Posts Tagged ‘The Pretenders’

Bootleg City: Elastica in Europe, 1994-’95

Greetings, citizens of Bootleg City. It’s an honor being the first female interim mayor of this fair ‘burg. But perhaps you’re wondering how I snagged this plush gig.

No no no, it’s nothing like that. Apparently I wowed Mayor Cass with my Material Issue-honoring radio show and my ability to speak fluent Genesis and anti-REO Speedwagon haikus. My impeccable harmonies during the Hall & Oates sing-along at the Popdose Christmas party likely didn’t hurt matters, either.

I’ll tell you, though — being this city’s first lady interim mayor is no easy task. Mayor Cass left his office a mess when he hightailed it out of town last month for his “vacation.” We’re talking crumpled, never-sent fan letters to Jon Anderson, a Time-Life collection of ’80s music gathering dust in the corner, and a dart-riddled photo of Matt Wardlaw behind the door. And his bathroom reading material — you don’t even want to know.

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Mix Six: “1981 (Part Two)”

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Last week we hung out with the rocker crowd from 1981, and this week it’s time to see what the new wave kids were into.  If you recall, I had the fortune — or misfortune — of attending three high schools in 1981, and for the most part, the music was the standard FM AOR rock that, at the time, was still at its apex.  However, at “School Three” I was also introduced to music that certainly had elements of rock and punk but was fused in such a way that it was described as “new wave.”  The sounds were a quirky kind of pop, the styles more retro and futuristic, and the dance was, well, pretty standardized (See Molly Ringwald, The Breakfast Club, 1984, Scene 26).  I certainly hopped on the new wave bandwagon, but I didn’t forget or jettison my hard rock roots.  I figured at that time you didn’t have to choose your gang, so for me new wave was just one more style of music to enjoy.  And, I have to admit, it was exciting to be introduced to bands that weren’t part of my oldest brother’s record collection.  New wave was my music, and there was a lot of uncharted territory to explore in 1981.  I would imagine new wave for me was like hip hop for kids in the mid ‘80s:  a new music genre that kind of pissed off the older generation (because they really didn’t “get it”), but was really embraced by the younger one because they did.  Anyway, before new wave was mainstreamed, there was a brief moment in 1981 when I felt the music I was listening to was just niche enough to make my tastes “fringe” — or so I thought. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 70

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As the days go by, I’m learning more and more that my son, who’s now one year old, seems to respond to music. Whenever my wife turns on CMT or I pop on a record, he stops in his tracks, stares at the noise coming out of the big machine, and then starts bobbing his head — actually, his entire upper body — to the tunes.

So, as of last Thursday I’ve decided to play him a “classic” record each morning as we’re getting ready for the day — you know, with the hope that he’ll grow up liking daddy’s music (God help him). I’ve had four opportunities so far and I’ve chosen Peter Gabriel’s So, Arcadia’s So Red the Rose, the Time’s Ice Cream Castles, and INXS’s Kick. He seemed to like Peter Gabriel and was dancing all over the place during “Red Rain” (the first time I’ve ever seen anyone dance to that song). He also bobbed his head quite a bit during INXS’s “Guns in the Sky,” and Arcadia’s “Election Day” had him swaying back and forth. Unfortunately, Morris Day and the Time seemed to do nothing for him, but I still have plenty of formidable years ahead to get my son to blow his funky horn like dad.

Now, back to the ass end of the 1980s, i.e. songs that charted below #40 on the Billboard Hot 100 during the Reagan years, featuring our final week of artists whose names begin with the letter P.

Billy Preston
“I’m Never Gonna Say Goodbye” — 1982, #88 (download)

Billy Preston & Syreeta
“One More Time for Love” — 1980, #52 (download)

Billy Preston’s smash duet with Syreeta, “With You I’m Born Again” puts me to sleep, so if I’m listening to Billy’s singles chronologically, I just never get to these. Man, “With You” must be the slowest ballad to chart in the decade. Not like either of these tunes here are barnburners, either. I’m pretty sure “One More Time for Love” is actually a really good song, but I haven’t been in the right mood to verify that in ages.

Pretenders
“Stop Your Sobbing” — 1980, #65 (download)
“Thin Line Between Love and Hate” — 1984, #83 (download)
“My Baby” — 1987, #64 (download)

Here’s one of those artists that I’m going to learn a lot about by reading the comments. They’re pretty much universally loved, but I, of course, can’t stand their music and think they are way overrated. But as with pretty much every artist I hate, there isn’t one thing I can pinpoint or one moment where I realized it, but there has never been a point in my life where I have cared to hear a Pretenders song. The 1986 #10 hit “Don’t Get Me Wrong” is the closest I come to enjoying one of their songs. I’d be completely content if I never heard any of these three songs again.

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Mix Six: “Another Random Sample”

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One of the lost arts of being a radio DJ is the art of mixing records. Nothing too pre-planned, mind you — just starting with a song, and flipping through the stacks to find the next song that would (hopefully) sound great next to your previous pick.  Back in the ’80s and ’90s when I would make mix tapes, I would pick maybe two songs to start off the mix.  One I had the first two songs set, I would cue them up on the turntables, hit “record” on the cassette tape player, and start mixing away.  The challenge during these mixes was to find the right combination of songs in real time.  I knew that I had roughly four minutes to find the next song while the tape was recording or else I would have the proverbial “dead air” on the tape — and that would suck.  Sometimes the mixes would turn out really great, and other times the mixes had a few “Awww yeah” moments, but were overall uneven efforts.  I would learn from these tapes as to what makes for a good mix by doing what any self-respecting homebrew DJ does:  play them in the car for friends and watch their reactions.

And while it’s not really possible to duplicate the cassette tape mixes from back in the day, I have to say that I really tried to for this mix.  I had two songs that I started with on my music player. And while one was playing,  I hunted for other songs that would round out the mix.  And even though there isn’t a stated theme to this mix other than “random sample,” I think there’s a wistful desire to hear more off the cuff mixes from radio jocks — something that ain’t gonna happen in the age of pre-programed radio. (more…)