The Three Strike Rule: “Scrubs”
Monday, May 12th, 2008 by Scott Malchus
This past Thursday NBC unceremoniously said goodbye to the medical sitcom Scrubs after seven seasons. The series, which introduced Zach Braff to most of the world (before he moped his way through Garden State), gave John C. McGinley the fame he so well deserves, and resurrected the career of Sarah Chalke, has been a critical darling since it went on the air in 2001. For a brief time, it gained a mass audience — that is, until NBC began shuffling its time slots. Pretty soon, that mass audience became a small, loyal group of fans. Seriously, when are executives going to learn that people follow routines when they watch television? They are called viewing habits for a reason. When you move a show around two or three times, people are going to give up trying to find it, even if they do have a DVR. I do give NBC credit for keeping the show on the air for so long. Scrubs lost some of its charm as it evolved from a dramedy with some cartoonish elements into a silly sitcom trying to make us laugh every 30 seconds. By trying too hard for zaniness, the writing became inconsistent and predictable. This inconsistency was frustrating for those of us who latched on to the show in the early seasons.
This past winter, during the writers’ strike, NBC had the perfect opportunity to lure more viewers back into Sacred Heart Hospital; they promoted new episodes and aired them back to back. With nothing but reruns on the other channels, you’d think people would have tuned in. They didn’t. When NBC announced their new schedule for the coming year, Scrubs was … scrubbed. A couple weeks ago, NBC switched time slots between Scrubs and Tina Fey’s 30 Rock, giving the latter the choice placement behind The Office at 9:30 pm. When the season finale rolled around last week, there was little fanfare and little sentiment from the network. What a shame. Even if Scrubs wasn’t as great as it once was, it still deserved a nice sendoff after seven years.
However, fair viewers, this is not the end of the show. (more…)



Brothers & Sisters, ABC’s latest hit family drama (Sundays at 10 pm), came back to the airwaves last night, and for some of us, it was a welcome return of quality television. It is rare that an adult drama like this one has managed to remain all-inclusive of its male and female characters.
Beginning this week, the major television networks will begin rolling out new episodes of regular series that have been on extended hiatus since the writers strike began last winter.
In honor of the Three Strike Rule’s move to Mondays, I want to highlight the best series airing on Monday nights. No, I’m not talking about Heroes, which pretty much blew for the duration of its 13-episode run in the fall.
Hey everybody!
Try as I may, I’m not feeling the love that so many other critics have for Breaking Bad, AMC’s latest original dramatic series. In it, Bryan Cranston portrays Walter White, the mildest of mild-mannered high school chemistry teachers. Walter has a teenage son, a pregnant wife, and has recently learned he has lung cancer that will likely kill him within a year. The White family is far from wealthy; let’s face it, the guy’s a teacher. In the pilot, he’s also pulling down a second job at a shitty car wash (where he’s easily manipulated by his sleazebag boss) and the family is just making ends meet. Like I said, Walter’s wife, Skyler is expecting, and their teenage son, Walter, Jr. has cerebral palsy. Realizing that he has no money to leave to his family, Walter schemes to score a truckload of money by making crystal meth. Using his chemistry know-how, he teams up with a local dealer, Jesse (who used to be one of his students) and winds up cooking the purest meth crystals their small New Mexico city has ever seen.
Those of you who follow The Three Strike Rule know what a
FX recently released the first season of their original series,
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