Posts Tagged ‘Tom Petty’

CD Review: Regina Spektor, “far”

41McjI1S-xL._SCLZZZZZZZ_[1]I have to admit that I am not one of the people who jumped on the bandwagon for Regina Spektor’s last album, the 2006 breakthrough Begin to Hope. I’ve still never heard most of it, and what I did hear didn’t knock me out. Now Spektor is back with a new album, far (Sire Records), and I’m still on the fence.

I recognize her talent. I appreciate the exquisite wordplay with which she builds her songs. I’m aware of the fact that repeated listening to the album can reveal some previously hidden treasures. It’s all very accessible, musically accomplished, and lyrically interesting. What it’s missing, at least for me, is an emotional connection. Maybe this music is just not for me.

It’s a good idea to be wary of any album that has multiple producers, in the same way that it’s advisable to carefully approach films with more than one director. This album has four producers, each of them notable in his own right. Mike Elizondo has worked with Dr. Dre and Eminem, and he has produced four of this album’s 13 tracks. His work appeals as the most forward looking of the distinguished quartet. Check out his production on the inventive and imaginative “Machine.” (more…)

Popdose Flashback: Tom Petty, “Full Moon Fever”

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full-moon-feverWhile on a routine errand to buy a baseball mitt, Tom Petty pulled up to a stoplight and glanced over at the car waiting next to him. The other driver was uber producer Jeff Lynne. It was 1987 and Petty had been listening to George Harrison’s triumphant Cloud Nine, which Lynne had produced. So impressed was he by the sound and the songwriting of Harrison’s record that Petty had the former ELO frontman pull over in order to compliment him. Then he uttered the words that would change Petty’s life and kickstart the second phase of his career: “How’d you like to work on some songs together?”

At the time, Petty was in rebuilding mode. He and his storied band, the Heartbreakers, had just completed a world tour behind their album, Let Me Up (I’ve Had Enough). The Florida native was worn out from the constant battles with MCA, his record company, the tension within the band (in particular between Petty and drummer Stan Lynch), and just the grind of being on the road for most of the ’80s. Making matters worse, just before the tour an arsonist had burned Petty’s home to the ground. Literally, he was at a crossroads. The chance meeting with Lynne led to Petty co-writing Roy Orbison’s comeback single, “You Got It,” as well as the formation of the Traveling Wilburys, a laid back supergroup that included Petty, Harrison, Orbison, Lynne, and Petty’s old touring mate, Bob Dylan. Soon thereafter Petty and Lynne commenced on the landmark record, Full Moon Fever, Petty’s first solo recording without the Heartbreakers. (more…)

Death by Power Ballad: Robin Zander, “Time Will Let You Know”

Wouldn’t it be cool to be Cheap Trick’s Robin “The Voice” Zander?  I mean, the guy’s, like, 85 years old and looks the same as he did on the cover of Heaven Tonight; he can probably still woo any chick he wants from his nightly audience; and, even though he’s probably tired of singing “I Want You to Want Me” every night, he gets to sing “I Want You to Want Me” every night and hear the wildly appreciative applause of the dozens of people (or thousands, if he’s opening for Journey) who’ve come to hear him sing “I Want You to Want Me.”

But Robin Zander has a sensitive side, too. Exhibit A: “The Flame.” I absolutely love “The Flame.”  There is nobody else—and I mean nobody else—who could take a line as bad as “Whenever you need someone to lay your heart and head upon” and make it sound like a bolt from Zeus himself. Cheap Trick take a lot of shit for recording it, but if there is shit to be taken, it should be Bob Mitchell and Nick Graham, who wrote the thing, partaking of said excrement. Cheap Trick turned their slow dance-by-numbers ditty into a towering achievement in the power ballad arts.

In 1993, Zander released a guest-heavy solo album, which did about as well as Cheap Trick’s studio output of the era (Woke Up with a Montster, anyone?). Amid the poppy hooks and all star cameos (Maria McKee, Dr. John, Stevie Nicks, and most of Tom Petty’s Heartbreakers), Zander placed “Time Will Let You Know,” a Big Statement treatise on taking the great leap of faith and allowing oneself to fall in love. Composed by Zander and someone named Billy O. Who (gotta be a pseudonym, like Prince on those Apollonia 6 and Martika albums—put your guesses in the Comments section), “Time” bundles hope, longing, and resignation to the fates in one massive lighter-worthy package.

The track starts quietly—just Zander and a piano, addressing the object of his affection in hushed exasperation:

Look at you and look at me
Now what are we supposed to be
We’re so afraid of something new
You know it’s true

You turn around and then it’s gone
You can’t be sure if it’s the same old song
We’re so afraid of everyone
Afraid of the sun
(more…)

Being Tom Petty

As a musician, singer, and songwriter, I am often surprised by the similarities between myself and Tom Petty. We’ve both been supremely blessed with the love of good women, the musical input and support of first-rate musicians, and the unceasing ability to stick to our guns – against almost insurmountable odds. Yep, ol’ Tom Petty and I have an awful lot in common, I like to think. He, of course, lives in a palatial estate in sunny California and, well, I just saved a bunch of money on my car insurance by switching to Geico.

See, as much as I like to think that the head Heartbreaker and I are cut from the same cloth, share the same undying dedication to rock & roll (no matter how uncool that may be at the time), and walk with the same tenuous swagger that comes from having seen it all and done it all, the truth is that when they made Tom Petty, they broke the mold. And burned the cloth.

How I came to know of Tom Petty is a story I’ve told friends and will now tell you:

When I was a kid, I was already neck-deep in my love for rock & roll. As my twelfth birthday approached, I began dropping a series of not-so-subtle hints that I wanted the new Pretenders album as a gift. Over and over, I mentioned the Pretenders. When they appeared on television, I made sure to turn up the volume and yell, “Oh cool, the Pretenders!” within earshot of my parents. The last thing I wanted was for them to buy me the wrong album.

Finally, my birthday arrives and I rip into the album-shaped present that sits before me. I throw the wrapping paper on the floor and gaze at the – wait a second, this isn’t the Pretenders album. It’s Tom Petty & The Heartbreakers Damn the Torpedoes. Not wanting to hurt my parents’ feelings, I feign excitement and, once my birthday dinner is over, carry the album to my room with all the enthusiasm of a pack of Fruit of The Loom briefs.

From the moment I touched needle to wax, though, I was in love. (more…)

Basement Songs: Tom Petty, “Free Fallin’”

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“What are you doin’?” Bob asked as he entered my dorm room. It was December 1989. I had just returned from acing the final exam of an incredibly difficult English course devoted to the works of Hawthorne and Melville, and I was feeling pretty good about myself. My sole commitment for the rest of the semester was a paper on The Great Gatsby for a film class due the next morning that I planned to put off for a couple more hours. Bob was feeling good, too. He had completed the last of his exams and for all intents and purposes, his student life at Bowling Green State University.   His final semester would be spent in Philadelphia on a spring internship; after that, graduation. Full of nervous energy, I accepted Bob’s offer to join him on an errand to the Toledo mall.

Following the 30-minute drive in Bob’s Plymouth Horizon, we wandered aimlessly discussing what lay ahead for him when he went to Philly and what he imagined life would be like in the real world. These were the things two brothers could talk about in private and not in the company of a large group of obnoxious friends. At least, these were the things Bob and I could always talk about. About an hour into our excursion, we grew tired of walking and found ourselves standing outside a Chi Chi’s Mexican restaurant.

“Margarita?” Bob asked.

I shrugged, thinking “If you can pull it off, sure.” At 22, Bob possessed an air of confidence the likes of which I had never seen, a ability to convince people that what he spoke was the truth, even if the recipient of Bob’s bullshit knew it was bullshit. The guy was (and still is) a real charmer. The moment we entered Chi Chi’s, I headed straight for the jukebox to serve as DJ while Bob ordered drinks. When I joined him at the table, there sat two margaritas. How had he convinced the cashier that I was legal? “I told her you were as old as me. She looked at my ID and said, ‘okay.’” I was 20 at the time and looked about 18. See what I mean about Bob? (more…)

Test of the Boomerang: Best of 2008

Test of the Boomerang – Top Ten of 2008

I will dispense with the usual bullshit “Let’s take a look back…” year-end review. USA Today will have that shit in spades for the next four to six weeks. Nothing is ever truly over. There is no true end. Nor is there a true beginning.

Dramatic music swells in the background

In these past twelve months I have seen horror and I have seen wonder. I have seen triumphs

Cymbals crash

and I have seen the agony of defeat

Trumpets

and no doubt we shall see more. The utter collapse of our financial institutions and increasing aggression and war. I have seen the naked face of evil…

photo montage now strikes up of Sarah Palin and Ashley Todd shooting at wolves from a helicopter, Dick Cheney strangling a rosy-cheeked orphan with a telephone cord, John McCain eating a big greasy cheeseburger while his wife does a line of coke off of a small mirror, George W. Bush with a jet pack…

and I have seen images of hope…

Barack Obama and Joe Biden riding on a soaring magical eagle over a beautiful stretch of California coastline as the music comes to a soaring peak…

But enough of all that. Let’s get to the music, shall we?

My Top Ten of 2008.

10. Sunn O))) – Dømkirke 2-LP (Southern Lord)

Say what you will about the mighty Sunn O))) — at their fundamental core, deep beneath the waves of feedback and within their black robes, O’Malley, Anderson and company are a live band. Part performance, part transcendental experience. This limited edition double-vinyl set documents a performance by the band at a Gothic cathedral in Bergen, Norway. If that wasn’t perfect already, the band composed an actual piece of music specifically for the performance. Church organs, horns, strange electronics, vocals both sublime and guttural, soar within the old cathedral like a  medieval plague. Haunting, intense, (beautifully packaged) and definitely my favorite Sunn O))) release thus far. (more…)

Test of the Boomerang VII – A Farewell to Summer Mix

Hi Kids. Welcome to post #7 of Test of the Boomerang. I’m glad the Popdose crew have decided to keep me around. The weekly Popdose beer busts have been great. The getaway weekends at the Popdose resort compound have done wonders for my complexion and have really augmented my beard growth. My office at Popdose HQ is slowly coming together…okay, so it’s a janitorial closet, but it is way more “office-like” now than it is “closet-like.” There is no utility sink and only a couple brooms, but that’s it. Sure, I’m currently “sharing” the office with Tony the Custodian, but he’s like, never there.

Anyway, as summer draws to a close, the Man is burned, New Orleans prepares for Gustav’s arrival, and John McCain travels the country showing off his Inuit granddaughter, I decided to make a mixtape. At first, I thought about some brooding, introspective stuff to greet the days of fall, but I went ahead with something different. Some summery tunes to keep the summer vibe alive through the colder months, without the goddamn mosquitoes. There’s something for everyone here. Play loud and in any order you like. (more…)

Chartburn: 6/20/08

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Mainstream Rock: Tom Petty & the Heartbreakers, “The Waiting” (1981) *

Dunphy: It is, on its face, your standard Petty and Heartbreakers tune. Could’ve been “Refugee.” Could’ve been “You Got Lucky.” But you know what? From 1980 to 1985 that wasn’t necessarily a bad thing. Was this off Southern Accents or Hard Promises? Does it matter? I miss those good ol’ Petty days.

Zack: Is Tom Petty from Denver? Because I’m convinced he must go to the same dentist as John Elway. Does anyone else share my suspicion that Petty’s video director used the leftover set from the Cube Squared video in Tapeheads? Like everything else of Petty’s, this is good stuff, though aside from the chorus, the lyrics are pretty much incomprehensible.

Jason: I wish I could think of something other than the episode of The Simpsons where Homer has to wait five days to purchase a gun (”Five days? But I’m mad now!“) and “The Waiting” plays in a montage over the five-day period. Petty is a big Simpsons fan.

Ken: I’ve always liked this one. Petty’s one of those writers who knows how to put the things a lot of us feel into words.

Matthew: I remember a really lovely (and abbreviated) acoustic version of this song played by Petty on an episode of It’s Garry Shandling’s Show. It was the episode where Garry has planned the whole show around his neighbor giving birth, and when she can’t do it on cue Shandling ends up looking for ways to stall. Luckily, his neighbor Tom Petty decides to stop by and drop off Garry’s hedge clippers, which he’d borrowed, and he gets recruited to entertain the audience. Tom ended up appearing a number of times on the show playing a version of himself (this was the first time), but he never sang on the show again.

Darren: Back when a simple video, done with class, could hold your attention. No need to spend 500K and have MTV turn their nose up at it. Of course, this was made before there was an MTV, and the only place you saw it was when Showtime or Cinemax had ten minutes to kill until the next showing of Motel Hell or whatever. I remember not digging “The Waiting” much when it came out. It’s still not one of my absolute favorites.

David: This song seems so quaint now. Love the slide guitar, but … I don’t know. I don’t hate it, not at all. I just … don’t care.

Jeff: One of my favorite Petty tracks. I’m surprised by the number of lukewarm reactions to it — I just assumed this was a universally accepted stone-cold classic of the Petty canon. Every time I listen, disappointed, to a new Petty record, this is what I wish I was hearing instead.

(more…)

Mix Six: “B Sides”

mixsix.gifDOWNLOAD THE FULL MIX HERE

Sorry for the long delay between mixes, kids. Some real-life issues took over for the past few weeks and I had to take a break from Popdose. But things are settling down and I’m back for more fun! This week’s mix is the result of me going through some old 45s from both my mobile DJ days and when my brother and I had a ten-watt pirate radio station broadcasting out of his bedroom. Almost all the 45s in our collection are pretty much Top 40 pop, but one of the great things about 45s was the B side that most ignored — and sometimes for good reason! But sometimes there were good songs on the flip side that were only available “for a limited time.” Translation: “We’re saving them for rereleases or box sets.” Okay, on with it! (Before we get going, my apologies for the crappy pics. I snapped photos of the 45s in my backyard, and from the way I framed them, it’s clear I’m not a photographer. )


“Another Day,” Sting

This is the flip side of “If You Love Somebody Set Them Free,” and it’s really not a throwaway from Sting. It’s not one of his strongest tunes, either, but for a flip side to the lead single from his first solo album, I would say that he gave people a lot of value for $1.49. (more…)

Hey You Kids (Have a Happy New Year And) Get Out Of My Yard!

With Popdose having just rolled off the showroom floor all shiny and new, still full of that “new car smell,” I am chuffed to the ‘nads to be a part of such a venture. Never before has such an intimidating conglomeration of blog talent been gathered to unleash their musical musings upon the world. Truth be told, you, faithful Popdose readers, are some lucky sumbitches.

Seriously, think of Popdose as a real-life Justice League — except, instead of skin-tight spandex, snazzy masks, and flowing capes, the superheroes of the Popdose variety are adorned in ripped sweats, t-shirts with all manner of long-defunct band, record company, or dot.com logos, and mandatory bathrobes with loads of rear ventilation. Don’t let appearances fool you, though. We’re bad-ass. For example, I’ve been known to tag a misbehaving neighbor kid from thirty paces with a well-aimed slipper without spilling a drop of morning java.

Being that the odometer has rolled clean past 999999 on yet another year and we prepare to write “2008” on all checks from this point onward, I’m betting that some of you are filled with a sense of hope that this year will somehow be better than ol’ ’07.

How the fuck could it not be?

To put it simply, 2007 was to music what Pamela Anderson-Lee-Rock-Salomon is to the institution of marriage.

Of course, it wouldn’t be a new year without the barrage of year-end Best Of lists being proffered by every nitwit who has ever fancied themselves a rock critic. So many critics, yet every list seem comprised of the same ten albums. Arcade Fire, Spoon, Feist, Amy Winehouse, Of Montreal, yada yada yada.

How can that be? Were only ten albums released in ’07?

That adult life is no different from high school is never more obvious than when you see critics the world over name-check the same small reservoir of bands and albums, unafraid to admit that they never really got around to listening to the new Sigur Ros CD, but feel compelled to place it high upon their lists nonetheless.

Round up these same scribes and relocate them to the nearest deserted isle with only their year-end Top 10 selections and a solar-powered iPod to keep them company, you can bet your sweet music-loving ass that each one of them would be throwing themselves from the highest cliff or chiseling away at their own ears with a monkey skull and crayfish claw within the hour.

See, that’s what happens when you listen to an Arcade Fire CD minus the roomful of irony-drenched hipsters and kitschy ambience of a slumming socialite’s Lower East End loft.

Airdrop a few copies of my “Antidote For Those Forced To Listen To Their Own Year-End Top 10 List Selections” (see below), and watch just how quickly the last remaining survivors remove their necks from the noose and embrace the care packages with tears pouring from their bloodshot eyes.

If only they hadn’t lopped off their ears and tossed the bloody lumps into the sea that first day.

My irony-free wish for 2008 is that great music is made, embraced, and praised to the ends of the earth by those in a position to bring about change from the sickening sameness that has tainted the well these past umpteen years.

Various Artists/Antidote For Those Forced To Listen To Their Own Year-End Top 10 List Selections (Hey, You Kids! Records)

Beatles – Revolution (acoustic)
Tom Petty & The Heartbreakers – Mary Jane’s Last Dance
Cheap Trick – On Top Of The World
Slow Runner – Usual Chords
Heavens – Dead End Girl
Romantics – What I Like About You
Tourists – Week Days
Guster – One Man Wrecking Machine
Replacements – Talent Show
R.E.M. – At My Most Beautiful