Posts Tagged ‘Thirtysomething’

TV on DVD: “thirtysomething: the complete first season”

thirtysomething_S1thirtysomething: the complete first season (2009, Shout Factory)
purchase from Amazon: DVD

In the mid ’80s, Marshall Herskovitz and Ed Zwick, a writing/producing team who had worked on the dramatic series Family and had success with a few made-for-TV movies, walked into ABC to pitch a new TV series. Neither wanted to be in television; both saw their future in motion pictures. In fact, Zwick had just directed the hit film About Last Night… and he was looking for his next film. However, the two men had struck a deal with ABC and were obligated to present an idea. Reluctantly, they entered their meeting and pitched a concept they anticipated would completely bomb with the television executives. Their idea was thirtysomething, a weekly drama about a group of friends coming to terms with their lives in their 30s, dealing with work and relationship issues, as well as coming to terms with the notion that their ideals of the ’60s didn’t pan out they way they had hoped. ABC loved the show and it began airing in the fall of 1987. It became a hit and established Herskovitz and Zwick as important new voices in television. More importantly, the cultural impact of this show is still felt today in the way shows are written and produced and how they are marketed. Shout Factory has just released thirtysomething: the complete first season on DVD, a wonderful new six-disc box set that not only includes all 21 episodes from season one, but hours of bonus material that looks back on the importance and impact of the series.

With its empathetic ensemble cast and its realistic look at life, thirtysomething struck a chord with viewers, particularly women, in the way it depicted the everyday occurrences that may seem trivial on paper, but in the real world could be difficult emotional issues. Things like finding a babysitter you trust, preparing for a housewarming party, a visit from you parents, trying to find love while your biological clock is ticking, and the effects your friends failed relationship can have on your own all were topics for episodes during the first season of thirtysomething. (more…)

Mix Six: “The 2000s”

DOWNLOAD THE FULL MIX HERE

I used to watch Thritysomething during its original run and on re-runs on Lifetime because, well, I’m a sensitive new age guy, I guess.  Maybe it was the fact that my girlfriend (who later became my wife) was a big fan of the show and I just kind of got sucked into it. Or maybe, it’s because the show was so full of navel-gazing angst that, for me, it was hard to resist.

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One of the minor characters who was integral to the narrative arc was Miles Drentell — the owner of D.A.A.  D.A.A. was one of the most influential advertising agencies in Philadelphia, and it seemed that the weird world of manipulation/advertising was wrought, in part, by Miles.  During one episode, he and Michael Steadman (moral anchor of the series) were eating dinner with some mucky mucks from the heartland and talking about an ad campaign. Steadman and the Midwest mucky mucks were hitting it off, and Miles, increasingly alienated by the conversation, blurted out an aphorism that my wife and I quote from time to time:  “The Decimalization of time is so arbitrary…”  And so it seems to be when it comes to popular music.  If I say “The ‘70s” what comes to mind when it comes to music?  The folksy stuff of the early ‘70s?  Disco?  Arena rock?  How ‘bout the ‘80s? New Wave? Michael Jackson? Rap?  Richard Marx? The ‘90s?  Grunge?  Rap?  Boy Bands? Britney?  Okay, enough questions … I think you get my drift.

Well, what about “The 2000s?” (Crap, I thought I was through with questions!) It’s a decade that hasn’t really defined itself with a genre of music the way its predecessors did. But here we are at 2009, and if we’re slaves to the notion of decades, then 2010 means it’s the start of a whole new world.  Could it be because of the way in which the Internet has fragmented music consumption, radio taking fewer and fewer risks when it comes to formats, and MTV creating niche channels that cater to certain demographic groups, that the power of a medium to frame the tastes in popular music has resulted in “The 2000s” not having defining characteristics that are easily distilled into unique one or two-word terms? (more…)