Last but certainly not least, Disc Three of Ruby Trax. And there is just no gray area when it comes to the opening song.
In late 1992, the idea of Jesus Jones covering Jimi Hendrix was viewed one of two ways: it was either the most awesome idea ever, or grounds for justifiable homicide. (Bear in mind, this came a full year before the Hendrix tribute album Stone Free, where everyone from the Cure to PM Dawn took Jimi’s songs for a ride.) He’s the greatest guitarist of all time, and they…play keyboards! (*Shake fists at God*) As Popdose resident remix geek, I’m guessing you already know which side of this debate I’m on.
Jesus Jones’ historical legacy is of the one-hit wonder variety, but let’s remember something: their 1991 album Doubt was a damned fine record, and in fact spawned two Top Five hits, not one. (Whither, “Real Real Real”?) So if Mike Edwards decides in 1992 that he wants to tear a Jimi Hendrix song to ribbons, no one is going to tell him no, nor should they have. The end result, a version of “Voodoo Chile” that sounds like the Chemical Brothers before there were Chemical Brothers, stands as the second to last great thing Jesus Jones would do. (Forgive me, but I’m still fond of “The Devil You Know.”) The drum tracks rocked without delving into industrial noise, and the guitar squeals have an otherworldly sound that would have brought a smile to Jimi’s face. And let’s not forget what a unique vocalist Edwards was for the time. That raspy tenor of his was unmistakable.
Wow, I can’t believe I just dedicated two paragraphs to Jesus Jones. Let’s move on. (more…)
David, Mitzi and I are just back from a week in Vale, and I gotta tell you, I feel energized. Nothing like a couple days on the slopes to clear the mind. You should come out with us sometime. Bring your wife, Yvonne (or whatever) and see for yourself. Bundle up, though—thin white dukes can turn blue very easily out there. Ha!