Posts Tagged ‘Van Dyke Parks’

CD Review: Various Artists, “Where the Action Is! L.A. Nuggets 1965 – 1968″

Where the Action Is! L.A. Nuggets 1965 - 1968Just a week or so after tackling Rhino’s massive Big Star release, Keep An Eye on the Sky, I’m back writing about another huge effort from Rhino, Where the Action Is! Los Angeles Nuggets 1965 – 1968. Once again Rhino has released a beautifully constructed, painstakingly researched, and essential four-disc set, this time covering a crucial period in the evolution of rock and roll in Southern California. Few if any other labels are doing this sort of thing these days. If they have the resources, they don’t have the interest, and if they have the interest, they often don’t have the resources. Rhino is presently in the position of having both, but as I said in my Big Star story, we will have to wait to see what the future brings for the label.

At first glance, Where the Action Is!, would seem to be an all-star assemblage of early tracks from bands that went on the bigger things. Disc One (”On the Strip”) features songs from a veritable “Who’s Who” of ’60s California bands who made a name from themselves on L.A.’s Sunset Strip. They include the Byrds, Iron Butterfly, the Doors, the Buffalo Springfield, Sonny & Cher, Captain Beefheart, and Love. Then there are surprises from the Bobby Fuller Four, the Leaves, the Standells, the Seeds, and the Music Machine, bands often written off as one-hit wonders. Finally, there are the tracks heretofore known only to hard-core pop junkies. These efforts come from bands like the Palace Guard, the Sons of Adam, the Joint Effort, and the Guilloteens. Of particular historical interest are songs from a young Lowell George with his band The Factory, and The Rising Sons, led by Ry Cooder and Taj Mahal. There’s the Association with a wonderful cover of Bob Dylan’s “One Too Many Mornings,” and a typically offbeat, and typically compelling track from Spirit, “Girl in Your Eye.” (more…)

Listening Booth: Brian Wilson, “That Lucky Old Sun”

Brian Wilson – That Lucky Old Sun
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“Genius is the ability to make something very complex seem very simple.”

There goes my lead. Brian Wilson speaks to The Guardian, and all of a sudden my starting point is gone. I was going to begin my review of That Lucky Old Sun by saying that it isn’t a work of genius, but rather a very accomplished songwriter, producer, and arranger. I based that statement on the fact that the album is a group of well-written pop songs, beautifully arranged and produced in a fairly straightforward manner.

The problem is, by Wilson’s definition, That Lucky Old Sun is genius. I am reminded once again that only the greats manage to make it look easy.

This album is easily Wilson’s best solo work apart from Brian Wilson Presents SMiLE, and is certainly more accessible than that historic album. Most importantly, That Lucky Old Sun continues Brian’s unlikely but determined comeback as he continues to battle the lingering effects of drug abuse and mental illness. His singing, and speaking (more about that later), are more assured and self-confident than they have been since the glory days of the Beach Boys, and he has surrounded himself with a band that loves his music, and has the talent to prove it. I’ve seen numerous Brian Wilson shows over the last few years, and I have never failed to be impressed by the band’s ability to turn the respect that they have for the composer into musical bliss for the audience.

That Lucky Old Sun also marks Wilson’s return to the scene of some of his greatest triumphs, as well as some of his most profound tragedies, Capitol Records. It was recorded at Capitol’s Hollywood studios, where he first recorded in 1962.

The album itself is a series of songs, co-written with multi-instrumentalist and band member Scott Bennett, created in tribute to Wilson’s hometown of Los Angeles. The songs are linked together by four short narratives, written by longtime Wilson collaborator Van Dyke Parks and spoken by Wilson. According to Wilson, he found himself singing the 1949 classic song “That Lucky Old Sun” last summer. He went out and purchased the Louis Armstrong version, and that became the seed for the work that had its world premiere at Royal Festival Hall in London last September. (more…)