enjoy some songs, and while you’re at it, give me your Kiss story.

Kiss
“Shandi” — 1980, #47 (download)
“A World Without Heroes” — 1981, #56 (download)
“Lick It Up” — 1983, #66 (download)
“Heaven’s on Fire” — 1984, #49 (download)
“Tears Are Falling” — 1985, #51 (download)
“Crazy Crazy Nights” — 1987, #65 (download)
“Reason to Live” — 1987, #64 (download)
“Let’s Put the X in Sex” — 1989, #97 (download)
“Hide Your Heart” — 1989, #66 (download)

kiss_1Kiss sets all kinds of marks as part of this series. Their nine tracks here are the most of any artist so far (there will be an artist with ten in the future) but the most remarkable thing is that these are the only nine tracks to chart in the decade. That kind of speaks to the remarkable career they’ve had: not one Top 40 song in the decade and yet the record company kept releasing singles. Now, granted, in most cases the songs you’re hearing were the first off an album and the second one didn’t chart, so the initial impact wasn’t exactly stellar.

As a rock ‘n’ roller at heart, I’m ashamed to say that I’ve never seen Kiss live. I’ll see them on some reunion tour at one point; I think I have to as a rock fan, but I have no need to pick up a kiss record from the ’80s. I’m sure most of you will say the same thing as it’s no secret that Kiss isn’t exactly the greatest studio band in the world.

Let’s look at how the decade unfolded for Kiss. Unmasked was the first album of the decade and featured “Shandi” as the first single. It was the last with Peter Criss as the credited drummer though he didn’t actually play on the album. The album has more of a pop feel than the more popular Kiss records but hadn’t yet went to the pure ’80s sound.

Music From ‘The Elder’ was released in 1981 and ended up spawning probably the best single out of all the tracks here, but it was Kiss’s worst-selling album. It was also the last record they made with Ace Frehley until Psycho Circus.

Without touring, they came right back in 1982 with Creatures of the Night which is probably the strongest album of the decade for Kiss which of course means that it had no singles chart. The catchy as hell “I Love It Loud” comes from this album though and that became a concert staple. This was the first album with Vinnie Vincent on guitar.

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CD Review: Tinted Windows, “Tinted Windows”

tinted-windowsThe mark of any great power pop album is its ability to not only stick in your head after the music has stopped, but its ability to make you want to listen to it over and over again. By pop, I mean: Catchy, rocking harmonies, hooky guitars, and driving, powerful drums, a la Cheap Trick, the Raspberries, Sweet and the Knack. Those groups are obvious influences on the self-titled debut album of Tinted Windows, a supergroup of sorts that consists of Taylor Hanson, James Iha (formerly of Smashing Pumpkins), Adam Schlesinger of Fountains of Wayne, and Bun E. Carlos from Cheap Trick. Clocking in at just under than 40 minutes, this 11-song collection sounds in no way dated or retro. The band goes after every track with such enthusiasm and energy that the fun they’re having gushes out of the speakers. Tinted Windows just may be this summer’s soundtrack record.

The band came together out of a mutual passion for straight-ahead rock and roll. Schlesinger, Hanson and Iha wrote the songs with one specific rule: no keyboards. This kept the sound a little raw. When it came time for a drummer, all three knew they wanted someone who played like Carlos. Instead of looking for someone like Carlos, they decided to ask the legendary drummer if he’d be interested in participating. Despite his busy schedule, Carlos felt he couldn’t pass up the opportunity to play on material he thought was so good.

The leadoff track (and first single), “Kind of a Girl,” has already received some attention from radio and the Internet. However, the rest of the record holds up to the hype that has slowly been building since the song was first released to the public. “Kind of a Girl” is quickly followed by the equally radio-friendly “Messing with My Head,” which features crunchy guitars by Iha and a great sing-along chorus. Meanwhile, “Can’t Get a Read” is a straight-ahead rocker that recalls the best of Cheap Trick, and “Without Love” brings to mind all that was great about the Knack. One of my favorites is “Cha Cha,” a nice little slice of glam rock that ensures Tinted Windows never get mistaken for any of the pop acts Disney’s forever churning out. Even when the band slows things down, on songs like “Dead Serious” and “Back with You,” the aching and earnestness comes off as sincere and not posturing. Although only 26, Hanson has the life experiences (married, four kids) that make what he’s singing so much more believable than the Jonas Brothers or Taylor Swift. (more…)

CD Review: Paul Steel, “Moon Rock”

Some things just don’t go quite the way they’re planned. For instance, I was supposed to be over the moon and in love with U2’s latest album, No Line on the Horizon. While I’m not as down on it as I was when I heard the first single, “Get On Your Boots,” the thing got five perfunctory plays and has been shoved back into the rack ever since. Meanwhile, a friend slips me a USB flash drive and tells me (commands, more like) to listen to the album Moon Rock by Paul Steel. I know not of this Steel person, and the album cover seems to foreshadow something really, really cheeky. I’m not in the mood for cheeky lately, so the plan was to give the thing a run-through, give my friend the necessary thank-you’s and advise him I’m just not into albums that have Nintendo-like graphics for cover art (this means you, Architecture in Helsinki.)

Two weeks later and someone hasn’t gotten their flash drive back.

Moon Rock (2007) is the most addictive album I’ve heard in years, the picture of power-pop primacy, and it’s already a couple years old. Worse, it has not migrated officially from Steel’s native England yet, so the good folks at Not Lame Records are having a hell of a time keeping their imports in stock (you can buy it at Amazon.com as well.) It’s very much a case that as soon as like-minded listeners hear the recording, they’re prone to want to own it, only to find the process will be needlessly difficult. The equivalent of musical jonesing owes much to Steel’s mastery of the sugar-sweet hook, the fine art of subversion as the lyrics to the songs aren’t necessarily as straightforward as the sound advertises them to be, and that even though this was recorded at home by a nineteen-year-old kid it has a massive sound on it.

To better illustrate that subversive quality, the album opens with the song “In a Coma,” wherein the protagonist has found and saved the woman of his dreams but, alas, he’s powerless to do anything about it because… wait for it… he’s in a coma. This could be one seriously morbid concept, so the fact that it’s carried off with the panache of an E.L.O./Knack mash-up and doesn’t wind up sounding horrid prepares the listener for one fun and strange ride. “Rust and Dust” is a piano-driven ballad that could have been taken straight from the Ben Folds Five’s debut album, except that the protagonist in this one is seriously obsessed with a former girlfriend. You don’t pick that up when, in the chorus, Steel sings “And God knows how I miss you and the times I could have kissed you,” but when he flips that line at the very end of the tune into, “I wish I never met you — you’ll be sorry when I get you,” you will get a cold-chill moment. I guarantee that. (more…)

The Friday Mixtape: 10/31/08 — Everybody’s Doing Springsteen Except Bruce (But He Has a Mean Woody)

Badly Drawn Boy – Thunder Road from Uncut Magazine Bruce Springsteen Tribute Volume 1(2003)
The Knack – Don’t Look Back from Get the Knack (remastered edition) (1979/2002)
John Hiatt – Johnny 99 from One Step Up/Two Steps Back: The Songs of Bruce Springsteen (1997)
Patty Griffin – Stolen Car from 1000 Kisses (2002)
Southside Johnny & the Asbury Jukes – The Fever from I Don’t Want to Go Home (1976)
The Mavericks – All That Heaven Will Allow from What a Crying Shame (1994)
Deana Carter – State Trooper from Badlands: A Tribute to Bruce Springsteen’s Nebraska (2000)
Trisha Yearwood – Sad Eyes from Real Live Woman (2000)
The Smithereens – Downbound Train from One Step Up/Two Steps Back: The Songs of Bruce Springsteen (1997)
Ben E. King – 4th of July, Asbury Park (Sandy) from One Step Up/Two Steps Back: The Songs of Bruce Springsteen (1997)
Billy Bragg – Mansion on the Hill from Uncut Magazine Bruce Springsteen Tribute Volume 2 (2003)
Sonny Burgess – Tiger Rose from Sonny Burgess (1996)
Thea Gilmore – Cover Me from Uncut Magazine Bruce Springsteen Tribute Volume 1 (2003)
John Wesley Harding – Jackson Cage from One Step Up/Two Steps Back:The Songs of Bruce Springsteen (1997)
The Reivers – Atlantic City from Cover Me: Songs by Springsteen (1984)
Johnny Cash – Highway Patrolman from Johnny 99 (1983)
Dion – Book of Dreams from Deja Nu (2000)
Linda Ronstadt and Emmylou Harris – Across the Border from Western Wall: The Tucson Sessions (1999)
Bruce Springsteen – I Ain’t Got No Home from Folkways: A Vision Shared (1988)

Basement Songs: The Knack, “My Sharona”

basementsongs.jpg

Damn right, “My Sharona.” The Knack’s one monster hit, co-written by lead guitarist Berton Averre and singer Doug Fieger, has kept my heart pumping and my hands pounding on steering wheels, tabletops, and drum sets for nearly 30 years. While some may write it off as slick corporate new wave rock, the drive and sexuality of that song has always been appealing to me. Even as a prepubescent kid growing up in northeast Ohio during the late ’70s, something about this song felt… primal. I’m sure it had something to do with Fieger’s panting and moaning. And then there’s the drum part:

“Dum dum thunk, dumdum thunk, dum thunk, dum dum thunk, dum dum dum thunk, dumdum thunk…”

The moment you hear Bruce Gary’s drums and the Prescott Niles bass line, this infectious song gets into your head and under the sheets. Is it any wonder I listened to this song over and over again downstairs in my parents’ basement, and later, in the musky basement bedroom I called home in college?

Like so many, I first heard “My Sharona” when it was a radio staple back in 1979. I loved the melody and had no clue what Feiger was singing about. I never caught the line “runnin’ down the length of my thigh, Sharona”; apparently my parents never caught on either, because they never switched the station when we were on a long-ass cross country vacation and the song began playing. Among the disco beats and soft rock ballads of that time period, Averre’s masterpiece was a breath of fresh air, even if it felt like derivative bubblegum (albeit soft-core) pop rock. The song was so huge, it even propelled the follow-up (and dirtier) single, “Good Girls Don’t,” into the top 20 and made The Knack’s debut album, Get the Knack, a smash success, spending five weeks at Number One. This band was destined for greatness. Or not. (more…)