Posts Tagged ‘violence’

DVD Review: “Appaloosa”

Appaloosa (2008, New Line)
purchase this DVD (Amazon)

Even with a DVD release, New Line Cinema pays as little respect to Ed Harris’ brilliant sophomore directorial piece Appaloosa as they did upon its theatrical bow.

When Appaloosa was about to hit theaters, there was so little promotion for it, many people didn’t even know it was about to come out. Then when it did debut, its theatrical performance was so poor thanks to mishandled marketing and competition from much higher profile movies such as Eagle Eye, Miracle at St. Anna and the surprise hit Fireproof, it never had a real chance to make back its modest $20 million budget.

It’s a shame, because Appaloosa–based on the Robert Parker novel about two earnest and fearless lawmen-for-hire (Ed Harris and Viggo Mortensen) who vow to bring to justice an equally evil and fearless murdering rancher (Jeremy Irons)–is a bitingly honest portrayal of men who believe in doing what is right while punishing those who prey upon the fearful, and the difficulties that ensue in achieving their goal when a woman (Renee Zellweger) comes between them.

The DVD has just come out, and the slipshod packaging of the product is so unremarkable that if you hadn’t heard of Appaloosa before and happened to see it on the shelf at your local video store, you’d think this was some slapped-together straight-to-DVD quickie that the cast members would hope you wouldn’t recognize their names on.

The write-up on the back of the DVD cover, which is supposed to entice a potential buyer into picking it up, is written with all the excitement and literary flair one would find in the write-up on the back of a Hellraiser: Part 59 box cover. Many DVDs these days either come out as 2 disc special editions, or with a separate disc allowing owners to make digital copies of the film. Hell, even that Jessica Alba floating turd The Eye got special treatment! Not so with Appaloosa, which comes as a single disc and–as if to openly display New Line’s disdain for the film’s lack of box office success–with both wide and full-screen options on the selfsame disc; a virtual blood oath that no other versions will ever be forthcoming. (more…)

Film Review: “Gran Torino”

Gran Torino finally opened to wide release this weekend, and rapidly earned the number one spot at the box office.

It deserves every single dollar it’s made.

Many have been calling it a type of Dirty Harry film, harking back to the old days when director/star Clint Eastwood (Million Dollar Baby, Changeling) ran around as Callahan, asking punks if they felt lucky before blowing a hole in them with his .44 Magnum. Indeed, the trailers make it seem as if Gran Torino is a last hurrah action film for Eastwood, before he takes his final bow somewhere down the line.

The truth is, Gran Torino is not an action film by any true meaning of the word. Yes, there is action in it, but it’s action not just for the sake of showing some blood and violence; it’s organically grown from the storyline, from the result of consequences brought about by the acts and doings of the characters within the film. In short, Gran Torino is a character piece about an irascible Korean War vet who also happens to be an unrepentant bigot, who doesn’t exactly learn the error of his ways, but learns that some people he hates are better than others, and chooses–just as he did in the war–to stand up for those who can’t stand up for themselves.

It’s an impressive and important thing that Gran Torino is an Eastwood starrer. In many ways, it has to be: the thought of a 78 year-old man going head-on against youthful gang members would be laughable had any other actor played the lead…but because it’s Eastwood, the man who virtually invented scowling, whose fed-up cop Callahan beat the path for all other “loose cannon” cops to follow in his footsteps… the suspension of disbelief necessary to invest in the film not only clicks on automatically, it’s maintained throughout the film without one instance of being lost. Eastwood’s steely gaze, the simmering quiver in his jaw and a patented growl that might very well have belonged to Wolverine’s father, provides much of the dramatic forewarning and humor–yes, there is well-placed humor to be found–for the majority of the picture. (more…)