Triumph was an arena rock staple in the late ’70s and through much of the ’80s, particularly in their native Canada, where they were known for their bombastic, pyro-filled shows, as well as bassist Mike Levine’s inexhaustible collection of sports apparel. They had a few gold records here in the States, and a handful of rock radio hits (“Magic Power,” “Lay It on the Line,” and the like), but never made it to the level of stardom that their countrymen Rush managed to achieve in the same period.

Unlike Rush, whose approach to music has always given the appearance of a united front, Triumph had two distinct, dichotomous camps—the guys who just wanted to rawk yer ballz off (Levine and drummer/vocalist Gil Moore) and the sensitive, progressive-minded Artiste with a capital A (guitarist/vocalist Rik Emmett). Thus, any given Triumph album—say, 1984’s pretty awesome Thunder Seven—would have its share of arena stompers (”Spellbound,” and the Zeppelinesque “Cool Down”) alongside pastoral instrumental passages (”Midsummer’s Daydream”), with an occasional what the fuck moment (”Time Canon”) tossed in for good measure.

Things got pretty ridiculous, though, by 1987, when the band belched out Surveillance. The music was a typical pastiche of the ridiculous (“Rock You Down”), the anthemic (”Never Say Never,” “Carry on the Flame”) and the instrumentally showy (”Intro: Into the Forever,” “Prelude: The Waking Dream”). The liner notes, however, attempted to tie the vast and various incongruous pieces together by attaching a literary quote to introduce each song’s lyrics. The extra percussion you heard was the sound of Aristotle, Lucretius, Alexander Pope, Blaise Pascal, and others rolling in their graves. Or perhaps they were rocking. Anyway, once you got past the pretentiousness, it was … oh wait—it was impossible to get past the pretentiousness.

Hung at the end of Side One (track 6 on the CD), “Let the Light (Shine on Me)” cut through the band’s literary aspirations with a beautiful, steadily building anthem to persistence and commitment. It truly stands as one of Triumph’s more … um … triumphant moments. (more…)