Posts Tagged ‘Townes Van Zandt’

CD Review: Lyle Lovett, “Natural Forces”

Lyle Lovett - Natural ForcesI was driving home in the late afternoon yesterday. It was one of those autumn days that has spring written all over it. My route took me through that most industrial section on New Jersey that many people who don’t care to know any better think is all that there is of my home state. The sun was taking on the chemical haze, and winning. I was listening to the new Lyle Lovett album, Natural Forces (Curb/Lost Highway), and Lyle’s cover of Townes Van Zandt’s beautiful “Loretta” came on. It made me realize how far I was, both geographically and psychically, from the heart of Texas that produced not only this song, but all of the other songs on the album. It’s a big and varied country, isn’t it?

In the tradition of his magnificent 1998 album Step Inside This House , Lyle Lovett has once again chosen to record songs by his favorite Texas songwriters, including Eric Taylor, Don Sanders, Vince Bell, and of course Townes Van Zandt, and add a few of his own to the mix. The good news is that the Texas writers have done what we expect of them, contributing beautiful, expertly crafted songs to the mix. Foremost among them is Eric Taylor’s stunning “Whooping Crane”. Taylor is a songwriter who should be more well known among the general populace. I also liked Tommy Elskes’ evocative “Bohemia,” Vince Bell’s “Sun And Moon And Stars,” and David Ball’s mournful “Don’t You Think I Feel It Too.” There are very few singers in popular music who convey sorrow and loss as well as Lovett. (more…)

CD Review: Robert Earl Keen, “The Rose Hotel”

Robert Earl Keen - The Rose HotelIt seems that no album by a Texas songwriter would be complete without a tip of the hat to the late master Townes Van Zandt. Guy Clark covered “If I Needed You” on his new album. Steve Earle did a whole album of Townes songs recently. Lyle Lovett has a new album coming out. Sure enough, there’s a cover of “Loretta” on it. Maybe some astute record company should gather some of these covers together for a tribute album.

Robert Earl Keen enlists in the Townes Van Zandt admiration society on his new album, The Rose Hotel (Lost Highway Records). He turns in a chunky, driving re-imagining of the mournful Townes ballad “Flying Shoes.” Another thing that Keen shares with his Texan contemporaries is a wicked sense of humor, and it’s on display on the uproarious “10,000 Chinese Walk Into A Bar,” which features vocals from none other than Billy Bob Thornton.

In addition to the love for Townes Van Zandt, and the ironic sense of humor, the Texans are adept at storytelling, and Keen may be the king of that particular skill among his peers. Sometimes the tales are of the tall variety, but “The Man Behind the Drums” is the true-to-life story of Levon Helm, inspired by a visit to one of Levon’s Midnight Rambles. (more…)

CD Review: Guy Clark, “Somedays the Song Writes You”

Guy Clark - Somedays the Song Writes YouI am honored to play a small role in the wonderful music community centered around Asbury Park, N.J. There are a number of really good bands among us, and we’re particularly fond of our singer/songwriters. Among the standouts in this genre for us are the nihilist poet Rick Barry, the irrepressible Amanda Duncan, and George Wirth, who is the musical link to the Austin, TX songwriters’ scene that this review is ostensibly about. We’re pretty proud of our local musicians, and why not? After all, Asbury Park has produced at least one of the world’s greatest songwriters.

You may have heard that Austin has a music scene all its own. Better? That’s a judgment call. Bigger? Definitely. The stars shine bright in the Austin galaxy. The scene’s most treasured son burned too brightly, and was gone too soon. Hopefully you’re acquainted to some degree with the music of the more well-known figures. Names like Jerry Jeff Walker, Lyle Lovett, Steve Earle, Blaze Foley, Eric Taylor, and the late Townes Van Zandt leap to mind. The younger generation carries the torch in the person of Sam Beam, a.k.a. Iron & Wine. The patriarch of this scene is Guy Clark. He and his wife Susanna nurtured the others at guitar gatherings in their home, much as George and Brenda Wirth do in Asbury Park. Every few years, Guy presents us with the gift of a new album. His latest, Someday the Song Writes You (Dualtone Records), is a master class in Texas songwriting.

When I think about the Texas songwriters, and Guy Clark in particular, the word that always comes to mind is “dignified.” Don’t take that to mean that the music is dull or boring. It’s presented with great humility. Sometimes it’s funny, but rarely brash or boastful. Hard learned life lessons are shared. Hearts are broken. Nothing is conceded. Life goes on. No artist embodies the Texas songwriter zeitgeist more than Guy Clark. He’d probably hate that I just used the word “zeitgeist.” I think I do too. (more…)

CD Review: The Lemonheads, “Varshons”

The Lemonheads’ new album, Varshons (The End Records), kicks off with Gram Parsons’s “I Just Can’t Take It Anymore,” in which the resigned, lovelorn protagonist declares, “Well, we could’ve done a lot / We certainly did not / So I’ll try to do the things I did before.” In his own way, Lemonheads frontman Evan Dando — who is the ‘Heads, for all intents and purposes — is declaring the same: He’s only released two studio albums of original material in the past decade. And though the Lemonheads have recorded a bunch of covers over the years, starting in 1986 with Proud Scum’s “I Am a Rabbit” and including “Luka” and “Mrs. Robinson” along the way, Varshons is the revolving-door band’s first all-covers LP (unless you count his solo 2001 country-covers EP, Griffith Sunset). As Dando told Australia’s Time Off magazine recently, “I refuse to [write songs] on purpose. I’m always playing a guitar, but I refuse to go ‘OK, I’m going to write a fucking song today even if it sucks.’”

Fair enough. So until the next album of Lemonheads or solo Dando originals sees the light of day, we have this collection of 11 songs that Varshons producer Gibby Haynes, otherwise known as the leader of the Butthole Surfers, has put on mix tapes for Dando over the years.

Dando’s goal was for Varshons to have the grab-bag variety of a mix tape, which it achieves in fits and starts, but most of his interpretations here are filtered through his admiration for Parsons and the late musician’s country-rock sensibilities. (The word “versions,” if said with an English accent, will apparently get you “varshons,” but you can also reach that destination by way of a southern twang.)

Hearing Townes Van Zandt’s “Waiting Around to Die” (”His name is codeine / And he’s the nicest thing I’ve seen / Together we’re gonna wait around to die”) in this context isn’t a surprise, but Wire’s “Fragile” and GG Allin’s “Layin’ Up With Linda” aren’t the most likely candidates for steel-guitar revisionism. Punk-rock outlaw Allin was known for his deeply misogynistic lyrics, but Dando makes the black comedy of “Linda” palatable, providing just the right amount of sociopathic pouting to lines like “One day I just got bored and killed her / She used to be fun.” It’s also the third murder ballad by the Lemonheads in as many albums, following Car Button Cloth’s “Knoxville Girl” (1996) and The Lemonheads‘ “Baby’s Home” (2006).

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The Popdose Interview: Justin Townes Earle

Justin Townes EarleJustin Townes Earle is a 27-year-old singer/songwriter who grew up in Nashville, and the son of Americana legend Steve Earle. Justin records for Bloodshot Records. His most recent album, his third, is the critically praised Midnight at the Movies.

After developing some bad habits when he was playing in bands (including his father’s) as a younger man, Justin cleaned up his act and began to focus on his career. “You don’t have to be fucked up or torture yourself to write songs,” explains Justin, “I used to write a lot, a whole lot, and half those songs I don’t even remember. Now, I sit there and I write it and I finish it and I keep it.”

I’ve had the opportunity to see Justin perform live twice. Once on a cold, rainy autumn day in Brooklyn, and more recently at SXSW. He is one of the most charismatic performers that I’ve seen in recent years. I’ve said it before, and I’ll say it again, this guy is going to be a very big star. He is also one of the smartest, most interesting, and outspoken people that I’ve had the pleasure of interviewing. Read on, you’ll see what I mean. (more…)