
When Detroit proto-punk rockers the MC5 broke up in 1972, the five original band members went their separate ways. Bassist Michael Davis left first – he went on to form Destroy All Monsters with ex-Stooge Ron Asheton. Drummer Dennis “Machine Gun” Thompson attempted a handful of unsuccessful solo ventures. Singer Rob Tyner made some post-MC5 progress, as a producer, songwriter, bandleader and photographer, before his untimely death in 1991.
Guitarist Fred “Sonic” Smith formed the excellent Sonic’s Rendezvous Band, a Detroit rawk supergroup of sorts, featuring Scott Morgan of the Rationals, Gary Rasmussen of the Up! and Scott Asheton of the Stooges. Unfortunately, SRB only released one “official” single in the late ’70s, though UK label Easy Action released an excellent six-disc box set of live and studio material that fans of high-energy ’70s rock will love. “Sonic” Smith met and married singer Patti Smith (coincidentally they had the same last name), retired from music to raise a family, and died tragically in 1994.

MC5 guitarist Wayne Kramer went to prison, after getting caught selling coke to an undercover federal agent. Upon release after a couple years in the joint, Kramer formed a short partnership with ex-New York Doll and ex-Heartbreaker Johnny Thunders called Gang War.
Two ’70s rock and drug casualties do not a lasting group make, and Gang War was no exception. They had about a year in ‘em, they didn’t release any official recordings, they barely cut some demo material in the studio. But over the years, some documentation of several live sets have been unearthed, one of the best being the Gang War! import on the UK Jungle-Freud label (why is it the Brits who are always unearthing this stuff?), taken from a couple of shows recorded live in Toronto and Boston in 1980. (more…)


Things should have been going swimmingly for The Cult. Their album Electric had succeeded in becoming the biker-rock record they hoped it would be – raw, straight-ahead and helmed by a fledgling production wunderkind named Rick Rubin. It gained some necessary traction in the sales and recognition departments as well, based in part on the single “Love Removal Machine.” By the time the band went on the road, however, the future for the Cult looked grim. By most accounts, the blame fell squarely on the shoulders of frontman Ian Astbury, his hedonism and earth-child eccentricities becoming far too difficult for the rest of the band to absorb. The Japanese leg of the tour was nixed as Astbury’s proclivity toward destroying the instruments every night was becoming too costly to continue.