Posts Tagged ‘Wesley Snipes’

Soundtrack Saturday: “To Wong Foo, Thanks for Everything! Julie Newmar”

I was saddened when I learned earlier this week that Patrick Swayze had died, after losing a hard-fought battle against pancreatic cancer. I knew there’d been at least one false report of his death since he announced his illness last year, so I was skeptical when I saw the first tweet about his passing from one of the news feeds I follow on Twitter. My heart sank when reputable news outlets started to report that his publicist had indeed announced his death. I knew it was going to happen soon, but it doesn’t make me any less sad to see another icon from my childhood suddenly gone.

The moment I learned of Swayze’s death, I knew this week’s column would have to center on one of his films, and I didn’t even give a second thought to which one — it had to be To Wong Foo, Thanks for Everything! Julie Newmar (1995). I’m sure many of you would prefer that I’d dug up the soundtrack to Road House (1989) or Point Break (1991) — and I still might some day — but as passionate as some of you are about those cult classics, I have equally strong feelings about this little movie and Swayze’s performance in it. Before you laugh, hear me out.

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Sugar Water: Break On Through (To Another Side of Acting)

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“A liar lies and a thief steals from you, but a hustler gives you something that you don’t mind parting with your money for. You’re entertained by the meal or the sex or the impression that something is going to happen. You’re given a sense of well-being….” –actor Val Kilmer describing porn star John Holmes, who he portrayed in 2003’s Wonderland

Val Kilmer wants to be the next governor of New Mexico. In fact, as he told the Associated Press in a recent interview, “If I run, I’m going to be the next governor.”

That’s the spirit! After all, Arnold Schwarzenegger had never held public office before he became governor of California in 2003, and by most accounts he’s done an admirable job in that post. But Schwarzenegger was always more of a movie star than an actor, and one reason he got to be such a huge international star was because he was a smart businessman (and, by extension, politician). He promoted action films like Total Recall and comedies like Twins with equal amounts of salesmanship and hyperbole, appearing on as many talk shows and in as many entertainment magazines as he could. He knew he wasn’t a great actor, and he knew his fans didn’t want to see him try anything Oscar-worthy, which is why the clip of him playing a pyrotechnic Hamlet in 1993’s Last Action Hero is the best joke in that otherwise misbegotten attempt at melding Schwarzenegger’s two favorite genres. (“To be or not to be,” he says before deciding on “not to be” and detonating the royal castle.)

Kilmer, however, is much more of an actor than a movie star, despite matinee-idol looks and brief brushes with superstardom in blockbusters like Top Gun (1986), in which he played one of Tom Cruise’s rivals, and Batman Forever (1995), where his Batman was overshadowed by Jim Carrey’s Riddler and Joel Schumacher’s campy direction. (To be fair, 2005’s Batman Begins is the only Batman film that focuses more on the title character than the villains. Even last year’s critically adored The Dark Knight gave more screen time to the Joker and Two-Face.) Kilmer decided not to reprise his role for 1997’s Batman & Robin. This probably pleased Schumacher, who returned for the franchise’s fourth installment and told Premiere magazine in ‘97 that “Val is the most psychologically troubled human being I’ve ever worked with. The tools I used to work with him — tools of communication, of patience and understanding — were the tools I use on my five-year-old godson. Val is not just high-strung. I think he needs help. I say this to you only because I have said it to him.”

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Sugar Water: White Men Can’t Write About Al Jarreau Yet

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Last Sunday I said I would find time to write about Al Jarreau in the coming week, but a few days ago Jeff Giles told me to put my ode to the seven-time Grammy winner on hold for now. That’s because he has something special in the works that will involve several of Popdose’s writers.

Unfortunately for Jeff, I have a problem with authority, so I now present my exclusive interview with Al Jarreau in its entirety:

ME: So were you, like, a huge Moonlighting fan back in the ’80s? I know I was!

AL: I’m embarrassed to say this, but I think I only saw it once. I kept forgetting when it was on. Was it Thursdays?

ME: This interview is over.

Full disclosure: the preceding interview took place in my imagination. But did you see how I totally stormed out of the imaginary hotel suite where I was interviewing Mr. Jarreau? He never knew what hit him.

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Sugar Water: White Men Can’t Convict

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January 12, as I’m sure you remember, was my lawyer/friend Dave-o’s birthday, and in case you’re wondering, I didn’t end up getting him a leather attaché case. What if it rains? Exactly.

Aside from my romantic exploits south of the equator (I am talking about the actual equator, but I’m also talking about sex), I’m not the type to brag, but you should’ve seen the look on Dave-o’s face when I told him he’d be spending his birthday week with me in Ocala, Florida.

He winced. Then he looked like he had to go to the bathroom. Then I ended my dramatic pause and said, “With front-row seats to the celebrity trial of the month! That’s right — Wesley Snipes’s tax protest trial!”

Now who has to go to the bathroom, Dave-o? Actually, I do. Back in a second …

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