Posts Tagged ‘The Simpsons’

White Label Wednesday: This Is Halloween

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While Mr. Dunphy’s upcoming Friday Mixtape is one of the most esoteric tributes to All Hallow’s Eve that you will ever see, I chose a more commercial (read: lazier) path to celebrating my second-favorite holiday of the year. Now dance, you fuckers.

Ministry – Everyday Is Halloween
I hope your dancing shoes are comfortable, because this puppy is ten and a half minutes long. I couldn’t believe it when I moved to Chicago and people told me that “Halloween” was used locally to promote Miller Lite or something else anathema to everything Alain Jourgenson later stood for. Jourgenson has since dismissed this song, along with everything that came before Twitch, but I’m sure he doesn’t dismiss it enough to send back the royalty checks. (more…)

The Friday Mixtape: 9/18/09

Remember that mixtape from last week? One hundred Beatles covers? That thing was EPIC! It was freaking magnificent!

Yup… That was… really something.

Well, then.

Midnight Oil – Under The Overpass from Capricornia (2002)

fun. – Benson Hedges from Aim and Ignite (2009)

The 77s – The Treasure In You from More Miserable Than You’ll Ever Be (1990)

Roland Orzabal – Dandelion from Tomcats Screaming Outside (2001)

Porcupine Tree – Black Dahlia from The Incident (2009)

Velvet Crush – Hold Me Up from Teenage Symphonies to God (1994)

Elton John – Something About The Way You Look Tonight from The Big Picture (1997)

Gin Blossoms – Till I Hear It From You from Outside Looking In: The Best Of Gin Blossoms (1999)

Yngwie Malmsteen – I’m My Own Enemy from Fire & Ice (1992)

Toto – Drag Him To The Roof from Tambu (1996)

The Smithereens – Behind The Wall Of Sleep from Especially for You (1986)

Elvis Costello And The Imposters – American Gangster Time from Momofuku (2008)

The Balls Of France – Message From The Country from Lynne Me Your Ears: A Tribute to the Music of Jeff Lynne (2001)

The Simpsons – What Do I Think Of The Pie? from The Simpsons: Testify (2007)

DVD Review: “Futurama: Into the Wild Green Yonder”

Futurama: Into the Wild Green Yonder (2009, 20th Century Fox)
purchase this DVD (Amazon)

Anyone even remotely familiar with science fiction knows that the Star Trek films suffered from a quality curse. It seemed that every odd-numbered film (especially Star Trek V) was absolutely horrible, while the even-numbered movies (in particular Star Trek II) were great. It wasn’t until the cast of Star Trek: The Next Generation began making their own films that the curse was broken, albeit in the worst way: Each of their films (especially Star Trek: Insurrection, which makes Trek V look like Apocalypse Now) –with the exception of First Contact–was exponentially worse than that which came before.

All of this is a roundabout way of stating that the original direct-to-DVD episodes of Futurama have become the equivalent of reverse Trek: The odd-numbered episodes are good, while the even-numbered episodes suck.

Unfortunately, the latest (and potentially last) installment, Futurama: Into The Wild Green Yonder, is unlucky number four.

As viewers of the last installment, Futurama: Bender’s Game will recall, that episode ended with Professor Farnsworth (voice of Billy West, who also performs as Fry, Zoidberg and others) activated a machine which destroyed all the dark matter fuel in the universe. Perhaps because a suitable followup story couldn’t be adequately broken by writer Michael Rowe (credited with part three of Bender’s Game) or for whatever reason, there is absolutely no mention or continuance of that particular major plot point in Wild Green Yonder, with the exception of a two-second tossaway closeup of a bridge monitor indicating that whale oil is the new fuel of the future. Instead the story begins with a highly amusing and well done faux Sinatra/Dean Martin song by Family Guy creator Seth MacFarlane, as the Planet Express crew makes their way to Vegas on Mars, which is promptly blown up by mega-rich developer Leo Wong, who begins setting up his own New Vegas. (more…)

Popdose Interview: Duckman creator Everett Peck

duckman-1-and-2Animation fans rejoice, for Duckman, the irreverent animated show that aired on USA in the ’90s has finally arrived on DVD. CBS/Paramount has released all four seasons of the groundbreaking television series on two excellent box sets that are available now. Anyone who is a fan of Family Guy or Adult Swim should rush out and purchase these beautifully made DVDs — they include all 70 episodes of the cult show that starred Jason Alexander as Duckman, a lazy, sarcastic, obnoxious private eye who lives with his dead wife’s sister, his two kids, and his flatulent, mute mother-in-law.

Duckman premiered in March of 1994, and although it was never able to achieve the type of fame The Simpsons did (due in part to having its time slot changed several times), it did last for four seasons and was nominated for three Emmys. Controversial at the time for its dark, adult themes and overt sexual references, Duckman was a show that broke new ground in television animation. Never intended for children, it instead was an attempt to capture the twisted and funny going on’s that took place in the head of creator Everett Peck and the show’s producers/head writers, Jeff Reno and Ron Osborn. In addition, the show was co-produced and animated by Klasky Csupo, the eccentric company responsible for the original Simpsons shorts (and the first three seasons), as well as Rugrats, The Wild Thornberrys and several other Nickelodeon shows. The heavily European influence that was the Klasky Csupo trademark look fused well with Peck’s illustration style creating an imaginative, offbeat and colorful world.

duckman-3-and-4 As the DVDs reveal, Duckman was a fast-paced, biting comedy that took on the sacred cows of the establishment and made pointed social commentary about society, the media in particular. Alexander was perfectly cast to take on the rat-a-tat-tat pace of dialogue which required him to go from manic, over-the-top screaming to quiet, reflective monologues at a moment’s notice. Playing against Alexander’s brilliance are veteran voiceover actor Gregg Berger as Cornfed, Duckman’s no nonsense partner (he’s a pig) and Nancy Travis as Bernice, the identical twin sister of Duckman’s dead wife. The show was also significant for attracting numerous big-name guest stars, including Ben Stiller, David Duchovny, Carl Reiner and Brendan Fraser.

The first set compiles seasons 1 & 2 and includes running commentary over the first episode by Peck and Alexander, as well as “What the Hell Are You Starin’ At,” a great documentary short about the Duckman featuring interviews with all of the main players. The second box collects all of seasons 3 & 4 (48 episodes in all). Extras include footage of the original pitch pilot that Gabor Csupo funded to get Duckman up and running. (more…)

The Friday Mixtape: 8/29/08

Michael Jackson turns 50 today. Fifty! Jacko is five-oh!

Hard to believe, probably because the man hasn’t acted his age — or looked his age, for that matter — in years, but ever since he was a preteen he’s created timeless music, first with his brothers in the Jackson 5, then on his own as the biggest pop star of the ’80s. If you don’t own Off the Wall or Thriller, buy them right this instant. (Seriously, Jackson could probably use the royalty checks these days.) The former is a perfect combination of pop, soul, and disco, every track a winner, while the latter lives up to its title, a greatest-hits factory that cranked out one monster smash after another.

Below is a mix of singles, album cuts, and demos by Jackson, plus covers by other artists, hip-hop songs that sample his work, a pair of songs that employ his backing vocals, and a remix/update that lights a fire under the one weak track from Thriller. There’s even a special birthday wish from a 1991 Simpsons episode that featured the Gloved One’s speaking voice but not his singing voice: due to contractual red tape or something of the sort, MJ-style vocals were provided by singer Kipp Lennon.

Michael Jackson – Christmas Greeting From Michael Jackson, from A Motown Christmas Carol (1995)
The Jackson 5 – Stand! (1969), from Diana Ross Presents the Jackson 5/ABC (2001)
The Jackson 5 – 2-4-6-8 (1970), from Diana Ross Presents the Jackson 5/ABC
Michael Jackson – I Wanna Be Where You Are (1972), from The Ultimate Collection (2004)
The Jacksons – All Night Dancin’, from Destiny (1978)
Michael Jackson – I Can’t Help It, from Off the Wall (1979)
De La Soul – Breakadawn, from Buhloone Mindstate (1993)
Michael Jackson – Burn This Disco Out, from Off the Wall
Robin Danar featuring Julian Coryell – Don’t Stop ‘Til You Get Enough, from Altered States (2008)
Kenny Loggins – Who’s Right, Who’s Wrong, from Keep the Fire (1979)
Dave Mason – Save Me, from Old Crest on a New Wave (1980)
Michael Jackson – Baby Be Mine, from Thriller (1982)
Michael Jackson with Will.i.am – The Girl Is Mine 2008, from Thriller’s 25th-anniversary edition (2008)
SWV – Right Here/Human Nature [Human Nature Radio Mix] (1993), from Platinum & Gold Collection (2003)
David Mead – Human Nature, from Indiana (2004)
Michael Jackson – Sunset Driver [Demo] (1982), from The Ultimate Collection
Michael Jackson – Carousel (a.k.a. Circus Girl) [Demo] (1982), from the Thriller sessions
Michael Jackson – Bad (1987), from The Essential Michael Jackson (2005)
Michael Jackson – Remember the Time (1991), from The Essential Michael Jackson
Michael Jackson – You Rock My World (2001), from The Essential Michael Jackson
Leon Kompowski & Bart Simpson – Happy Birthday, Lisa (1991), from Songs in the Key of Springfield (1997)

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Dw. Dunphy On… “The Simpsons”

goodevilOkay, who hasn’t thought America’s favorite family has jumped the shark by now? Even with the success of last year’s movie (which I found quite funny) still fresh in the audience’s mind, the actual show has become something not so much unfunny as it is unfriendly.

Allow me to back up here. This assertion has been going on for a decade now, ever since a particularly harsh mean streak started to creep up on good old dullard Homer Simpson. His callous nature and general ignorance to all but his own personal needs cataloged deaths, a desire to get a friend back off the wagon ’cause he needed a drinking buddy, framing his wife for a DUI to save his own ass, and many a faux pas resulting in the viewing public crowning the character “Jerk-Ass Homer.” If there was an upside, it was that the rest of the characters seemed to be coping, uh, in character. The other saving grace was that, often, the show was still funny and still, dare I say it, human. As if to acknowledge that the audience’s statement was heard loud and clear, the term “Jerk-Ass Homer” started working itself into the scripts.

But now, in its millionth season on the air, all the characters are becoming jerk-ass. Homer dreams of suffocating his father, abandoning his kids, and shacking up with a rack of meat in a motel room. Marge also dreams of escape while attempting to live vicariously through her kids. Those kids, Bart and Lisa, are exhibiting less of a sibling rivalry and more of an ingrained hate for each other, and where the show once balanced the absurdities of real, mundane life with the occasional flashes of cartoonishness, now it is, inside and out, a cartoon.

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