Posts Tagged ‘Tone-Loc’

Unsolicited Career Advice for … D’Angelo

Many thanks to Reader Jeff (an old pal from my Rutgers days) for reminding me about the time Uncle Donnie was invited up on stage at a D’Angelo show to play tambourine. Well, he wasn’t really invited; he just kinda wandered up there. But according to Jeff, Donnie had some mad percussion skills, so much so that D’Angelo didn’t notice him until the encore. Jeff also mentioned the air in the arena was thick with the scent of the stuff we used to smell coming out of “Boner” Bonaski’s room on the weekends. Anyway, Uncle Donnie recently had some words for D’Angelo, and I faithfully reprint them here. – RS

TO: D’Angelo
FROM: Don Skwatzenschitz
RE: Career advice

Nine years? Could it really be nine years since you dropped Voodoo on us, made everyone who heard you a fan, wowed everyone who saw you live with one of the great soul tours of the last two or three decades, excited all the women who thought they were seeing you naked in that video (including Mitzi, my wife—you remember her, don’t you? Five-three, pink and blue floral housecoat, loves cooking with G-13)? Nine years? Halley’s Comet might not come around as often as you release records, but at least we know when we’ll see it again.

That Spin magazine article from last year got us all worried about your apparent drinking problem, but it also gave us hope. Half an album nearly done, maybe even a little more, and progress being made toward completing it? It reminded us you were out there, somewhere, working through your problems, yes, but also creating again. It whetted the appetite, but that’s all. And hell, Maxwell is even back with a new single, a tour, and (allegedly) an album on the way. He also looks like he’s taken to wearing a Mario Van Peebles mask around all day, every day.

Nine years? Time to get back in the game, buddy. But if you don’t want to, I understand. I have some alternatives for you, though. What do you think about the following? (more…)

Popdose Flashback: Tone-Lōc, “Lōc-ed After Dark”

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Tone-Lōc – Lōc-ed After Dark (1989)
purchase this album (Amazon)

There’s no way around this: Tone Lōc’s 1989 debut, Lōc-ed After Dark, is COMPLETELY ADORABLE. The elementary, dubious and occasionally tortured rhyme scheme (”lax-adaiscal’ with “that’s the way to go,” “night” with, uh, “tonight”)! The sustained reports about how skilled a rapper one can be without actually rapping anything! The neurotic reliance employment of the first four break-beats in the history of the world! Lōc-ed After Dark may be the only album with the word “motherfucker” in it you sort of feel like you could play for your kids.

Compared even with the nascent gumball-rap of the time, Lōc-ed — recently reissued in a remarkably inessential “Deluxe Edition” with a couple of recycled remixes and instrumentals — is like an, um, super-chewy gumball. It’s dated like Def Leppard-drummer jokes and lousy with lines that’d seem wacky even in the Camelot Music-era context — mall-shopping, Stroh’s beer, Fila wear (brought up often enough to convince you they kicked in for the studio time) — to say nothing of Lōc’s constant egging on of his DJ in what is an oddly seductive fashion (check out title track, in which Lōc requests the fella to “scratch his back for me,” while he moans, provocatively). Danger is only hinted at; the bad words come infrequently enough to seem like tiny hugs. Even Lōc’s obsession with pot (”Cheeba Cheeba”) comes with caveats both psychological and economical: “It’s not harmful like heroin, and also, it’s cheaper.” See! You’d be silly not to smoke this stuff! (more…)